A New Kencyrath Novel! Jamethiel Knorth, Priest's Bane and Dream-Weaver, has returned victorious from Tai-tastigon, but trouble dogs the Kencyrath. There is intrigue among the Highborn. The Randir and his allies want the larger houses to decide for all nine, which would strip the Highlordship from the Knorth. At Omiroth, a senile king struggles against his venal son-in-law—but if neither of these can rule, the next in line is a mother-dominated child. Kindrie Soul-Walker is captured and thrown in a secret dungeon, a political prisoner. And a Kendar administrator, dissatisfied with the use that Jame is making of the gates, schemes against her, and then against her house and her brother, Torisen Black Lord, Highlord of the Kencyrath. While Tori defends Gothregor and Kindrie rots a secret captive, Jame rides south to Bashti. Here she confronts an unready and presumptuous heir, a withholding and manipulative paymaster, and invisible assassins. Her formal errand, meanwhile, is to compete in martial games with secret stakes—which she fears are a cloak for a massacre, or worse. At the publisher's request, this title is sold without DRM (Digital Rights Management). About The Gates of Tagmeth: "The Kencyr live in one of the most deeply realized worlds in fantasy, a rich and complicated space that includes many cultures and riveting, three-dimensional characters. Full of dark wonder, wry humor, and the quirks of Jame’s inimitable personality, the newest installment in Hodgell’s life’s work demonstrates why it can be worthwhile for a writer to spend 40 years writing the same series."—Publishers Weekly About P.C. Hodgell’s Kencyrath Series: “P.C. Hodgell writes the most strikingly weird and wonderful stories in epic fantasy today.”—Charles Stross “Hodgell has crafted an . . . intricate fantasy with humor, tragedy, and a capable and charming female hero.”—Library Journal The Kencyrath Saga Seeker’s Bane Bound in Blood Honor's Paradox Sea of Time The Gates of Tagmeth By Demons Possessed Omnibus Editions The Godstalker Chronicles Contains Kencyrath prequel novels God Stalk and Dark of the Moon

BOOK SUMMARY Plans of the Deathless Gods. The time: the seven years (1785-1792) before the breakup of European order instigated by the French Revolution. The scene: Prussia, South Africa, New Zealand. The characters: Curt Christoph von Allmen, who proposes the plan of a New Zealand sealing station as medium of commerce with China; his twin sister Maria, who composes an epic poem to commemorate its founding; their friend, philosopher Adam Sixtus lEstrange, whose ruminations on the times issue in a surprising discovery. The plot: Curt Christoph, a philhellene, envisions New Zealand as the scene of a restored Apollonianismwhich his sisters epic playfully portrays, and Adam Sixtus philosophical discovery ironically supports.

Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, and the lives and activities of deities, heroes, and mythological creatures. This meticulously edited collection thoroughly details each Greek god, goddess, hero, demi-god and creature. It also brings the main sources of Greek Mythology, Homer's epics Iliad and Odyssey, Hesiod's Theogony as well as Ovid's Metamorphoses. Contents: Greek Gods First Dynasty Second Dynasty Third Dynasty: Olympian Divinities Sea Divinities Minor Divinities Night and Her Children Greek Legends Theogony (Hesiod) Metamorphoses (Ovid) Iliad (Homer) Odyssey (Homer)

Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, and the lives and activities of deities, heroes, and mythological creatures. This meticulously edited collection thoroughly details each Greek god, goddess, hero, demi-god and creature. It also brings the main sources of Greek Mythology, Homer's epics Iliad and Odyssey, Hesiod's Theogony as well as Ovid's Metamorphoses._x000D_ Contents:_x000D_ Greek Gods_x000D_ First Dynasty_x000D_ Second Dynasty_x000D_ Third Dynasty: Olympian Divinities_x000D_ Sea Divinities_x000D_ Minor Divinities_x000D_ Night and Her Children_x000D_ Greek Legends _x000D_ Theogony (Hesiod)_x000D_ Metamorphoses (Ovid)_x000D_ Iliad (Homer)_x000D_ Odyssey (Homer)_x000D_ _x000D_ _x000D_

This volume is the sequel to Karl Schefold's Myth and Legend in Early Greek Art, and the second in his ambitious project to trace the representation of the Greek myths in Greek art from the beginnings down to the Hellenistic period.

The Theogony of Hesiod Hesiod - The Theogony is essentially a large-scale synthesis of a vast variety of local Greek traditions concerning the gods and the universe, organized as a narrative that tells about the creation of the world out of Chaos and about the gods that shaped the cosmos. To some extent, it represents the Greek mythology equivalent of the book of Genesis in the Hebrew and Christian "Bible", as it lists the early generations and genealogy of the gods, titans and heroes since the beginning of the universe.Interestingly, Hesiod claims in the work that he (a poet, and not some mighty king) had been given the authority and responsibility of disseminating these stories by the Muses directly, thus putting himself almost in the position of a prophet.In formal terms, the poem is presented as a hymn in 1,022 lines invoking Zeus and the Muses, in the tradition of the hymnic preludes with which an ancient Greek rhapsode would begin his performance at poetic competitions. The final written form of the Theogony was probably not established until the 6th Century BCE, however, and some editors have concluded that a few minor episodes, such as the Typhoeus episode in verses 820-880, is an interpolation (a passage introduced later).It should perhaps be seen not a definitive source of Greek mythology, but rather as a snapshot of a dynamic tradition of myths as it stood at that particular time. Greek mythology continued to change and adapt after this time, and some of the stories and attributes of the various gods have likewise transformed over time.

A bold new translation that preserves the swiftness, austerity, and clarity of the original. "Tell us, Goddess, daughter of Zeus, start in your own place: when all the rest at Troy had fled from that steep doom and gone back home, away from war and the salt sea, only this man longed for his wife and a way home." Homer's Odyssey, at once an exciting epic of strife and subterfuge and a deeply felt tale of love and devotion, stands at the very beginning of the Western literary tradition. From ancient Greece to the present day its influence on later literature has been unsurpassed, and for centuries translators have approached the meter, tone, and pace of Homer's poetry with a variety of strategies. Chapman and Pope paid keen attention to color, drama, and vivacity of style, rendering the Greek verse loosely and inventively. In the twentieth century, translators such as Lattimore kept rigorously close to the sense of each word in the original; others, including Fitzgerald and Fagles, have departed further from the language of the original, employing their own inventive modern style. Poet and translator Edward McCrorie now opens new territory in this striking rendition, which captures the spare, powerful tone of Homer's epic while engaging contemporary readers with its brisk pace, idiomatic language, and lively characterization. McCrorie closely reproduces the Greek metrical patterns and employs a diction and syntax that reflects the plain, at times stark, quality of Homer's lines, rather than later English poetic styles. Avoiding both the stiffness of word-for-word literalism and the exaggeration and distortion of free adaptation, this translation dramatically evokes the ancient sound and sense of the poem. McCrorie's is truly an Odyssey for the twenty-first century. To accompany this innovative translation, noted classical scholar Richard Martin has written an accessible and wide-ranging introduction explaining the historical and literary context of the Odyssey, its theological and cultural underpinnings, Homer's poetic strategies and narrative techniques, and his cast of characters. In addition, Martin provides detailed notes—far more extensive than those in other editions—addressing key themes and concepts; the histories of persons, gods, events, and myths; literary motifs and devices; and plot development. Also included is a pronunciation glossary and character index.