As one of the Black Sheep Knitters prepares to become a mother, a new member becomes a suspected killer . . . Spring has reached Plum Harbor, Massachusetts, and the weather isn't the only thing that's changing. Eight months pregnant, Lucy prepares to enter an exciting phase in life while weaving together loose threads from her past. It feels like fate when she reconnects with college friend Rebecca Hurley, whose eclectic Happy Hands Café is the perfect locale for Black Sheep gatherings. But just as charming Rebecca joins their closely knit circle, she's suspected of murder. It appears to be an accident when Rebecca’s writer husband, Colin, is crushed by a fallen bookcase at the café. But his death is quickly determined to be murder. Adding to the horror, police believe Rebecca committed a heinous act of revenge against Colin for planning to end their marriage—a move that would cut off Rebecca’s contact with the stepdaughter she adores. Despite the incriminating evidence growing faster than her belly, Lucy is convinced that she must prove her old friend's innocence. As her due date approaches and a dangerous mystery unravels, Lucy and the Black Sheep shift from knitting baby booties to chasing down the cunning culprit who’s always a few steps ahead.

Romantic entanglements and handcrafted murder tie the Black Sheep knitters in knotswhen the local farmers’ market becomes a haven for a killer . . . Phoebe Myers, Black Sheep Knitting Shop’s assistant manager, finally comes out from behind the counter to sell her own creations—Socks by Phoebe—at the Plum Harbor Farmers’ and Crafts Market, a lively, colorful venue that draws shoppers from miles around. But her excitement cools when she learns the previous tenant of her booth, farmer Jimmy Hooper, committed suicide. She’s barely raised her Grand Opening banner when Hooper’s death is upgraded to murder. Phoebe worries that her stall is jinxed when things go from bad to worse. The last person she wants to see, her ex-boyfriend Harry “The Potter” McSweeney, appears in the stall across the aisle to sell his wares. The Black Sheep advise Phoebe to be strong and resist the handsome artist’s spell. But romantic sparks and tempers explode in a very public scene—and a pile of broken pottery. Before Phoebe can get back to business, her stall is trashed, her Facebook page hacked, and another vendor is found dead. The Black Sheep worry for Phoebe’s safety, especially when Harry becomes the prime suspect in both crimes. Phoebe refuses to believe he’s a killer and is determined to prove him innocent. Her friends are not convinced, but for Phoebe’s sake—and her safety—the Black Sheep puts their wits together to catch the crafty marketplace killer who’s hiding in plain sight . . .

'Eric Argyle was notably surprised when rather unexpectedly his eyes opened again. If truth be told, if he was being honest with himself, he hadn't really expected this type of thing would ever be happening again.' Eric Argyle is having a bad Sunday. It's late. He's still in his pyjamas. A room full of people are staring at him. And he died at 11.42am, two days ago. An issue that people don't seem all that receptive to. Nominated for Best New Play at the Irish Times Theatre Awards, Ross Dungan's The Life and Sort of Death of Eric Argyle premiered at the Pleasance Dome in Edinburgh in August 2012 before transferring to Dublin. It debuted in London at the Soho Theatre on 2 April 2013.

A new life in a wheelchair is challenging for Mike Miller, especially after a care-free youth marked by tragedy, but he finds calm and comfort after marrying the beautiful and angelic Lindsey. However, his settled life comes crashing down when, in the same day, he not only hears that his perfect wife has been murdered but also learns that she may have been having an affair. After receiving a written threat to his own life, Mike teams up with Lindsey's friend, Grace, who seeks the truth. Together, they defy the police and investigate the increasingly curious circumstances of Lindsey's death. A string of clues leads them to strange details about her life and to a mysterious coven that may have been involved in Lindsey's murder and other shocking deaths as well. Is the coven responsible? Or is the killer a single person closer to home? Lindsey's killer is still out there, and by allowing Grace to investigate, Mike has made her one of his targets too. One of them is heading for a desperate final encounter with someone bent on killing again. And survival, in the end, seems a very slender hope. This innovative and unique crime novel moves at a cracking and enthralling pace, introducing characters and leaving the reader guessing who is behind Lindsey's murder. The tense scene leading up to the final reveal has been described as one of the most exciting and visual of its kind. A promising debut novel from an author with more in the pipeline.

Chrys Valerian is a threadweaver, a high general, and soon-to-be father. But to the people of Alchea, he is the Apogee—the man who won the war. When a stranger's prophecy foretells danger to Chrys' child, he must do everything in his power to protect his family—even if the most dangerous enemy is the voice in his own head. To the west, a sheltered girl seeks to find her place in the world. To the south, a young man's life changes after he dies. Together, they will change the world—whether they intend to or not.

Argyle Fox, with his signature style, wants to play outside on a springtime day, but the wind is wreaking havoc with his fun and games. As soon as he builds a card tower, climbs into a giant spider web, or takes up his pirate sword, here comes the wind: Woosh! Mama Fox tells grumpy Argyle that if he thinks long enough, he will come up with something to do. Following his mother's suggestion and inspired by her knitting, he works all the pieces of his day together and creates the perfect solution. The story of Argyle teaches that failure is often a path to success and celebrates perseverance, creative thinking, and an old-fashioned springtime activity.

A selection of the very best from one of America's most thought-provoking writers: poems on life, faith, doubt, and death that read like memoir, essay, and story. As The New York Times said, "likely to resonate with many who have come face to face with life's most important questions." Thomas Lynch--like Wallace Stevens and William Carlos Williams--is a poet who writes about real things with language rooted in the everyday yet masterfully infused with power: I have steady work, a circle of friends and lunch on Thursdays with the Rotary. I have a wife, unspeakably beautiful, a daughter and three sons, a cat, a car, good credit, taxes, and mortgage payments and certain duties here. Notably, when folks get horizontal, breathless, still: life in Milford ends. They call. I send a car. Thomas Lynch spent his career as an undertaker in Midwest America--and in his off-hours became a writer of exceptional insight. Publishers Weekly calls him, "A poet with something to say and something worth listening to." This collection presents 140 of his greatest poems drawn from his previous books, Skating with Heather Grace, Still Life in Milford, Grimalkin, The Sin-Eater, and Walking Papers. This is a collection for readers who love all life's questions and mysteries--big and small.