TRUE CRIME DOESN'T PAY...TAXES. IRS Special Agent Tara Holloway has risked her life to take down drug cartels and other dangerous tax frauds. But going after the mob is one offer she can't refuse... He's no Tony Soprano. Still, local crime boss Giustino "Tino" Fabrizio is one shady character that Tara would love to see behind bars. He operates a security business-or so he claims on his tax forms-but his clients don't feel so secure when it's time to pay up. Problem is, no one can get close enough to nail this wiseguy for extortion. No one, that is, except Tara... "WITTY, REMARKABLE, AND EVER SO ENTERTAINING." -Affaire de Coeur Going undercover, Tara lands a waitress job at Benedetta's Bistro-which is owned and operated by Tino's wife. Being surrounded by cream-filled cannolis could be hazardous to Tara's waistline...even though the way to a man's heart is through his stomach, right? Only thing Tara can't afford to do now is blow her cover. Because serving Tino his just desserts will surely come with a price... "TARA HOLLOWAY IS THE IRS'S ANSWER TO STEPHANIE PLUM-SMART, SASSY, AND SO MUCH FUN."-New York Times bestselling author Gemma Halliday

TRUE CRIME DOESN'T PAY...TAXES. IRS Special Agent Tara Holloway has risked her life to take down drug cartels and other dangerous tax frauds. But going after the mob is one offer she can't refuse... He's no Tony Soprano. Still, local crime boss Giustino "Tino" Fabrizio is one shady character that Tara would love to see behind bars. He operates a security business-or so he claims on his tax forms-but his clients don't feel so secure when it's time to pay up. Problem is, no one can get close enough to nail this wiseguy for extortion. No one, that is, except Tara... "WITTY, REMARKABLE, AND EVER SO ENTERTAINING." -Affaire de Coeur Going undercover, Tara lands a waitress job at Benedetta's Bistro-which is owned and operated by Tino's wife. Being surrounded by cream-filled cannolis could be hazardous to Tara's waistline...even though the way to a man's heart is through his stomach, right? Only thing Tara can't afford to do now is blow her cover. Because serving Tino his just desserts will surely come with a price... "TARA HOLLOWAY IS THE IRS'S ANSWER TO STEPHANIE PLUM-SMART, SASSY, AND SO MUCH FUN."-New York Times bestselling author Gemma Halliday

The third in the charming and engrossing Mountain Lodge mystery series by Diane Kelly, in Snow Place for Murder, the weather at the Mountaintop Lodge is truly frightful... International resort developer Nigel Goodwin has traveled all the way from London, England to Misty Murphy’s little corner of North Carolina and bought out the Mountaintop Lodge for the week prior to Christmas. Their intention? To pitch an exclusive new resort concept to wealthy American investors. But locals are at odds over the idea, and when a group comes to the lodge to express their worries to Mr. Goodwin and the potential investors, a blizzard hits Beech Mountain. Like the weather outside, things quickly get frosty, and Misty has to call local police to intervene. Handyman Rocky Crowder plows the lodge’s drive and, in an attempt to regain a jovial holiday atmosphere, smooths the snow pile into a makeshift sledding hill for the guests to enjoy. Misty’s boys have finished their exams and are “home” from college for the winter break, planning to spend most of their time snowboarding at the ski resort. While taking a few runs down Rocky’s sledding hill, they discover a funny-looking, nose-shaped rock. Only it’s not a rock. It’s the frozen nose of Nigel Goodwin, who’s found dead and buried under the mound of snow. Who put the developer on ice and why?

