Defending Albion is the first published study of Britain's response to the threat of invasion from across the North Sea in the first two decades of the Twentieth Century. It examines the emergency schemes designed to confront an enemy landing and the problems associated with raising and maintaining the often derided Territorial Force. It also explores the long-neglected military and political difficulties posed by the spontaneous and largely unwanted appearance of the 'Dad's Army' of the Great War, the Volunteer Force.

The First World War claimed over 995,000 British lives, and its legacy continues to be remembered today. Great War Britain: West Sussex offers an intimate portrayal of the county and its people living in the shadow of the 'war to end all wars'. A beautifully illustrated and highly accessible volume, it describes local reaction to the outbreak of war; charts the experience of individuals who enlisted; the changing face of industry; the work of the many hospitals in the area; the effect of the conflict on local families; the women who defied convention to play a vital role on the home front; and concludes with a chapter dedicated to how the county and its people coped with the transition to life in peacetime once more. The Great War story of West Sussex is told through the testimony of those who were there and is vividly illustrated with evocative images from the archives of West Sussex County Council and local museums.

William Mitchinson analyses the role and performance of the Territorial Force during the first two years of World War I. The study looks at the way the force was staffed and commanded, its relationship with the Regular Army and the War Office, and how most of its 1st Line divisions managed to retain and promote their local identities.

While a plethora of studies have discussed why so many men decided to volunteer for the army during the Great War, the experiences of those who were called up under conscription have received relatively little scrutiny. Even when the implementation of the respective Military Service Acts has been investigated, scholars have usually focused on only the distinct minority of those eligible who expressed conscientious objections. It is rare to see equal significance placed on the fact that substantial numbers of men appealed, or were appealed for, on the grounds that their domestic, business, or occupational circumstances meant they should not be expected to serve. David Littlewood analyses the processes undergone by these men, and the workings of the bodies charged with assessing their cases, through a sustained transnational comparison of the British and New Zealand contexts.

"A breathless, exhilarating crash course in the low morality of high finance" Independent Serious Money is perhaps Caryl Churchill's most notorious play. A satirical study of the effects of the Big Bang, it premiered at the Royal Court in 1987 and transferred to the West End. Since then, it has prompted city financiers the world over to applaud and decry its presentation of their lives. British Telecom refused to provide telephones for the Wyndham's production, writing to say that "This is a production with which no public company would wish to be associated". This student edition contains a chronology of the playwright's life and work; an introduction giving the background to the play, a discussion of the various interpretations and notes on individual words and phrases in the text.

Softcops renders the philosophy of Foucault as a music-hall turn and Victorian freakshow "theatre and history combine to give such intelligent fun" (TLS); Top Girls brings five great and less-than-great women from history together for a dinner party and "has a combination of directness and complexity which keeps you both emotionally and intellectually alert" (Sunday Times); Fen scrutinises the lives of the low-paid women potato pickers of the fens (in Eastern England) and "the playwright pins down her poetic subject matter in dialogue of impressive vigour and economy" (Financial Times) while Serious Money is a satirical study of the effects of the Big Bang - "Pure genius...the first play about the city to capture the authentic atmosphere of the place." (Daily Telegraph)