A group of U.S. environmentalists try to enroll a drug lord to help save South American rain forests from destruction. They spring a woman bank robber, his cousin, from a U.S. jail and send her to Colombia to talk to him.

This book traces the origins of the legend that Jewish musicians in concentration camps were forced to play a Tango of Death at the gas chambers and shows how in this legend the actual history is hidden, distorted, or even lost altogether.

The New York Times bestselling author of Half-Resurrection Blues returns in a new Bone Street Rumba Novel—a knife-edge, noir-shaded urban fantasy of crime after death. The streets of New York are hungry tonight... Carlos Delacruz straddles the line between the living and the not-so alive. As an agent for the Council of the Dead, he eliminates New York’s ghostlier problems. This time it’s a string of gruesome paranormal accidents in Brooklyn’s Von King Park that has already taken the lives of several locals—and is bound to take more. The incidents in the park have put Kia on edge. When she first met Carlos, he was the weird guy who came to Baba Eddie's botánica, where she worked. But the closer they’ve gotten, the more she’s seeing the world from Carlos’s point of view. In fact, she’s starting to see ghosts. And the situation is far more sinister than that—because whatever is bringing out the dead, it’s only just getting started.

Death Tango traces the Middle East dynamic back to the events of March 27–29, 2002. March 27, Passover Eve, witnessed the most bloody and traumatic Arab terrorist attack in Israel’s history, the Park Hotel bombing in Netanya. On March 28, an Arab League summit in Beirut adopted the Arab Peace Initiative, the most far-reaching Arab attempt to set parameters for ending the Israel-Arab conflict. The next day, Israel invaded and reoccupied the West Bank in Operation Defensive Shield. Alpher illustrates the interaction between these three critical events and depicts the key personalities—politicians, generals, and a star journalist—involved on all sides. It moves from a suicide bombing to the deliberations of Arab leaders; from the Israel Prime Minister’s Office—where Ariel Sharon fulminated against Yasser Arafat—to Washington, where the United States fumbled and misunderstood the dynamics at work; and on to the Jenin refugee camp, where Israeli soldiers won a bloody military battle but Israel lost the media battle of public opinion. Based on extensive interviews and his deep personal knowledge, Alpher analyzes the three days in late March 2002 as a catalyst of extensive change in the Middle East, concluding that Arabs and Israelis are dancing a kind of “death tango.”

"Carlos Gardel the King of Tango"¿A romantic and twisted movie that mix together class, drama, passion and Tango.Carlos Gardel is one of the greatest icons in the world. He is the greatest leading star who projected his music and lyrics in early cinema, was actor, dancer and singer.The story takes place in a golden era in history, the roaring 20¿s and it travels from Argentina to Paris, from New York to Hollywood. In the same time when Gardel¿s fame exploded around the globe.Martin De Luca, producer.

In a Utopian twenty-third-century New York City, where corporations have replaced governments, AI dictates culture, and citizens are free to people-watch any other citizen they choose through an app, this horror-laden Sci-Fi Thriller follows four mis-matched coeds as they attempt to solve the murder of an eccentric parascientist. Only someone or some thing able to navigate outside the highest levels of crowd-sourced surveillance could get away with murder in this town. If the team can't work quickly to solve the case, New York will be devoured by a dark plague the eccentric had been working on prior to his death, a plague which, overtime, appears to be developing sentience. ,

Narrated in Lincoln’s own voice, the tragicomic I Am Abraham promises to be the masterwork of Jerome Charyn’s remarkable career. Since publishing his first novel in 1964, Jerome Charyn has established himself as one of the most inventive and prolific literary chroniclers of the American landscape. Here in I Am Abraham, Charyn returns with an unforgettable portrait of Lincoln and the Civil War. Narrated boldly in the first person, I Am Abraham effortlessly mixes humor with Shakespearean-like tragedy, in the process creating an achingly human portrait of our sixteenth President. Tracing the historic arc of Lincoln's life from his picaresque days as a gangly young lawyer in Sangamon County, Illinois, through his improbable marriage to Kentucky belle Mary Todd, to his 1865 visit to war-shattered Richmond only days before his assassination, I Am Abraham hews closely to the familiar Lincoln saga. Charyn seamlessly braids historical figures such as Mrs. Keckley—the former slave, who became the First Lady's dressmaker and confidante—and the swaggering and almost treasonous General McClellan with a parade of fictional extras: wise-cracking knaves, conniving hangers-on, speculators, scheming Senators, and even patriotic whores. We encounter the renegade Rebel soldiers who flanked the District in tattered uniforms and cardboard shoes, living in a no-man's-land between North and South; as well as the Northern deserters, young men all, with sunken, hollowed faces, sitting in the punishing sun, waiting for their rendezvous with the firing squad; and the black recruits, whom Lincoln’s own generals wanted to discard, but who play a pivotal role in winning the Civil War. At the center of this grand pageant is always Lincoln himself, clad in a green shawl, pacing the White House halls in the darkest hours of America’s bloodiest war. Using biblically cadenced prose, cornpone nineteenth-century humor, and Lincoln’s own letters and speeches, Charyn concocts a profoundly moral but troubled commander in chief, whose relationship with his Ophelia-like wife and sons—Robert, Willie, and Tad—is explored with penetrating psychological insight and the utmost compassion. Seized by melancholy and imbued with an unfaltering sense of human worth, Charyn’s President Lincoln comes to vibrant, three-dimensional life in a haunting portrait we have rarely seen in historical fiction.