A new edition of the biography of Dallas' own Deep Ellum. Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area’s long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield—using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources—reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music.

A mile east of the School Book Depository in downtown Dallas lies a section of the city called Deep Ellum. Because of the area's long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield - using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources - reveal another side of Deep Ellum which includes Central Track, an area lined with black-owned business which served both black and white patrons during its heyday in the 1920s and 30s.

Christopher Wilkinson uncovers a fascinating and unexplored side of American musical and social history in this richly detailed account of Don Albert's musical career and the multicultural forces that influenced it. Albert was born Albert Dominque in New Orleans in 1908. Wilkinson discusses his musical education in the Creole community of New Orleans and the fusion of New Orleans jazz and the Texas blues styles in the later 1920s during his tenure with Troy Floyd's Orchestra of Gold. He documents the founding of Albert's own band in San Antonio, its tours through twenty-four states during the 1930s, its recordings, and its significant reputation within the African American community. In addition to providing a vivid account of life on the road and imparting new insight into the daily existence of working musicians, this book illustrates how the fundamental issue of race influenced Albert's life, as well as the music of the era. Albert's years as a San Antonio nightclub owner in the 1940s and 1950s saw the rise in popularity of rhythm and blues and the decline of interest in jazz. There was also increasing racial animosity, which Albert resisted by the successful legal defense of his right to operate an integrated establishment in 1951. In the two decades before his death in 1980, his performances in Dixieland jazz bands and interviews with oral historians concerning his own career were the fitting climax to a multifaceted musical life. Albert's voice and personality, his feelings and opinions about the music he loved, and the obstacles he faced in performing and promoting it, are artfully conveyed in Wilkinson's fluid, accessible, and erudite narrative. Jazz on the Road shows the importance of live performance in bringing jazz to America, and succeeds brilliantly in depicting an era, a locale, and a way of life.

The richly diverse ethnic heritage of the Lone Star State has brought to the Southwest a remarkable array of rhythms, instruments, and musical styles that have blended here in unique ways and, in turn, have helped shape the music of the nation and the world. Historian Gary Hartman writes knowingly and lovingly of the Lone Star State’s musical traditions. In the first thorough survey of the vast and complex cultural mosaic that has produced what we know today as “Texas music,” he paints a broad, panoramic view, offers analysis of the origins of and influences on specific genres, profiles key musicians, and provides guidance to additional sources for further information. A musician himself, Hartman draws on both academic and non-academic sources to give a more complete understanding of the state’s remarkable musical history and ethnic community studies with his first-hand knowledge of how important music is as a cultural medium through which human beings communicate information, ideas, emotions, values, and beliefs, and bond together as friends, families, and communities. The History of Texas Music incorporates a selection of well-chosen photographs of both prominent and less-well-known artists and describes not only the ethnic origins of much of Texas music but also the cross-pollination among various genres. Today, the music of Texas—which includes Native American music, gospel, blues, ragtime, swing, jazz, rhythm and blues, conjunto, Tejano, Cajun, zydeco, western swing, honky tonk, polkas, schottsches, rock & roll, rap, hip hop and more—reflects the unique cultural dynamics of the Southwest.

Texas Blues allows artists to speak in their own words, revealing the dynamics of blues, from its beginnings in cotton fields and shotgun shacks to its migration across boundaries of age and race to seize the musical imagination of the entire world. Fully illustrated with 495 dramatic, high-quality color and black-and-white photographs—many never before published—Texas Blues provides comprehensive and authoritative documentation of a musical tradition that has changed contemporary music. Award-winning documentary filmmaker and author Alan Govenar here builds on his previous groundbreaking work documenting these musicians and their style with the stories of 110 of the most influential artists and their times. From Blind Lemon Jefferson and Aaron “T-Bone” Walker of Dallas, to Delbert McClinton in Fort Worth, Sam “Lightnin’” Hopkins in East Texas, Baldemar (Freddie Fender) Huerta in South Texas, and Stevie Ray Vaughan in Austin, Texas Blues shows the who, what, where, and how of blues in the Lone Star State.

Police Detective Ted Hinton has a murder to solve, but is unsure that the suspect they have in custody is the killer. But, how to prove it, especially, when an angry mob shows up at the City Jail to take his prisoner out and hang him for the crime? Thats when an old friend, Texas Ranger Sergeant A.J. Morales shows up. Morales is a former Dallas cop who left the force to join the Marines during the First World War. Returning to a heros welcome he was offered a job as a Texas Ranger, and he accepted. Ten years of chasing banditos through the Rio Grande Valley, or putting corrupt officials behind bars has produced a man tough as nails and good with a gun. Morales has survived being shot, stabbed, or clubbed a dozen times and is unafraid to face the mob. He is even less afraid to take on the real killers who committed MURDER IN DEEP ELLUM. But, can he do so before his star witness is murdered? And, can he overcome the treachery he will face in the city he used to serve? Set against the backdrop of Prohibition and the Great Depression, MURDER IN DEEP ELLUM takes place in Dallas, Texas in early 1930. It is a story that pits good versus evil in a town where some people think they can get away with anything, even murder.

The history of Dallas is speckled with the lean, the determined and the obstinately opinionated--fighters who brought the city up out of the prairie. Ride with Nicholas Sparks, who christened the soil with his blood, and stand with Henry Ervay, the mayor who challenged one of the most powerful governors Texas has known. Bonnie Parker shot her way to infamy, while Corinne Maddox solved her stalker problem with two pocket guns. Herbert Noble pushed his luck to the breaking point. Jacob Rubenstein avenged his fallen idol. Accompany Josh Foreman and Ryan Starrett into a largely forgotten Dallas, where citizenship was a matter of gumption.