In one of the most well-known churches in America, Saint Patrick's Cathedral, on the day before Easter a murder has occurred. Now, it is up to Lieutenant Will Palmer to lead a team from the New York City Police Department - NYPD, as they investigate the murder of a controversial, yet beloved Roman Catholic priest.

Shane was fighting for his life. Now, he’s fighting for revenge… After surviving the bloody ordeal of the Iron Tournament, retired marine and ghost hunter Shane Ryan is out for blood. He’s hot on the trail of Guthrie, the man who organized the supernatural fighting ring. And behind him lurks Lazarus, the sinister entity who draws power from the dead… Shane’s search takes him north, to the frozen wilderness of Canada. There, in a remote town nestled among the dark trees, Lazarus’ evil power has been unleashed. A host of spirits have been freed to stalk a nearby graveyard. And they inhabit the townsfolk, controlling them like ghastly puppets. But as Shane and his allies battle these living dead, he quickly discovers the true depths of Lazarus’ evil. The dark spirit is using these servants to build a cathedral, a monument to his dark power. And if this diabolical church is completed, Lazarus’ power will become impossible to contain… And it just might be the end of the world as we know it.

T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times