FBI agent Manny Tanno thought he had left his tribe and the Pine Ridge Reservation behind him years ago. But now with a cold case unearthed in the hot plains sun, he knows that the past never really goes away. In Badlands National Park, there is a desolate area the Lakota refer to as the Stronghold. General Custer called it hell on earth. During World War II, the Army Air Corps used it as a bombing range. At the end of the war, many unexploded ordnances were swallowed up in its sweltering sands. But that’s not all that’s buried there… Sixty-five years after the war, the Sioux tribe has contracted an ordnance removal company to defuse any remaining ammunition in the Stronghold. When the company finds a human arm near a live bomb, Tanno and the Tribal police are called to investigate. As the body is exhumed, two more are discovered. The remains are close together, but the murders were decades apart—and the story behind them is about to blow up…

When someone you love dies, Earl Grollman writes, "there is no way to predict how you will feel. The reactions of grief are not like recipes, with given ingredients, and certain results. . . . Grief is universal. At the same time it is extremely personal. Heal in your own way." If someone you know is grieving, Living When a Loved One Has Died can help. Earl Grollman explains what emotions to expect when mourning, what pitfalls to avoid, and how to work through feelings of loss. Suitable for pocket or bedside, this gentle book guides the lonely and suffering as they move through the many facets of grief, begin to heal, and slowly build new lives.

First in a new series featuring FBI agent Manny Tanno- a Native American returning to the reservation home he thought he left behind. The body of local Native American land developer Jason Red Cloud is found on the site for his new resort on the Pine Ridge Reservation. A war club is lodged in his skull-appearing as if someone may have performed a ritual at the crime scene. FBI Special Agent Manny Tanno arrives in Pine Ridge to find that not everything has changed since he left. His former rival, now in charge of the Tribal Police, is just as bitter as ever, and has no intention of making Manny's life easy. And the spirit of Red Cloud haunting Manny's dreams is not much help either, leaving him on his own in hunting down a cold-blooded killer-and one misstep could send him down the spirit road as well..

A portrait of Metallica's late bassist traces his San Francisco upbringing, influence on the group's development and song-writing practices, and tragic death in the wake of a tour bus accident. Original.

In a poignant, funny, and, above all, honest look at obesity from the inside out, a fat man learns acceptance, loses the guilt, and gains the wisdom to manage his weight.

The untimely deaths of Amy Winehouse (2011) and Whitney Houston (2012), and the ’resurrection’ of Tupac Shakur for a performance at the Coachella music festival in April 2012, have focused the media spotlight on the relationship between popular music, fame and death. If the phrase ’sex, drugs and rock’n’roll’ ever qualified a lifestyle, it has left many casualties in its wake, and with the ranks of dead musicians growing over time, so the types of death involved and the reactions to them have diversified. Conversely, as many artists who fronted the rock’n’roll revolution of the 1950s and 1960s continue to age, the idea of dying young and leaving a beautiful corpse (which gave rise, for instance, to the myth of the ’27 Club’) no longer carries the same resonance that it once might have done. This edited collection explores the reception of dead rock stars, ’rock’ being taken in the widest sense as the artists discussed belong to the genres of rock’n’roll (Elvis Presley), disco (Donna Summer), pop and pop-rock (Michael Jackson, Whitney Houston, Amy Winehouse), punk and post-punk (GG Allin, Ian Curtis), rap (Tupac Shakur), folk (the Dutchman André Hazes) and ’world’ music (Fela Kuti). When music artists die, their fellow musicians, producers, fans and the media react differently, and this book brings together their intertwining modalities of reception. The commercial impact of death on record sales, copyrights, and print media is considered, and the different justifications by living artists for being involved with the dead, through covers, sampling and tributes. The cultural representation of dead singers is investigated through obituaries, biographies and biopics, observing that posthumous fame provides coping mechanisms for fans, and consumers of popular culture more generally, to deal with the knowledge of their own mortality. Examining the contrasting ways in which male and female dead singers are portrayed in the media, the book

21st Century Sociology: A Reference Handbook provides a concise forum through which the vast array of knowledge accumulated, particularly during the past three decades, can be organized into a single definitive resource. The two volumes of this Reference Handbook focus on the corpus of knowledge garnered in traditional areas of sociological inquiry, as well as document the general orientation of the newer and currently emerging areas of sociological inquiry.