Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.

Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.

A key refrain in Reformed theology is that God's Spirit trumpets the message of salvation through Jesus Christ into every nook and cranny of the universe--but how? And in what way does this cosmic truth touch and shape the mundane reality of our lives and our world? In this distillation of his Warfield Lectures, delivered at Princeton Theological Seminary in spring 2014, leading Reformed theologian Cornelis van der Kooi examines the relationship of the Holy Spirit to Jesus Christ. He demonstrates how a fuller understanding of the interplay between Christology and pneumatology can encourage the Christian church to have open eyes and ears for the inbreaking of God's "incredibly benevolent force" into the cosmological emptiness of today's world.

This book reflects the wide-spread belief that the twenty-first century is evolving in a significantly different way to the twentieth, which witnessed the advance of human rationality and technological progress, including urbanisation, and called into question the public and cultural significance of religion. In this century, by contrast, religion, faith communities and spiritual values have returned to the centre of public life, especially public policy, governance, and social identity. Rapidly diversifying urban locations are the best places to witness the emergence of new spaces in which religions and spiritual traditions are creating both new alliances but also bifurcations with secular sectors. Postsecular Cities examines how the built environment reflects these trends. Recognizing that the 'turn to the postsecular' is a contested and multifaceted trend, the authors offer a vigorous, open but structured dialogue between theory and practice, but even more excitingly, between the disciplines of human geography and theology. Both disciplines reflect on this powerful but enigmatic force shaping our urban humanity. This unique volume offers the first insight into these interdisciplinary and challenging debates.

In The Holy Spirit as Communion, Leon Harris examines the pneumatologies of Colin Gunton and Frank Macchia. For both theologians, the doctrine of the Holy Spirit is foundational to understanding their doctrine of God, Christology, and ecclesiology. Drawing on the theme of communion, The Holy Spirit as Communion expresses the concept that the Holy Spirit is the person who perfects the divine nature and personhood of the Father and Son. It is the Holy Spirit who perfects the eternal communion within the divine Trinity, which is the source of the divine action that also perfects the communion in creation as an expression of the Father’s will through Jesus Christ. The Holy Spirit as Communion explores the essentiality of the Holy Spirit through a unique approach to Spirit Christology: Gunton is represented by a radicalized version of Chalcedon Christology, and Macchia formulates his account through the overarching metaphor of “Spirit baptism.” Therefore, the doctrine of God, Christology, ecclesiology, and eschatology cannot be construed without a proper account of pneumatology that takes into consideration the eschatological perfecting work of the third person of the Trinity—who perfects creation’s koinonia as a gift from the Father through the grace of Jesus Christ.

Hitler's Theology investigates the use of theological motifs in Adolf Hitler's public speeches and writings, and offers an answer to the question of why Hitler and his theo-political ideology were so attractive and successful presenting an alternative to the discontents of modernity. The book gives a systematic reconstruction of Hitler's use of theological concepts like providence, belief or the almighty God. Rainer Bucher argues that Hitler's (ab)use of theological ideas is one of the main reasons why and how Hitler gained so much acquiescence and support for his diabolic enterprise. This fascinating study concludes by contextualizing Hitler's theology in terms of a wider theory of modernity and in particular by analyzing the churches' struggle with modernity. Finally, the author evaluates the use of theology from a practical theological perspective. This book will be of interest to students of Religious Studies, Theology, Holocaust Studies, Jewish Studies, Religion and Politics, and German History.

This book highlights how the diverse nature of spiritual practices are experienced and manifest through the medium of popular music. At first glance, chapters on Krishnacore, the Rave Church phenomenon and post-punk repertoire of Psychic TV may appear to have little in common; however, this book draws attention to some of the similarities of the nuances of spiritual expression that underpin the lived experience of popular music. As an interdisciplinary volume, the extensive introduction unpacks and clarifies terminology relating to the study of religion and popular music. The cross-disciplinary approach of the book makes it accessible and appealing to scholars of religious studies, cultural studies, popular music studies and theology. Unlike existing collections dealing with popular music and religion that focus on a specific genre, this innovative book offers a range of music and case studies, with chapters written by international contributors.