Deco dandy contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences of decorative modernism, nationalism, gender and sexuality in the years surrounding World War I converge in the protean figure of the 'deco dandy'. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important and productive moments in the history of the cultural life of Paris presented in the book provide insights into the changing role performed by consumerism, masculinity, design history and national identity.

Scholarly interest in Art Deco has grown rapidly over the past fifty years, spanning different academic disciplines. This volume provides a guide to the current state of the field of Art Deco research by highlighting past accomplishments and promising new directions. Chapters are presented in five sections based on key concepts: migration, public culture, fashion, politics, and Art Deco’s afterlife in heritage restoration and new media. The book provides a range of perspectives on and approaches to these issues, as well as to the concept of Art Deco itself. It highlights the slipperiness of Art Deco yet points to its potential to shed new light on the complexities of modernity.

An aura of mystery has surrounded Tamara de Lempicka since she was born, not in Warsaw in 1902, as she claimed, but according to official records in 1898 in Moscow. The beautiful and scandalous Tamara was the extravagant muse of Art Deco, an icon of the roaring twenties, and a successful painter of intensely sensual portraits that were powerfully sculptural with Cubist lines, embellished with sophisticated decorative elements. Cool colors, cramped spaces and stark contrasts between light and shade surround the unforgettable faces of rich, elegant, emancipated, and theatrical women fixed in their existential melancholy. The catalogue includes a careful selection of unforgettable paintings and valuable historic photographs offering us a fascinating thematic reconstruction of the personal and professional aspects of Tamara's life, including the places she lived, her involvement in the sophisticated fashion world of the period, and her studies of the nude, as well as her still-lifes and portraits. Contents: Tamara's worlds: from Russia to Mexico; Still life - a recurring theme in Lempicka's work, with echoes and references that range from 17th-century Flemish painting, to the rediscovery of trompe-l'oeil in the 1930s to1950s, and contemporary photography; Devotion - a constant theme in Lempicka's oeuvre is religious. It is identified and analyzed in terms of the art of the period. Portraits - Paintings and drawings are analyzed, and the initial classical sources pointed up, as well as how they relate to modern photography and cinematography. A section is dedicated to the portraits of children; The nude - The study of the nude from mannerist sources to the photography of Albin-Guillot e Brassaï; Fashion - Lempicka's close ties to the fashion world examined through her paintings, her experience as a photographic model, and her sophisticated wardrobe. Published to accompany an exhibition at Palazzo Chiablese, Turin (19 March - 30 August 2015).

Ambitious and comprehensive history of the female detective in Hollywood film from 1929 to 2009.

The senses in interior design examines how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors. The chapters explore how the body navigates and negotiates the realities of designed interiors and challenge the traditional focus on star designers or ideal interiors that have left sensorial agency at the margins of design history. From the sensually gendered role of the fireplace in late sixteenth century Italy to the synaesthetic décors of Comte Robert de Montesquiou and the sensorial stimuli of Aesop stores, each chapter brings a new perspective on the central role that the senses have played in the conception, experiences and uses of interiors.

Volume II surveys the history of fashion from the nineteenth-century to the present day. Covering the period beginning with mass industry and ending with calls for sustainability, this volume challenges the meaning of modernity and modernism from a global perspective and reflects on important scholarship that has changed our understanding of the relationship between fashion and colonialism. Empires shifted and new powers rose, with fashion marking and contending with this change. The volume concludes with a critical view of fashion and globalisation, and explores the deep connections between the fashion industry, the global economy, and the politics of production and wearing in the contemporary world.