"Amanda E. Lance places Historic Deerfield's extraordinary collection of delftware on view for the first time in this book made possible by the Ray J. and Anne K. Groves Publication Fund. A specialist in the fields of ceramics, silver, and glass, Ms. Lange's meticulous research on tin-glazed earthenware - commonly called delft - will both engage and enlighten readers of this new publication which has been prepared to accompany a major exhibition on view at the western Massachusetts museum through November 2002. Delftwave at Historic Deerfield, 1600-1800 is the first in a series of catalogues featuring the museum's nationally renowned decorative arts collections."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Tin-glazed earthenware has been made in Europe since the 15th century. In Britain, floor tiles and drug pots were made in Aldgate, London in the 16th century by immigrant potters from the Low Countries. In the early 17th century, factories making dishes and other wares were set up in London close to the River Thames. Their products were initially much influenced by Chinese porcelain as well as by Italian maiolica. Manufacture spread from London to centres such as Bristol, Liverpool and Dublin. Known as 'gally ware' in the 17th century, this type of pottery has come to be known as 'delftware' from the Dutch town of Delft which was renowned for its manufacture ... The British Museum collection of delftware, which was established in the later part of the 19th century, is one of the finest in the world. It is especially notable for the number of pieces bearing dates and for those which document historical personages and events. This beautifully illustrated book will feature more than 140 items from this extensive collection and include pieces which have never before been fully described or published in colour."--Publisher's description.

A highly original and much-needed collection that explores the impact of Asian and Indian Ocean trade on the art and aesthetic sensibilities of New England port towns in the late eighteenth and early nineteenth centuries. This diverse, interdisciplinary volume adds to our understanding of visual representations of economic and cultural changes in New England as the region emerged as a global trading center, entering the highly prized East Indies trades. Examining a wide variety of commodities and forms including ceramics, textiles, engravings, paintings, architecture, and gardens, the contributors highlight New Englanders' imperial ambitions in a wider world. This book will appeal to a broad audience of historians and students of American visual art, as well as scholars and students of fine and decorative arts.