Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo

Celebrates body decorations through color photographs and commentaries that describe the evolution of different practices throughout history and its role in specific special occasions.

The plastics industry is a major player for consumer items, notably for the automotive, consumer electronics and packaging industries, and is necessarily very active in innovation. As a result, moulded thermoplastics are achieving new heights in decorative appearance and quality. Many striking aesthetic effects are possible by employing new polymer blends coupled with a diverse range of decoration and surface treatment technologies. These can produce three-dimensional and tactile finishes, high definition images, flawless high gloss and metallic surfaces, as well as effects ranging from imitation materials, interferential colours, colour gradients, colour change and travel, gloss and matte combinations, and even acoustic or olfactory effects. Manufacturing processes to achieve these include several types of in-mould film, coating or decorating technique, relatively recent technologies to improve surface quality, as well as traditional separate decorating or coating processes such as dry offset; flexographic; inkjet; pad and screen printing; foil transfer; labelling; laser marking; plating; spray coating; and vacuum deposition. This unique book analyses and compares recent trends in each of over 20 types of mainstream manufacturing process and 10 classes of sensory effect they can produce. Supported by over 100 tables, a 3-year sampling of over 1,000 mentioned patent documents and hundreds of commercial developments helps to identify the main trends and their innovators, key innovative clusters and the most sought-after effects, as well as provide indications for the future.

This exciting collection of work from leading feminist scholars including Elspeth Probyn, Penelope Deutscher and Chantal Nadeau engages with and extends the growing feminist literature on lived and imagined embodiment and argues for consideration of the skin as a site where bodies take form - already written upon but open to endless re-inscription. Individual chapters consider such issues as the significance of piercing, tattooing and tanning, the assault of self harm upon the skin, the relation between body painting and the land among the indigenous people of Australia and the cultural economy of fur in Canada. Pierced, mutilated and marked, mortified and glorified, scarred by disease and stretched and enveloping the skin of another in pregnancy, skin is seen here as both a boundary and a point of connection - the place where one touches and is touched by others; both the most private of experiences and the most public marker of a raced, sexed and national history.

A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR

The apocalyptic clashes of culture between the land-hungry whites and the American Indians, which reached their climax in the latter half of the nineteenth century, were among the most tragic of all wars ever fought. These conflicts pitted one civilization against another, neither able to comprehend or accommodate the other. To the victor went domination of the continent, to the vanquished the destruction of their way of life. This volume describes those who took part in these wars, focusing on the Plains Indians such as the Sioux and the Cheyenne, the Apache peoples of the south-west, and their implacable foe, the US Cavalry.

What is the nature of athletic performance? This book offers an answer to this fascinating question by considering the relationship between sport, technology and the body. Specifically, it examines cultural resistance to the enhancement of athletes and explores the ways in which performance technologies complicate and confound our conception of the sporting body. The book addresses concerns about the technological "invasion" of the "natural" body to investigate expectations that athletic performances reflect nothing more than the actual capacity of the untainted athlete. By examining a series of case studies, including Paralympic sprinter Oscar Pistorius, Fastskin swimsuits, hypoxic chambers and an array of illicit substances and methods, the book distinguishes between internal and external technologies to highlight the ways that performance enhancement, and public reaction to it, can be read. Sport, Technology and the Body offers a powerful challenge to conventional views of athletic performance that stand authenticity against artifice, integrity against corruption, and athletic purity against technological intrusion. It is essential reading for all serious students of the sociology, culture or ethics of sport.