This book sheds new light on Indian communication cultures and the critical philosophical trajectories of Gilles Deleuze and Felix Guattari. It explores issues such as contemporary communication cultures in India, nationalism, subjectivities, negotiating and protesting bodies, music on social media, children on reality television, and the materialities of Indian films. The book provides a balance between issues of communication from a philosophical perspective and issues of philosophy from a communication perspective in the Indian context. This engaging examination of two modes of thought is an important resource for anyone interested in communication studies, modern philosophy, cultural and media studies.

Caste, Communication and Power explores communication and the constitution of caste in Indian society. Intimately connected, both communication and caste are determined by historical developments. The book looks at communication as a lens to study caste and power relations, with its immense potential to shape perception and affect ground reality. It also studies the evolution of the conceptual and theoretical foundations of caste and power relations, and maps their emergence from communicative resources and practices. These communication practices are inevitably linked to the social structure, with their reliance on symbolic forms of self-expression, often revealing the underlying ideological attitudes. The book studies this interface of culture and media, evaluating the caste question and the associated power relations in terms of modes of communication practised in the society.

This volume examines the shift toward positive and more accurate portrayals of mental illness in entertainment media, asking where these succeed and considering where more needs to be done. With studies that identify and analyze the characters, viewpoints, and experiences of mental illness across film and television, it considers the messages conveyed about mental illness and reflects on how the different texts reflect, reinforce, or challenge sociocultural notions regarding mental illness. Presenting chapters that explore a range of texts from film and television, covering a variety of mental health conditions, including autism, post-traumatic stress disorder (PTSD), depression, and more, this book will appeal to scholars of sociology, cultural and media studies, and mental health.

This volume reflects on different regional and national experiences of the Covid 19 pandemic, with contributions from India, Thailand, Singapore, Australia, Italy, United States, and Canada. This book draws upon a number of approaches but especially the works of Deleuze and Guattari, Agamben, Derrida, Foucault, Habermas, Latour, and Serres. It looks at the methodological aspects of treating the pandemic, focuses on laying out the posthuman condition of the event largely problematizing the immanence of life which affirms the transversal Deleuzian ethic of life, and extends the politics of life to the domain of immunology. Together, the authors make it apparent that the pandemic is a multifaceted event, or many different kinds of events – virological, informational, phenomenological, social, and discursive. The authors skilfully develop these different dimensions of the pandemic event and show the relations between them. These essays will enrich the reader’s understanding of the pandemic and its effects, while demonstrating the depth and breadth of the resources that humanities scholarship can mobilize to help us understand such phenomena. This volume will be useful to students of posthumanism, medical humanities, health communication, political communication, semiotics, literature, cultural theories, and major strains of thought from contemporary continental philosophy.

This book presents a pragmatic engagement between the philosophy of Deleuze and Guattari and various facets of Indian society, culture and art. The universal appeal of the philosophy of Deleuze and Guattari finds its due place in India with a set of innovative analyses and radical interpretations that reimagine India as a complex multiplicity. The volume brings together scholars from various disciplines and theoretical orientations to explore a wide range of issues in contemporary India, like dalit and caste studies, nationalism, gender question, art and cinema, and so on under the rubric of Deleuzo-Guattarian philosophy. This interdisciplinary book will be useful to scholars and researchers of philosophy, anthropology, cultural studies, sociology, postcolonial studies and South Asian studies.

Cast in the background of the uprising against the armed forces in Kashmir in the late 1980s, Lost in Terror is the tale of a young, educated, career-conscious woman who finds herself sucked into a maelstrom of death and destruction. She also cherishes the dream of Azadi and plays strong to face the wrath of Indian soldiers. But when she finds her husband’s discreet links with gunmen obsessed with the dream of Azadi, she becomes fragile and begins to lose her hold on her home, her relationships and Azadi itself. When her dreams for a perfect family and a thriving career are turned upside down and her life comes to a standstill due to the turmoil around her, fate offers her a leap of faith—but will she take it?

Boundaries, borders and margins are related concepts and realities, and each of these can be conceptualized and organized in closed or open ways—with degrees of closure or openness. The logics of stasis and closure, as well as cults of exclusivist and exclusionary sovereignty, are reflected and embodied in the closed xenophobic conceptualization and organization of boundaries, borders and margins. But, an open conceptualization of the borderlands, where mixing and hybridity take place at a rapid, even dizzying, pace, gives rise to Creolization—at the threshold of sovereignties, which can also be imagined. At present, our border zones are spaces of anxiety-ridden security arrangements, violence and death. The existing politics of boundary maintenance is wedded to a cult of sovereignty at various levels, which produces bare lives, bodies and lands. We need the new art of border-crossing to be defined by the notion of camaraderie and shared sovereignties and non-sovereignties. Border zones can also be zones of meetings, communication, transcendence and festive celebration of the limits of our identities. Thus, we need a new art and politics of boundary transmutation, transformation and transcendence, in the broadest possible sense, that entails the production of spatial, scalar, somatic, cognitive, affective and spiritual transitions.