Don't fool yourself that the innocent never go to jail. When Bob Chappell disappeared from his yacht, moored in the Derwent Estuary near the Royal Yacht Club of Tasmania's marina, on the night of 26 January 2009, he left behind his pipe and tobacco — something that his partner of 18 years, Sue Neill-Fraser, knew he would never willingly do. What she didn't know was that despite no body, no weapon, no cause of death, and no witnesses, she would soon become the only suspect in Chappell’s disappearance. In their haste to wrap up the case, the police charged Neill-Fraser with murder. In her eagerness to assist police, she virtually talked her way into their hands. And after a lengthy trial that resulted in a guilty verdict, the judge delivered Neill-Fraser a crushing 26-year sentence. But was the verdict unsafe? Many of Australia’s leading legal minds think so, and other reasonable hypotheses have been mooted about what might have happened on the Derwent that night. The Tasmanian government has changed its laws to give Neill-Fraser one last crack at proving her innocence, because that is what it's come to now — proving her innocence. The result of years of investigation, and based on extensive interviews with all the key players — including Sue Neill-Fraser and her family, local underworld figures, and legal luminaries — Death on the Derwent is a riveting story of justice not served.

Who really murdered Bob Chappell? Veteran ex-detective and author of JFK: The Smoking Gun, Colin McLaren, uncovers disturbing new evidence that an innocent woman is in jail. Daybreak, Sandy Bay, Hobart, 27 January 2009. A yacht, the Four Winds, is seen listing low to the waterline. When police board the sinking vessel there is no sign of the owners, Bob Chappell and Sue Neill-Fraser but, disturbingly, they find blood and a knife. Bob Chappell is never seen again. The blood spatter leads police to the conclusion that he has been murdered. Remarkably, Sue Neill-Fraser is arrested, found guilty and sentenced to 26 years' imprisonment. May, 2016. Bestselling true-crime author Colin McLaren probes the notorious cold case that grips Australia. What he discovers shocks him. No body, no motive, no witnesses, a puddle of unexplained DNA liquid, undisclosed police documents, insubstantial scenarios - all lead him to believe Sue Neill-Fraser was wrongly convicted. He is not alone, as lawyers line up to help her. August 2017. Sue Neill-Fraser remains in prison. When questions are asked of her conviction, new witnesses are charged, including a lawyer, and unbearable pressure is applied until, fearing for his own liberty, Colin McLaren flees the country. Southern Justice lays out the evidence that should force a Royal Commission to reopen the case and exonerate an innocent woman. The guilty are still out there! '. . . the worst miscarriage of justice in Australia's history' Robert Richter QC

This final volume in the British Sculptors and Sculpture series addresses the work of the important but neglected British sculptor Francis Derwent Wood RA (1871-1926). A student of Edouard Lanteri at the Royal College of Art, Derwent Wood's early artistic career was distinguished. His reputation grew rapidly and a period as Director of Modelling at the Glasgow School of Art saw him working on public commissions with many of the city's most important architects. Simultaneously, he built his London practice, perfecting the art of the rapidly executed, observationally astute portrait bust, and becoming a well-connected member of the Chelsea set. He exhibited at the Royal Academy every year from 1895 until his death in 1926, becoming a full Academician in 1920. During the First World War he carried out pioneering work in the field of facial prosthetics. He was appointed Professor of Sculpture at the Royal College of Art in 1918, where Henry Moore was amongst his many pupils. Derwent Wood's Machine Gun Corps memorial at Hyde Park Corner in London, completed in the year of his death, is amongst the best-known and most consistently reviled sculptures in Britain. Matthew Withey offers readers a subtle and layered interpretation of the career that led up to this iconic and misunderstood work, together with a comprehensive catalogue of Derwent Wood's diverse body of work.

"Casey is a true craftswoman, a writer who beguiles one through the most twisted of plots with a confident and seductive hand. Let The Dead Speak is sharp, complex and gripping to the very end" Alex Marwood, bestselling author of Wicked Girls and The Killer Next Door When eighteen-year-old Chloe Emery returns to her West London home she finds her mother missing, the house covered in blood. Everything points to murder, except for one thing: there’s no sign of the body. London detective Maeve Kerrigan and the homicide team turn their attention to the neighbours. The ultra-religious Norrises are acting suspiciously; their teenage daughter and Chloe Emery definitely have something to hide. Then there’s William Turner, once accused of stabbing a schoolmate and the neighborhood’s favorite criminal. Is he merely a scapegoat, or is there more behind the charismatic façade? As a body fails to materialize, Maeve must piece together a patchwork of testimonies and accusations. Who is lying, and who is not? And soon Maeve starts to realize that not only will the answer lead to Kate Emery, but more lives may hang in the balance. With Let the Dead Speak, Jane Casey returns with another taut, richly drawn novel that will grip readers from the opening pages to the stunning conclusion.

Their job is to investigate crime – not become the victims... A killer is terrorising London but this time the police are the targets. Urgently re-assigned to investigate a series of brutal attacks on fellow officers, Maeve Kerrigan and her boss Josh Derwent have little idea what motivates the killer’s fury against the force. But they know it will only be a matter of time before the killer strikes again.

DigiCat presents to you this unique and meticulously edited western collection: Novels The Wolf Hunters The Gold Hunters Kazan Baree, Son of Kazan The Courage of Captain Plum The Danger Trail The Honor of the Big Snows Philip Steele of the Royal Northwest Mounted Police The Flower of the North Isobel God's Country and the Woman The Hunted Woman The Grizzly King The Courage of Marge O'Doone Nomads of the North The River's End The Valley of Silent Men The Golden Snare The Flaming Forest The Country Beyond Short Stories Back to God's Country (Wapi the Walrus) The Yellow-Back The Fiddling Man L'ange The Case of Beauvais The Other Man's Wife The Strength of Men The Match The Honor of Her People Bucky Severn His First Penitent Peter God The Mouse The First People Thomas Jefferson Brown Other Works The Great Lakes God's Country – The Trail to Happiness James Oliver Curwood (1878-1927) was an American action-adventure writer and conservationist. His adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great White North. He often took trips to the Canadian northwest which provided the inspiration for his wilderness adventure stories. At least eighteen movies have been based on or inspired by Curwood's novels and short stories.