Moving back and forth in time from the 1930s to the 1960s to the present, this luminous first novel uncovers the heartbreaking legacy of the Eagen family of New Orleans, Irish Catholics of "mixed blood" in a city where race defines fate. A haunting novel of family loyalty and relations between the races.

In 1821, John James Audubon, a tutor on a Louisiana plantation, becomes involved in the mysterious death of the plantation's mistress.

"You have lost everything, yes?" Everything? Henry thought; he considered the word. Had he lost everything? Fleeing New Orleans as Hurricane Katrina approaches, Henry Garrett is haunted by the ruins of his marriage, a squandered inheritance, and the teaching job he inexplicably quit. He pulls into a small Virginia town after three days on the road, hoping to silence the ceaseless clamor in his head. But this quest for peace and quiet as the only guest at a roadside motel is destroyed when Henry finds himself at the center of a bizarre and violent tragedy. As a result, Henry winds up stranded at the ramshackle motel just outside the small town of Marimore, and it's there that he is pulled into the lives of those around him: Latangi, the motel's recently widowed proprietor, who seems to have a plan for Henry; Marge, a local secretary who marshals the collective energy of her women's church group; and the family of an old man, a prisoner, who dies in a desperate effort to provide for his infirm wife. For his previous novels John Gregory Brown has been lauded for his "compassionate vision of human destiny" as well as his "melodic, haunting, and rhythmic prose." With A Thousand Miles From Nowhere, he assumes his place in the tradition of such masterful storytellers as Flannery O'Connor and Walker Percy, offering to readers a tragicomic tour de force about the power of art and compassion and one man's search for faith, love, and redemption. "John Gregory Brown is a writer I've long admired, and this new novel is his best book yet. A Thousand Miles from Nowhere is a marvelous depiction of one man's stumbling journey from despair toward a hard-won redemption."-Ron Rash

Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? Werner Sollors examines these questions and others in "Neither Black nor White yet Both," a fully researched investigation of literary works that, in the past, have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between." From the origins of the term "race" to the cultural sources of the "Tragic Mulatto," and from the calculus of color to the retellings of various plots, Sollors examines what we know about race, analyzing recurrent motifs in scientific and legal works as well as in fiction, drama, and poetry. Copyright © Libri GmbH. All rights reserved.

Explores how the trope of racial passing continues to serve as a touchstone for gauging public beliefs and anxieties about race in this multiracial era. The first volume to focus on the trope of racial passing in novels, memoirs, television, and films published or produced between 1990 and 2010, Passing Interest takes the scholarly conversation on passing into the twenty-first century. With contributors working in the fields of African American studies, American studies, cultural studies, film studies, literature, and media studies, this book offers a rich, interdisciplinary survey of critical approaches to a broad range of contemporary passing texts. Contributors frame recent passing texts with a wide array of cultural discourses, including immigration law, the Post-Soul Aesthetic, contemporary political satire, affirmative action, the paradoxes of “colorblindness,” and the rhetoric of “post-racialism.” Many explore whether “one drop” of blood still governs our sense of racial identity, or to what extent contemporary American culture allows for the racially indeterminate individual. Some essays open the scholarly conversation to focus on “ethnic” passers—individuals who complicate the traditional black-white binary—while others explore the slippage between traditional racial passing and related forms of racial performance, including blackface minstrelsy and racial masquerade.

Divine Father was an opportunity for me to explore masculinity, the male spirit, and the relationship between feminine and masculine energy. It was an opportunity for me to reflect, to examine what I think and believe about what it means to be a man in todays world, how and when I stifle that spirit, and what I can do to touch and release the Divine Father that exists within me. It was an opportunity for me to reflect on the important concepts of balance, my changing role of son, spouse, father, grandfather and all the masculine possibilities that still exist for each of us. Chick Moorman, Author of Parent Talk, Talk Sense to yourself and many more The Divine Father will inspire both men and women to let go of fear and embrace the reality that we are one. The daily sutras, prayers, contemplations and invocations are wonderful tools to sustain the true masculine energy in all of us. Cloe Madanes, author of Relationship Breakthrough Divine Father is filled with wisdom, heart, and a world of uplifting ideas. Men will surely benefit from these noble ideas and exercises, and women will gain much too. Thank you, Ivonne, for offering vision, inspiration, practical tools, and hope. Surely the world will be better for readers absorbing and living these noble truths. Alan Cohen, author of A Deep Breath of Life. I trust that this wonderful book by Ivonne Delaflor will inspire many to create balance as the basis of true holistic experience and its resultant fulfillment. Master Charles Cannon, Spiritual Director of Synchronicity Foundation for Modern Spirituality

This reader’s guide provides uniquely organized and up-to-date information on the most important and enjoyable contemporary English-language novels. Offering critically substantiated reading recommendations, careful cross-referencing, and extensive indexing, this book is appropriate for both the weekend reader looking for the best new mystery and the full-time graduate student hoping to survey the latest in magical realism. More than 1,000 titles are included, each entry citing major reviews and giving a brief description for each book.