Defining Women explores the social and cultural construction of gender and the meanings of woman, women, and femininity as they were negotiated in the pioneering television series Cagney and Lacey, starring two women as New York City police detectives. Julie D'Acci illuminates the tensions between the television industry, the series production team, the mainstream and feminist press, various interest groups, and television viewers over competing notions of what women could or could not be--not only on television but in society at large. Cagney and Lacey, which aired from 1981 to 1988, was widely recognized as an innovative treatment of working women and developed a large and loyal following. While researching this book, D'Acci had unprecedented access to the set, to production meetings, and to the complete production files, including correspondence from network executives, publicity firms, and thousands of viewers. She traces the often heated debates surrounding the development of women characters and the representation of feminism on prime-time television, shows how the series was reconfigured as a 'woman's program,' and investigates questions of female spectatorship and feminist readings. Although she focuses on Cagney and Lacey, D'Acci discusses many other examples from the history of American television.

Second, Revised EditionTo what are we referring when we speak of women? What is the nature of women in society; what is the nature of women in society? These are the central questions of this classic text which looks at areas ranging from England and Greece to Mongolia and Africa. The authors - anthropologists, sociologists, ethnologists, neurologists and psychologists - consider the structural position of women; how they are defined by reference to physiological and social markers, and how they are required to behave. They also consider ways in which different cultures identify and deal with such `natural' aspects of women as virginity, sexuality and childbearing. The broad variety of geographical perspectives reveals dissimilar as well as similar ideas about women - in their use of language and of space, matrifocality, and life trajectories.

Thirteen professional women recount the career challenges they've faced and how they have overcome bias, sexism, and the power imbalance.

Defining Women is a major in-depth analysis of the social, economic and political position of women in contemporary societies. It explores the ways in which social institutions, practices and discourse define women and their position in present-day societies. The book examines the essential debates about the social construction of gender divisions in and by the key institutions of the labour market and the state. Focussing on notions of power, dependence and equality, it addresses questions of the differences between women and men, and between women themselves, in the economy and civil society. Women's political struggles to challenge their subordinate position are also assessed. The recognition of the diverse interests of women currently poses a real challenge to the central project of feminism, but Defining Women confidently argues for it's future. This book will be widely used as a text book in feminism and women's studies and will have a broad interdisciplinary appeal.

One of today’s most original thinkers on gender offers a provocative take on the current feminist movement, exploring “desire as the force shaping our identifies, the paradoxes of liberation politics, and her own gender transition” (Bookforum). “[Females] is always smart, sometimes sincere, and unpredictable about when it will pinch your arm or clutch its nails around your heart.” —Vice Everyone is female, and everyone hates it. Females is Andrea Long Chu’s genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire. Drawing inspiration from a forgotten play by Valerie Solanas—the woman who wrote the SCUM Manifesto and shot Andy Warhol—Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn. She even has a few barbs reserved for feminists like herself. Each step of the way, she defends the indefensible claim that femaleness is less a biological state and more a fatal existential condition that afflicts the entire human race—men, women, and everyone else. Or maybe she’s just projecting. A thrilling new voice who has been credited with launching the “second wave” of trans studies, Chu shows readers how to write for your life, baring her innermost self with a morbid sense of humor and a mordant kind of hope.

This revised edition includes a New Intergalactic Introduction by the Author. Mary Daly's New Intergalactic Introduction explores her process as a Crafty Pirate on the Journey of Writing Gyn/Ecology and reveals the autobiographical context of this "Thunderbolt of Rage" that she first hurled against the patriarchs in 1979 and no hurls again in the Re-Surging Movement of Radical Feminism in the Be-Dazzling Nineties.

This edited collection attempts to revive a unified anthropological approach to the study of sex and gender hierarchies. Seventeen distinguished contributors - from cultural anthropology, physical anthropology, archaeology, and anthropological linguistics - have produced a wealth of fascinating data on human and primate, ancient and contemporary, and 'primitive' and developed societies, covering topics such as mothering and child care, work, health, intrafamily relationships, and public power. The interdisciplinary approach successfully contributes to the development of better theory and methodology in anthropology.