PRE-ORDER THE NEW MASTER OF WAR NOVEL BY DAVID GILMAN, TO KILL A KING – COMING IN FEBRUARY 2024 'Heart-pounding action' The Times FRANCE: 1356. Ten years ago, the greatest army in Christendom was slaughtered at Crécy. Archer Thomas Blackstone stood his ground and left that squalid field a knight. He has since carved out a small fiefdom in northern France, but the wounds of war still bleed and a traitor has given the King of France the means to destroy the English knight and his family. As the traitor's net tightens, so the French King's army draws in. Blackstone will stand and fight. He will defy his friends, his family and his king. He may yet defy death, but he can't defy his destiny: MASTER OF WAR.

A LEGEND FORGED IN BATTLE: Thomas Blackstone must face an implaccable foe as the 100 Years' War enters its bloodiest phase.

France, 1356. Ten years ago, the greatest army in Christendom was slaughtered at Crecy when Thomas Blackstone and his fellow archers stood their ground and rained death on the steel-clad might of French chivalry. Blackstone left that squalid field a knight. Now, Blackstone commands a war band and has carved out a small fiefdom in northern France. But the wounds of war still bleed and a traitor has given the King of France the means to destroy first his family, and then the English knight himself. As the traitor's net tightens, so the French King's army draws in. Blackstone will stand and fight - in pitched battle and in single combat. He will defy his friends, his family and his king. He may yet defy death, but he can't defy his destiny.

Man is spirit. But what is spirit? Spirit is the self. But what is the self? The self is a relation which relates itself to its own self, or it is that in the relation [which accounts for it] that the relation relates itself to its own self; the self is not the relation but [consists in the fact] that the relation relates itself to its own self. Man is a synthesis of the infinite and the finite, of the temporal and the eternal, of freedom and necessity; in short, it is a synthesis.

The world's greatest contrarian confronts his own death in this brave and unforgettable book. During the American book tour for his memoir, Hitch-22, Christopher Hitchens collapsed in his hotel room with excruciating pain in his chest. As he would later write in the first of a series of deeply moving Vanity Fair pieces, he was being deported 'from the country of the well across the stark frontier that marks off the land of malady.' Over the next year he experienced the full force of modern cancer treatment. Mortality is at once an unsparingly honest account of the ravages of his disease, an examination of cancer etiquette, and the coda to a lifetime of fierce debate and peerless prose. In this moving personal account of illness, Hitchens confronts his own death - and he is combative and dignified, eloquent and witty to the very last.

PRE-ORDER THE NEW MASTER OF WAR NOVEL BY DAVID GILMAN, TO KILL A KING – COMING IN FEBRUARY 2024 'Page-turning and gritty' Daily Mail Amid the carnage of the 100 Years War – the bloodiest conflict in medieval history – a young English archer confronts his destiny... England, 1346: For Thomas Blackstone the choice is easy – dance on the end of a rope for a murder he did not commit, or take up his war bow and join the king's invasion. As he fights his way across northern France, Blackstone learns the brutal lessons of war – from the terror and confusion of his first taste of combat, to the savage realities of siege warfare. Vastly outnumbered, Edward III's army will finally confront the armoured might of the French nobility on the field of Crécy. It is a battle that will change the history of warfare, a battle that will change the course of Blackstone's life, a battle that will forge a legend.

With more than half its population under twenty years old, Iran is one of the world's most youthful nations. The Iranian state characterizes its youth population in two ways: as a homogeneous mass, "an army of twenty millions" devoted to the Revolution, and as alienated, inauthentic, Westernized consumers who constitute a threat to the society. Much of the focus of the Islamic regime has been on ways to protect Iranian young people from moral hazards and to prevent them from providing a gateway for cultural invasion from the West. Iranian authorities express their anxieties through campaigns that target the young generation and its lifestyle and have led to the criminalization of many of the behaviors that make up youth culture. In this ethnography of contemporary youth culture in Iran's capital, Shahram Khosravi examines how young Tehranis struggle for identity in the battle over the right to self-expression. Khosravi looks closely at the strictures confronting Iranian youth and the ways transnational cultural influences penetrate and flourish. Focusing on gathering places such as shopping centers and coffee shops, Khosravi examines the practices of everyday life through which young Tehranis demonstrate defiance against the official culture and parental dominance. In addition to being sites of opposition, Khosravi argues, these alternative spaces serve as creative centers for expression and, above all, imagination. His analysis reveals the transformative power these spaces have and how they enable young Iranians to develop their own culture as well as individual and generational identities. The text is enriched by examples from literature and cinema and by livid reports from the author's fieldwork.