This is the second in a trilogy of works by the famed Bengali novelist Bankimcandra Chatterji (1838-1894), and the second to be translated by Julius Lipner. The first, Anandamath, or The Sacred Brotherhood was published by OUP in 2005. Bankim Chatterji was perhaps the foremost novelist and intellectual mediating western ideas to India in the latter half of the 19th century. Debi Chaudhurani is a didactic work that champions a particular interpretation of Hindu dharma and wifely duties reflective of the late 19th-century Calcutta context in which it was written. But the story is also compelling. Written in a conversational style, it features surprising plot twists and ideas that are, even today, revolutionary in their daring. Most notably, Bankim makes a woman the embodiment of Lord Krishna's salvific message, as originally enunciated in the Bhagavad Gita. The protagonist, Debi, is a complex figure who is a rejected wife, becomes a bandit queen, represents a goddess figure, and symbolizes the land of India. There is a creative tension between her strength as a leader and her correct role, from the perspective of the author, as a domestic wife. Bankim also focuses on caste and what it means to be a genuine Brahmin, who is transformed by the author into a man who executes responsibilities instead of demanding privileges. Within the context of the teachings of the Gita, the author shares his vision of social activism to improve India. Lipner's idiomatic translation is enhanced by his detailed commentary on the original Bengali text and by a readable introduction that sets the novel and its ideas in context.

The second in a trilogy of works by Bankimchandra Chatterji, this novel deals with issues of gender, caste, religion, and social activism, and had a profound influence in forging national identity in colonial India. This translation makes this important work newly available in a complete and readable version.

This is the second in a trilogy of works by the Bengali novelist Bankimcandra Chatterji (1838-1894). 'Debi Chaudhurani' is a didactic work that champions a particular interpretation of Hindu dharma and wifely duties reflective of the late 19th-century Calcutta context in which it was written.

In Unveiling Desire, Devaleena Das and Colette Morrow show that the duality of the fallen/saved woman is as prevalent in Eastern culture as it is in the West, specifically in literature and films. Using examples from the Middle to Far East, including Iran, India, Pakistan, Bangladesh, Thailand, Japan, and China, this anthology challenges the fascination with Eastern women as passive, abject, or sexually exotic, but also resists the temptation to then focus on the veil, geisha, sati, or Muslim women’s oppression without exploring Eastern women’s sexuality beyond these contexts. The chapters cover instead mind/body sexual politics, patriarchal cultural constructs, the anatomy of sex and power in relation to myth and culture, denigration of female anatomy, and gender performativity. From Persepolis to Bollywood, and from fairy tales to crime fiction, the contributors to Unveiling Desire show how the struggle for women’s liberation is truly global.

International Journal of Research, abbreviated as IJR is an international peer reviewed, internationally refereed, online, open-access journal published monthly. International Journal of Research (IJR) represents a revolution in scholarly journal publishing platform. A pioneering effort in liberal, open access publishing with fast and high quality peer review that brings journal publishing to the doorstep of every researcher and student. We believe that quality information should be free and accessible universally in this day and age. The ideology of an open-access journal is in being free for all and IJR will be free for all to read and share.

This work is an intensive study of certain facets of social and intellectual life in Bengal between 1872 and 1905, particularly Hindu revivalism. The period under discussion represents significant progress in the area of social and religious reform as well as a period which witnessed hostile attitudes towards such reforms. This is probably the first major work concerning the controversy that surrounded the Brahmo Marriage Bill of 1868–72 and the Consent Bill of 1890–92. The major source material for this book comprises contemporary Bengali literature, including essays, newspaper articles and correspondence, novels, short stories, drama, and poetry. Though this study purports to be a history of intellectual life in Bengal and the broader intellectual trends and movements, it is largely an examination of certain developments centred in or around Calcutta.