Defections from the People’s Republic of China (PRC) were an important part of the narrative of the Republic of China (ROC) in Taiwan during the Cold War, but their stories have previously barely been told, less still examined, in English. During the 1960s, 70s and 80s, the ROC government paid much special attention to these anti-communist heroes (fangong yishi). Their choices to leave behind the turmoil of the PRC were a propaganda coup for the Nationalist one-party state in Taiwan, proving the superiority of the "Free China" that they had created there. Morris looks at the stories behind these headlines, what the defectors understood about the ROC before they arrived, and how they dealt with the reality of their post-defection lives in Taiwan. He also looks at how these dramatic individual histories of migration were understood to prove essential differences between the two regimes, while at the same time showing important continuities between the two Chinese states. A valuable resource for students and scholars of 20th century China and Taiwan, and of the Cold War and its impact in Asia.

In The Geography of Injustice, Barak Kushner argues that the war crimes tribunals in East Asia formed and cemented national divides that persist into the present day. In 1946 the Allies convened the Tokyo Trial to prosecute Japanese wartime atrocities and Japan's empire. At its conclusion one of the judges voiced dissent, claiming that the justice found at Tokyo was only "the sham employment of a legal process for the satisfaction of a thirst for revenge." War crimes tribunals, Kushner shows, allow for the history of the defeated to be heard. In contemporary East Asia a fierce battle between memory and history has consolidated political camps across this debate. The Tokyo Trial courtroom, as well as the thousands of other war crimes tribunals opened in about fifty venues across Asia, were legal stages where prosecution and defense curated facts and evidence to craft their story about World War Two. These narratives and counter narratives form the basis of postwar memory concerning Japan's imperial aims across the region. The archival record and the interpretation of court testimony together shape a competing set of histories for public consumption. The Geography of Injustice offers compelling evidence that despite the passage of seven decades since the end of the war, East Asia is more divided than united by history.

Politics of the North Korean Diaspora examines how authoritarian security concerns shape global diaspora politics. Empirically, it traces the recent emergence of a North Korean diaspora – a globally-dispersed population of North Korean émigrés – and argues that the non-democratic nature of the DPRK homeland regime fundamentally shapes diasporic politics. Pyongyang perceives the diaspora as a threat to regime security, and attempts to dissuade emigration, de-legitimate diasporic voices, and deter or disrupt diasporic political activity, including through extraterritorial violence and transnational repression. This, in turn, shapes the North Korean diaspora's perceptions of citizenship and patterns of diasporic political engagement: North Korean émigrés have internalized many host country norms, particularly the civil and participatory dimensions of democratic citizenship, and émigrés have played important roles in both host-country and global politics. This Element provides new empirical evidence on the North Korean diaspora; demonstrates that regime type is an important, understudied factor shaping transnational and diasporic politics; and contributes to our understanding of comparative authoritarianism's global impact.

Oren re-examines Japan’s threat perception during the first two decades of the Cold War, using a wide range of source materials, including many unavailable in English, or only recently declassified. There is a widely shared misconception that during the Cold War the Japanese were largely shielded from threats due to the American military protection, the regional balance of power, Japan’s geographical insularity, and domestic aversion to militarism. Oren dispels this, showing how security threats pervaded Japanese strategic thinking in this period. By dispelling this misconception, Oren enables us to more accurately gauge the degree to which Japan’s threat perception has evolved during and after the end of the Cold War and to enhance our understanding of Tokyo’s strategic calculus in the current situation of rivalry between China and the United States. This book will be of great value to both scholars of Japanese history and contemporary international relations.

Tsuchiya presents a new insight into the political roles of science and technology during the Cold War era in Asia. The Cold War was not only a battle of conflicting ideologies and economic systems, but also a competition of cultures and lifestyles, and a battle to win the hearts and minds of people in developing countries. Tsuchiya argues that science and technology were an integral part of how culture was deployed strategically. She discusses the 1950s and early 1960s: the Eisenhower and Kennedy presidencies in the U.S., and the decolonization and nation-building efforts in Japan, South Vietnam, Burma, and Indonesia. She also sheds light on the way U.S. technological aid programs such as Foreign Atoms for Peace, and the overseas information program were received by Asian leaders, technocrats, and scientists. Provides valuable insight for scholars of Cold War History in Asia and US Foreign Policy.

Singers generating cultural identity from K-Pop to Beverly Sills Around the world and across time, singers and their songs stand at the crossroads of differing politics and perspectives. Levi S. Gibbs edits a collection built around the idea of listening as a political act that produces meaning. Contributors explore a wide range of issues by examining artists like Romani icon Esma Redžepova, Indian legend Lata Mangeshkar, and pop superstar Teresa Teng. Topics include gendered performances and the negotiation of race and class identities; the class-related contradictions exposed by the divide between highbrow and pop culture; links between narratives of overcoming struggle and the distinction between privileged and marginalized identities; singers’ ability to adapt to shifting notions of history, borders, gender, and memory in order to connect with listeners; how the meanings we read into a singer’s life and art build on one another; and technology’s ability to challenge our ideas about what constitutes music. Cutting-edge and original, Social Voices reveals how singers and their songs equip us to process social change and divergent opinions. Contributors: Christina D. Abreu, Michael K. Bourdaghs, Kwame Dawes, Nancy Guy, Ruth Hellier, John Lie, Treva B. Lindsey, Eric Lott, Katherine Meizel, Carol A. Muller, Natalie Sarrazin, Anthony Seeger, Carol Silverman, Andrew Simon, Jeff Todd Titon, and Elijah Wald