The Americas appear as an evocative setting in more than half of Daniel Defoe's novels, and often offer a new beginning for his characters. In the first full-length study of Defoe and colonialism, Dennis Todd explores why the New World loomed so large in Defoe's imagination. By focusing on the historical contexts that informed Defoe's depiction of American Indians, African slaves, and white indentured servants, Dennis Todd investigates the colonial assumptions that shaped his novels and, at the same time, uncovers how Defoe used details of the American experience in complex, often figurative ways to explore the psychological bases of the profound conversions and transformations that his heroes and heroines undergo. And by examining what Defoe knew and did not know about America, what he falsely believed and what he knowingly falsified, Defoe's America probes the doubts, hesitancies, and contradictions he had about the colonial project he so fervently promoted.

This book focuses on the pervasive concern with narrativity and self-construction that marks Defoe’s first-person fictional narratives. Defoe’s fictions focus obsessively and elaborately on the act of storytelling—not only in his creation of idiosyncratic voices preoccupied with the telling (and often the concealing) of their own life stories but also in his narrators’ repeated adversion to other, untold stories that compete for attention with their own. Defoe’s narratives raise profound questions about selfhood and agency (as well as demonstrate competing attitudes about narration) in his fictive worlds. His canon exhibits a broad range of first-person fictional accounts, from pseudo-memoir (A Journal of the Plague Year, Memoirs of a Cavalier) to criminal autobiography (Moll Flanders) to confession (Roxana), and the narrators of these accounts (secretive, compulsive, fractive) exhibit an array of resistances to the telling of their life stories. Such experiments with narration evince Defoe’s deep involvement in projects of self-description and -delineation, as he interrogates the boundaries of the self and dramatizes the arduousness of self-accounting. Defoe’s fictions are emphatically consciousness-centered and the significance of such a focus to the development of the novel is patently as great as is his “realistic” style. Defoe’s narrative project, in fact, challenges current views on the moment at which inwardness and interiority begin, as Lukács argued, to comprise the subject matter of the novel, implicitly attributing to identity and consciousness a place of signal and complex importance in the new genre.

Innovative in its structure and approach, Daniel Defoe in Context contains 42 essays by leading scholars illuminating the life, times, and world of Daniel Defoe. Defoe is one of the most important literary figures in English history, thanks not only to his pioneering novels Robinson Crusoe and Moll Flanders, but also to his notable works in journalism, travel writing, conduct literature, and verse, both satiric and serious. Written with general readers and students in mind, the essays in this volume provide up-to-date knowledge about eighteenth-century literature, culture, and history in a high quality, clearly written, but completely accessible form. Together they demonstrate the ways not only in which Defoe's world shaped his writing, but also in which Defoe's writings profoundly affected his world, and therefore our world.

The Oxford Handbook of Daniel Defoe is the most comprehensive overview available of the author's life, times, writings, and reception. Daniel Defoe (1660-1731) is a major author in world literature, renowned for a succession of novels including Robinson Crusoe, Moll Flanders, and A Journal of the Plague Year, but more famous in his lifetime as a poet, journalist, and political agent. Across his vast oeuvre, which includes books, pamphlets, and periodicals, Defoe commented on virtually every development and issue of his lifetime, a turbulent and transformative period in British and global history. Defoe has proven challenging to position--in some respects he is a traditional and conservative thinker, but in other ways he is a progressive and innovative writer. He therefore benefits from the range of critical appraisals offered in this Handbook. The Handbook ranges from concerns of gender, class, and race to those of politics, religion, and economics. In accessible but learned chapters, contributors explore salient contexts in ways that show how they overlap and intersect, such as in chapters on science, environment, and empire. The Handbook provides both a thorough introduction to Defoe and to early eighteenth-century society, culture, and literature more broadly. Thirty-six chapters by leading literary scholars and historians explore the various genres in which Defoe wrote; the sociocultural contexts that inform his works; his writings on different locales, from the local to the global; and the posthumous reception and creative responses to his works.

Brings together three parts of "Robinson Crusoe" and examines their relationship. This work contains editorial material that includes a substantial introduction to each novel, explanatory endnotes, textual notes, and a consolidated index.

The concept of a personal identity was a contentious issue in the early eighteenth century. John Locke’s philosophical discussion of personal identity in An Essay Concerning Human Understanding fostered a public debate upon the status of an immortal Christian soul. This book argues that Defoe, like many of this age, had religious difficulties with Locke’s empiricist analysis of human identity. In particular, it examines how Defoe explores competitive individualism as a social threat while also demonstrating the literary and psychological fiction of any concept of a separated, lone identity. This foreshadows Michel Foucault’s assertion that the idea of man is ‘a recent invention, a figure not yet two centuries old, a new wrinkle in our knowledge’. The monograph’s engagement with Defoe’s destabilization of any definition or image of personal identity across a wide range of genres – including satire, political propaganda, history, conduct literature, travel narrative, spiritual autobiography, piracy and history, economic and scientific literature, rogue biography, scandalous and secret history, dystopian documentary, science fiction and apparition narrative - is an important and original contribution to the literary and cultural understanding of the early eighteenth century as it interrogates and challenges modern presumptions of individual identity.

This book describes the principles of Baconian science, and their influence on the thought and writing of Daniel Defoe.