An intricate plot set in the 1920s English countryside and Frances Brody's "refreshingly complex heroine" (Kirkus) Kate Shackleton make Death of an Avid Reader an absorbing 6th installment in this mystery, perfect for fans of Jacqueline Winspear and Agatha Christie. The Search for a Daughter Lady Coulton gave up the baby that would have ruined her marriage, born when Lord Coulton was abroad. Now that her husband is dying, she asks Kate to find Sophia. A Haunted Library It is forty years since the ghost of a dead librarian haunted the old library, yet the stories have begun again. Kate does not believe in ghosts but obligingly takes part in a ceremony to expel the restless spirit. Shockingly, there is a body in the basement, strangled, and covered in dusty volumes from a fallen bookcase. It is Dr. Potter, a mathematician. A Killer on the Loose Dr. Potter’s body is taken away. The police find a sick man sheltering in the basement. He is an Italian, Umberto, an organ grinder and owner of a lively Capuchin monkey. Umberto becomes the prime suspect and will be charged with murder. Kate goes with Umberto to the infirmary. But he is too weak to be a suspect. And now Kate must set out to find the real culprit...

Winner of the Anne M. Sperber Prize A spirited and revealing memoir by the most celebrated editor of his time. After editing The Columbia Review, staging plays at Cambridge, and a stint in the greeting-card department of Macy's, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited Catch-22 and The American Way of Death, among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carré, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not to mention Bruno Bettelheim and Miss Piggy. In Avid Reader, Gottlieb writes with wit and candor about succeeding William Shawn as the editor of The New Yorker, and the challenges and satisfactions of running America's preeminent magazine. Sixty years after joining Simon and Schuster, Gottlieb is still at it--editing, anthologizing, and, to his surprise, writing. But this account of a life founded upon reading is about more than the arc of a singular career--one that also includes a lifelong involvement with the world of dance. It's about transcendent friendships and collaborations, "elective affinities" and family, psychoanalysis and Bakelite purses, the alchemical relationship between writer and editor, the glory days of publishing, and--always--the sheer exhilaration of work. Photograph of Bob Gottlieb © by Jill Krementz

The New York Times bestselling coauthor of Sex at Dawn explores the ways in which “progress” has perverted the way we live—how we eat, learn, feel, mate, parent, communicate, work, and die—in this “engaging, extensively documented, well-organized, and thought-provoking” (Booklist) book. Most of us have instinctive evidence the world is ending—balmy December days, face-to-face conversation replaced with heads-to-screens zomboidism, a world at constant war, a political system in disarray. We hear some myths and lies so frequently that they feel like truths: Civilization is humankind’s greatest accomplishment. Progress is undeniable. Count your blessings. You’re lucky to be alive here and now. Well, maybe we are and maybe we aren’t. Civilized to Death counters the idea that progress is inherently good, arguing that the “progress” defining our age is analogous to an advancing disease. Prehistoric life, of course, was not without serious dangers and disadvantages. Many babies died in infancy. A broken bone, infected wound, snakebite, or difficult pregnancy could be life-threatening. But ultimately, Christopher Ryan questions, were these pre-civilized dangers more murderous than modern scourges, such as car accidents, cancers, cardiovascular disease, and a technologically prolonged dying process? Civilized to Death “will make you see our so-called progress in a whole new light” (Book Riot) and adds to the timely conversation that “the way we have been living is no longer sustainable, at least as long as we want to the earth to outlive us” (Psychology Today). Ryan makes the claim that we should start looking backwards to find our way into a better future.

Originally published: Great Britain: Piatkus, 2016.

Originally published: Great Britain: Piatkus, 2014.

Lieutenant Eve Dallas returns in Dark in Death, by J.D. Robb, the #1 New York Times bestselling master of suspense, and takes on a case of death imitating art... It was a stab in the dark. On a chilly February night, during a screening of Psycho in midtown, someone sunk an ice pick into the back of Chanel Rylan’s neck, then disappeared quietly into the crowds of drunks and tourists in Times Square. To Chanel’s best friend, who had just slipped out of the theater for a moment to take a call, it felt as unreal as the ancient black-and-white movie up on the screen. But Chanel’s blood ran red, and her death was anything but fictional. Then, as Eve Dallas puzzles over a homicide that seems carefully planned and yet oddly personal, she receives a tip from an unexpected source: an author of police thrillers who recognizes the crime—from the pages of her own book. Dallas doesn’t think it’s coincidence, since a recent strangulation of a sex worker resembles a scene from her writing as well. Cops look for patterns of behavior: similar weapons, similar MOs. But this killer seems to find inspiration in someone else’s imagination, and if the theory holds, this may be only the second of a long-running series. The good news is that Eve and her billionaire husband Roarke have an excuse to curl up in front of the fireplace with their cat, Galahad, reading mystery stories for research. The bad news is that time is running out before the next victim plays an unwitting role in a murderer’s deranged private drama—and only Eve can put a stop to a creative impulse gone horribly, destructively wrong. From the author of Echoes in Death, this is the latest of the edgy, phenomenally popular police procedurals that Publishers Weekly calls “inventive, entertaining, and clever.”

Two eternities. One ending. "Harmony would only come with destruction." The moment Eric and Jessica are reunited, they are torn apart. After the appearance of a new breed of shades and lights, the powers shift for the worse, and all three descendants find themselves face-to-face in the Light realm. When Darthon is in control, the last thing everyone expects is to finally hear the truth. While Jessica learns the reason of her creation, Darthon's identity is exposed to Eric--and only Eric--and Eric can no longer defend himself. With the eternities of the Light and the Dark resting on Jessica's shoulders, she must choose who she will be--a light or a shade. In the end, someone must die, and the end is near.