This fascinating study shows how terrorism as developed and practiced in Romanov Russia has, over the past century, manifested itself as the template for modern and postmodern terrorism as a universal sociocultural, psychological, and existential experience, irrespective of particular political causes, ethnic distinctions, and ideological boundaries. Arguing that Russia is the birthplace of modern terrorism, Death Orders: The Vanguard of Modern Terrorism in Revolutionary Russia uses the nation as a case study of psycho-historical patterns of worldwide terrorist activity during the past century. Key features of early-20th century Russian political extremism serve as models for terrorist experiences in other periods and regions as author Anna Geifman builds a typology of a universal phenomenon. The book shows how, in Russia and elsewhere, terrorists' objectives have degenerated from punishment of individual adversaries and attempts to intimidate political elites to indiscriminate acts of political violence. It shifts attention from ideology to practices that had been previously hidden, ignored, or rationalized, demonstrating that what terrorists say about their motives may not be what actually drives them to brutality. By looking closely at Russian precedents for the general experience of modern political violence, the book helps illuminate many obscure aspects of terrorism today.

National Book Award Finalist: “Wickersham has journeyed into the dark underworld inside her father and herself and emerged with a powerful, gripping story.” —The Boston Globe One winter morning in 1991, Joan Wickersham’s father shot himself in the head. The father she loved would never have killed himself, and yet he had. His death made a mystery of his entire life. Who was he? Why did he do it? And what was the impact of his death on the people who loved him? Using an index—the most formal and orderly of structures—Wickersham explores this chaotic and incomprehensible reality. Every bit of family history, every encounter with friends, doctors, and other survivors, exposes another facet of elusive truth. Dark, funny, sad, and gripping, at once a philosophical and a deeply personal exploration, The Suicide Index is, finally, a daughter’s anguished, loving elegy to her father.

JAMES BEARD AWARD NOMINEE • The ultimate guide to choosing ingredients, developing your palate, mixing drinks, and leveling up your home cocktail game—with more than 600 recipes—from the bestselling team behind Death & Co: Modern Classic Cocktails and James Beard Book of the Year Cocktail Codex: Fundamentals, Formulas, Evolutions “The mad geniuses behind Death & Co have elevated cocktail creation to punk-rock artistry. This dazzling book brings their brilliance home.”—Aisha Tyler IACP AWARD FINALIST • ONE OF THE BEST COCKTAIL BOOKS OF THE YEAR: Minneapolist Star Tribune, Slate Imagine you’re a rookie bartender and this is your handbook. Your training begins with a boot camp of sorts, where you follow the same path a Death & Co bartender would to discover your own palate and preferences, learn how to select ingredients, understand what makes a great cocktail work, and mix drinks like an old pro. Then it’s time to invite your friends over to show off the batched and ready-to-pour mixtures you stored in the freezer so you could enjoy your guests instead of making drinks all night. More than 600 recipes anchor the book, including classics, low-ABV and nonalcoholic cocktails, and hundreds of signature creations developed by the Death & Co teams in New York, Los Angeles, and Denver. With hundreds of evocative photographs and illustrations, this comprehensive, visually arresting manual is destined to break new ground in home bars across the world—and make your next get-together the invite of the year.

Estimation of the Time Since Death remains the foremost authoritative book on scientifically calculating the estimated time of death postmortem. Building on the success of previous editions which covered the early postmortem period, this new edition also covers the later postmortem period including putrefactive changes, entomology, and postmortem r

This volume, with essays by leading archaeologists and prehistorians, considers how prehistoric humans attempted to recognise, understand and conceptualise death.

From the award-winning master of literary crime fiction, a classic work rich in tense drama and psychological insight. On the East Anglian seacoast, a small theological college hangs precariously on an eroding shoreline and an equally precarious future. When the body of a student is found buried in the sand, the boy’s influential father demands that Scotland Yard investigate. Enter Adam Dalgliesh, a detective who loves poetry, a man who has known loss and discovery. The son of a parson, and having spent many happy boyhood summers at the school, Dalgliesh is the perfect candidate to look for the truth in this remote, rarified community of the faithful–and the frightened. And when one death leads to another, Dalgliesh finds himself steeped in a world of good and evil, of stifled passions and hidden pasts, where someone has cause not just to commit one crime but to begin an unholy order of murder. . . . Praise for Death in Holy Orders “Gracefully sculpted prose and [a] superbly executed mystery . . . Death in Holy Orders is among [James’s] most remarkable and accomplished Dalgliesh novels.”—The Philadelphia Inquirer “An elegant work about hope, death, and the alternately redemptive and destructive nature of love.”—The Miami Herald “Absorbing . . . [James’s] plotting and characterization [are] impeccable.”—Orlando Sentinel “P. D. James is in top form.”—The Boston Globe Open the exclusive dossier at the back of this book, featuring P. D. James’ essay on penning the perfect detective novel.

Anderson tells how to plan ahead by making a will and planning for disposition and commemoration; focuses on how to deal with imminent death, bioethics, mercy killing, life support systems, and hospice programs; and tells how to make funeral arrangements, deal with finances, and handle grief and bereavement.