Using data from archaeological excavations, patent filings, and marketing catalogs, this book provides a broad view of the introduction, spread, and use of mass-produced coffin hardware in North America. At the book's heart is a standardized typology of coffin hardware that recognizes stylistic and functional changes and a fresh look at the meanings and uses of the various motifs and decorative elements. Within the discussion of mass-produced coffin hardware in North America is new work connecting the North American industry with its British antecedents and a fresh analysis of the prime factors that led to the introduction and spread of mass-produced coffin hardware. Extensively illustrated with examples of coffin hardware to aid scholars and professionals in identification.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Grave takes a ground-level view of how burial sites have transformed over time and how they continue to change. As a cemetery tour guide, Allison C. Meier has spent more time walking among tombstones than most. Even for her, the grave has largely been invisible, an out of the way and unobtrusive marker of death. However, graves turn out to be not always so subtle, reverent, or permanent. While the indigent and unidentified have frequently been interred in mass graves, a fate brought into the public eye during the COVID-19 pandemic, the practice today is not unlike burials in the potter's fields of the colonial era. Burial is not the only option, of course, and Meier analyzes the rise of cremation, green burial, and new practices like human composting, investigating what is next for the grave and how existing spaces of death can be returned to community life. Object Lessons is published in partnership with an essay series in The Atlantic.

Legends of abandoned old graveyards and some not so abandoned abound-the crying dog in the cemetary well, the wandering ghost of Long Tom March, who carries a deck of cards and won't rest until he finds a winning poker hand. Next to a graveyard where an arm is buried, the old piano in the fogotten church plays. These and other tales along with some more recent real-life experiences will intrigue you, skeptic or not. Read the tales with an open mind. They are for pleasure, a bit of paranormal, a little seriousness, and hopefully a laugh or two. If you are a nonbeliever in the supernatural, you may change your skepticism is etched in stone. Then again the author learned that nothing is etched in stone forever. This humorous book also includes some unusual coffins, tombstones, and epitaphs as well as some early Texas burial traditions.