Commissioned by the English East India Company to write about contemporary nineteenth-century Delhi, Mirza Sangin Beg walked around the city to capture its highly fascinating urban and suburban extravaganza. Laced with epigraphy and fascinating anecdotes, the city as ‘lived experience’ has an overwhelming presence in his work, Sair-ul Manazil. Interestingly, Beg made no attempt to ‘monumentalize’ buildings; instead, he explored them as spaces reflective of the socio-cultural milieu of the times. Delhi in Transition is the first comprehensive English translation of Beg’s work, which was originally published in Persian. It is the only translation to compare the four known versions of Sair-ul Manazil, including the original manuscript located in Berlin, which is being consulted for the first time. Shama Mitra Chenoy’s exhaustive introduction and extensive notes, along with the use of varied styles in the book to indicate the multiple sources of the text, contextualize Beg’s work for the reader and engage him with the debate concerning the different variants of this unique and eclectic work.

This work is an annotated translation of Mirza Sangin Beg's Sair-ul Manazil which is one of the last works on Delhi written in Persian. The editor introduces the text to the readers and then proceeds with the translation on the basis of comparison of the four existing copies of the text including the Berlin manuscript which is being consulted for the first time. It depicts the early nineteenth-century Delhi as a city in transition. The original work was commissioned by the English East India Company between 1818 and 1820 and it documents the layout of the city and the author's observations regarding the buildings, habitations, bazars, localities, residences, individuals, as well as anecdotes of city life and expressions of rich local cultures.

A forensic look into the Sepoy rebellion at Meerut in 1857 and the three-month siege and capture of Delhi which followed.

This is the first history of Indian music and musicians during the transition from Mughal to British rule, c.1748-1858.

No other city in the Indian subcontinent can lay claim to having so many lives as Delhi. This book examines Delhi in the politically and culturally dynamic nineteenth century which was marked midway by the 1857 uprising against British colonial rule as a watershed event. Following British occupation, Delhi became a receptacle for encounters between the centuries-old Mughal traditions and the incoming colonial ideal, producing a traditionalism-modernity binary. Employing the built environment lens, the book traces the architectural trajectory of Delhi as it transitioned from the seventeenth-century Mughal Badshahi Shahar (imperial city) first into a culturally hybrid Dilli-Delhi combine of the pre-uprising era and thereafter into a modern British city following the uprising. This transition is presented via four constructs that draw on the traditionalism-modernity binary of Mughal and British Delhi and include Marhoom Dilli (Dead Delhi); Picturesque Delhi; Baaghi Dilli (Insurgent Delhi) and Tamed Delhi. The book goes beyond the nineteenth century to examine the vestiges of Delhi’s four nineteenth-century lives in the present while making a case for their acknowledgement as a cultural asset that can propel the city’s urban development agenda. By bringing together the city’s past and its present as well as addressing its future, the book can count among its readers not just scholars but also those interested in cities and their evolving landscapes.

Africa is currently experiencing sociopolitical and economic changes of unprecedented proportions. New leaders, institutions, discourses, and methods of political organization and action are shaping a new future. Through a case-study approach, this essay collection provides a comprehensive analysis of the history, trajectory, actors, institutions, contradictions, failures, and opportunities in contemporary efforts at democratization in Africa. While presenting the dynamics of democracy and democratization in several African countries, they also look at critical issues in Africa's transition projects from political parties and elections through constitutions and constitutionalism to new structures of power and politics. A provocative analysis for scholars, students, researchers, and policy makers involved with African political and economic development.

'Caste' is today almost universally perceived as an ancient and unchanging Hindu institution preserved solely by a deep-seated religious ideology. Yet the word itself is an importation from sixteenth-century Europe. This book tracks the long history of the practices amalgamated under this label and shows their connection to changing patterns of social and political power down to the present. It frames caste as an involuted and complex form of ethnicity and explains why it persisted under non-Hindu rulers and in non-Hindu communities across South Asia.