A great and frequently subversive book by a lyric poet at the height of her craft. Throughout her seven critically acclaimed collections, Sidney Wade has established herself as a poet with a serious but light touch, capable of the clarity and inventiveness it takes to work a problem to both pleasure and resolution. Playing with and challenging form in all directions, the 27 new and 96 selected poems in Deep Gossip bristle with a sly wit that trips and delights the reader. Inspired by landscape, language, music, and living things, as well as the occasional bout of political outrage, Deep Gossip is a smart collection. Praise for Other Books by Sidney Wade "The quick, closely observed poems in Sidney Wade's beguiling Bird Book move from page to page like their subjects—in flight, on air, a murmuration sweeping across the horizon."—William Souder "Sidney Wade's linguistic and philosophical turns in Bird Book confirm that she is both the supreme heir to Wallace Stevens and one of the most original poets in the language."—Randall Mann "This is a beautiful, wise, and timely collection."—Daniel Anderson "As impressive and thrillingly exact as these poems are concerning matters ornithological, it is the exquisite music —'earth-sprung, bright, and resonant'—of Wade's radically short line that so enchants me, the free play of interlinear rhyme, phonemic harmonies, and small bursts of metrical rhythms that yield more vitality and delight than any gathering of poems I have encountered in a very long time."—B. H. Fairchild "Her poems [are] . . . a particular and splendid instance of what Hopkins meant by 'poetry proper, the language of inspiration.' "—Richard Howard

Maps the intricate relationship between culture, politics, and sexuality over three centuries - now in paperback!

This book presents interviews with eight gay men who are celebrated American poets and writers, discussing their early lives, friends and communities that shaped their work, histories of gay writers before them, how sex and desire connect with artistic production, and what coming out means to a writer.

a particular and splendid instance of what Hopkins meant by 'poetry proper, the language of inspiration.' "—Richard Howard

In this innovative study, Benjamin Kahan traces the elusive history of modern celibacy. Arguing that celibacy is a distinct sexuality with its own practices and pleasures, Kahan shows it to be much more than the renunciation of sex or a cover for homosexuality. Celibacies focuses on a diverse group of authors, social activists, and artists, spanning from the suffragettes to Henry James, and from the Harlem Renaissance's Father Divine to Andy Warhol. This array of figures reveals the many varieties of celibacy that have until now escaped scholars of literary modernism and sexuality. Ultimately, this book wrests the discussion of celibacy and sexual restraint away from social and religious conservatism, resituating celibacy within a history of political protest and artistic experimentation. Celibacies offers an entirely new perspective on this little-understood sexual identity and initiates a profound reconsideration of the nature and constitution of sexuality.

This book suggests that gossip can be used as an interpretive key to understand more of early Christian identity and theology. Insights from the multi disciplinary field of gossip studies help to interpret what role gossip plays, especially in relation to how power and authority are distributed and promoted. A presentation of various texts in Greek, Hebrew and Latin shows that the relation between gossip and gender is complex: to gossip was typical for all women and risky for elite men who constantly had to defend their masculinity. Frequently the Pastoral Epistles connect gossip to false teaching, as an expression of deviance. On several occasions it is argued that various categories of women have to avoid gossip to be entrusted duties or responsibilities. “Old wives’ tales” are associated with heresy, contrasted to godliness in which one had to train one self. Other passages clearly suggest that the false teaching resembles feminine gossip by use of metaphorical language: profane words will spread fast and uncontrolled like cancer; what the false teachers say is tickling in the ear, and their mouth must be stopped or silenced. The Pastoral Epistles employ terms drawn from the stereotype of gossip as rhetorical devices in order to undermine the masculinity and hence the authority, of the opponents.

Modernity is made and unmade by the anecdotal. Conceived as a literary genre, a narrative element of criticism, and, most crucially, a mode of historiography, the anecdote illuminates the convergences as well as the fault lines cutting across modern practices of knowledge production. The volume explores uses of the anecdotal in exemplary case studies from the threshold of the early modern to the present.