Deep Minds Anonymous by Madiha is a thought provoking debut collection of poetry, poetic prose and quotes. Her words aim to bring women goddesses to light and appreciate their beauty that is overlooked . The women who so often go through the shadows of darkness and still fight like brave warriors, conquering over the battles of life. The women who endure so much and get so little admiration and love for all that they are and for all that they have endured in life. Those Brave Goddesses should be celebrated and that's what many of her poems endeavor to achieve.Her soulful poetry aims to touch the hearts and penetrate through the very souls of her readers because poetry doesn't have to rhyme; it only has to touch one in all the places where hands can't reach. She believes in penning down words which hold the magical power to cure and heal the deepest of cuts. For Madiha, words can change one's life; they have the ability to make one rise from the ashes of their own life. She wishes to inspire her readers through inspirational poems and quotes to become who they want to be in life. Her words hope to arouse and motivate her readers to rise like a sun and shine like a moon. Her mind runs deep; thoughts run wild inside her head and the only escape they can find is poetry, words that can no longer stay caged inside force their way onto paper and into people's heart.

a collection of poetry by Nausicaa written in May, June and July 2015 subjects include: hope, inspiration, love, freedom, wisdom and depth.

"In recent years, anonymity has rocked the political and social landscape. The examples are many: an anonymous whistleblower revealed a quid-pro-quo verbal promise made by Donald Trump to Ukrainian president Volodymyr Zelensky, the hacker group Anonymous compromised more than 100 million Sony accounts, and the bestselling author Elena Ferrante insistently refused to reveal her real name and identity. In Anonymous, Thomas DeGloma sets out to provide a sociological theory that accounts for the many faces of anonymity, describing the social forces that give anonymity its unique power in our society. He asks a number of pressing questions about the social conditions and effects of anonymity: What is anonymity, and why, under various circumstances, do individuals act anonymously? How do individuals accomplish anonymity? How do they use it, and, in some situations, how is it imposed on them? What are the implications of anonymous actions, for various relationships, and for society in general, for better or for worse? To answer these questions, DeGloma tackles anonymity thematically, dedicating each chapter to a distinct type of anonymous action. These span what DeGloma calls protective anonymity (when anonymity allows people to take action that would be impossible or unsafe if their identity were known), subversive anonymity (when actors use anonymity to escape scrutiny or punishment, whether for liberatory or nefarious purposes), or ascribed anonymity (when people become effectively anonymous because their individual attributes are subsumed in a generic category such as racial typification). Ultimately, he uncovers how meanings are made and conveyed in anonymous interactions and situations, explores the ways that anonymity can be imposed on individuals in some relationships, and helps us better understand the consequences of anonymous performances and ascriptions of anonymity for all those involved"--

a collection of poetry by Nausicaa written in July, August and September 2015. Subjects include: hope, inspiration, love, freedom, wisdom and depth.

It’s an Age of Abundance. No longer do humans struggle to meet their basic needs. Arguably, they live better than kings of old. But despite this, it’s the intelligence explosion that steals the limelight; technological innovations come so rapidly that they create a backlash. The risks to the new world order are just too great. And now there’s talk of both a nano man--comprised of a shape-shifting swarm of nanites--and a human with the god gene. Even with a planetary ubermind to keep things under control, fears are that one or another of them will be able to hack the ubermind. Have they done so already? And if so, how long after they settle their score with one another to see who's top dog before they're free to mess with the entire human race? For one woman and the two men that love her, these concerns are more than simply academic. You see, one of the three carries the god gene. Pick up a copy now to see if the very thing that truly makes us stronger--our relationships--survives the latest onslaught of a technology that hits like a tsunami wave. NOTE: CONCEIVED IN THE SPIRIT OF IAIN M. BANKS’ CULTURE SERIES, THE NOVELS IN THE AGE OF ABUNDANCE SERIES, LIKEWISE, ARE STAND-ALONE BOOKS THAT CAN BE READ IN ANY ORDER. THEY FEATURE DIFFERENT CASTS OF CHARACTERS. THE AGE OF ABUNDANCE IN WHICH THE STORIES ARE SET SPANS FROM THE NEAR FUTURE TO THE FAR FUTURE. IN THE EVENT ANY OF THE AGE OF ABUNDANCE NOVELS ARE SERIALIZED, THEN THE SAME CAST WOULD PREVAIL. I.E. THE GOD GENE 2.

A brilliant and penetrating look behind the scenes of modern American politics, Primary Colors is a funny, wise, and dramatic story with characters and events that resemble some familiar, real-life figures. When a former congressional aide becomes part of the staff of the governor of a small Southern state, he watches in horror, admiration, and amazement, as the governor mixes calculation and sincerity in his not-so-above-board campaign for the presidency.

First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century