Murder With a View is the third book in the delightful cozy mystery series from Diane Kelly set in Nashville, Tennessee—where the real estate market is to die for... A DREAM PROPERTY Carpenter Whitney Whitaker, her cousin Buck, and guard-cat Sawdust just scored a hot property near downtown Nashville in a tax sale. While the Music City Motor Court might not be much to look at now, the two plan to transform the motel’s twelve units into six one-bedroom condominiums with popular mid-century styling. But surprises await when Whitney discovers a squatter living in Room 9 and her cat Sawdust uncovers a body in the bed next door. A LIVING NIGHTMARE The murder victim is none other than Beckett Morgan, an up-and-coming country-western singing sensation who’s taken Nashville by storm with his number-one hit “Party in the Pasture.” Beckett’s left a long trail of broken promises and broken hearts, and the list of suspects seems endless. So does the line of female fans intent on halting the flip and turning the construction site into a shrine for the deceased star. If Whitney and Buck don’t help Detective Collin Flynn nail the killer, they’ll never be able to clear out the star-obsessed groupies, complete the remodel, and recoup their investment. But just who silenced the singer and why?

Dead in the Doorway is the second in a delightful cozy series from Diane Kelly set in Nashville—where the real estate market is to die for. A HOUSE WITH GOOD BONES. . . Whitney Whitaker has scored the perfect piece of real estate: a ramshackle white Colonial at the top of a hill with views of downtown Nashville. What more could a self-taught home-improvement maven and occasional house-flipper ask for? Ideally, the property of Whitney’s dreams would not have come with a dead body blocking the entrance to the foyer. But Whitney, always quick to take heavy-duty matters into her own hands, also happens to be a skilled amateur sleuth. So that helps. AND SKELETONS IN THE CLOSET. Who is this older woman—and how did her corpse end up at the bottom of the staircase of this locked, unoccupied house? That is what Whitney, along with the support of her wood-working cousin Buck, Detective Collin Flynn, and, of course, feline partner-in-crime Sawdust, intends to find out. Her friendly-neighbor investigation takes a sharp turn, however, when Whitney discovers that the house’s former owner was a gourmet baker whose secret recipe for peach pie was to die for—perhaps literally. Now it’s up to Whitney to learn the truth about what happened before she loses this killer real-estate deal . . . and the killer comes knocking at her door. "Adorable...Whitney and Sawdust are a welcome addition to your home and bookshelf."—Kellye Garrett, Anthony, Agatha, and Lefty Award--winning author of the Hollywood Homicide series

The first in a brand-new cozy series from Diane Kelly set in Nashville—where the real estate market is to die for. WILL THIS KILLER DEAL LEAD TO A DEAD END? Meet Whitney Whitaker. A hopeless romantic when it comes to real estate, she knows what it takes to find—and flip—the home of one’s dreams. A fixer-upper is like catnip to Whitney: she can’t resist the challenge of turning an eyesore into a priceless work of art. So when one of her clients decides to liquidate a crumbling property, Whitney seizes the opportunity to purchase it for a song. But soon a curious incident of the cat in the night-time leads to a change in tune. . . Sawdust is the name of Whitney’s cat—of course. Whitney’s passion for gut-renovation may be a mystery to him but one thing Sawdust knows for sure is this: Dead bodies don’t belong in flower beds. So why is there one in this new, albeit old, house? Now it’s up to Whitney, along with the help of hot-and-cold Nashville Police Detective Collin Flynn, to find the truth about what happened before the mortgage property forecloses and Whitney loses her investment. . .and maybe her own life.

The sixth in the delightful cozy mystery series from Diane Kelly set in Nashville, TN—where the real estate market is to die for. Some properties are too hot to handle... Carpenter Whitney Whitaker and her cousin Buck are hot for a historical property that has just come on the market—a fire station in Nashville’s Germantown neighborhood that was built nearly a century ago. The cousins have just begun the interior demolition work at the fire station when Joanna Hartzell, who lives in a townhouse around the corner, comes by with a plea for help. Joanna owns the right half of her building, which she proudly maintains in perfect condition, while the left side falls into disrepair: the seven adult children who inherited it years ago refuse to lift a finger on repairs. Never one to turn down a challenge, Whitney and Buck manage to acquire the rundown townhouse—though it turns out Joanna is only one of the many neighbors interested in buying the property once they’ve worked their magic. Then Joanna shows up at the fire station confused and rambling, then collapses, never to recover. Alarm bells go off for Whitney: she suspects something—and someone—evil could be the real cause. Can she and Collin put the clues together and smoke out a killer?