MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.

Death Machines offers a critical reconsideration of ethical theories and political justifications for technologised practices of violence in contemporary conflicts.

As innovations in military technologies race toward ever-greater levels of automation and autonomy, debates over the ethics of violent technologies tread water. Death Machines reframes these debates, arguing that the way we conceive of the ethics of contemporary warfare is itself imbued with a set of bio-technological rationalities that work as limits. The task for critical thought must therefore be to unpack, engage, and challenge these limits. Drawing on the work of Hannah Arendt, the book offers a close reading of the technology-biopolitics-complex that informs and produces contemporary subjectivities, highlighting the perilous implications this has for how we think about the ethics of political violence, both now and in the future.

It was the endgame for Hitler's Reich. In the winter of 1944–45, Germany staked everything on its surprise campaign in the Ardennes, the “Battle of the Bulge.” But when American and Allied forces recovered from their initial shock, the German forces were left fighting for their very survival—especially on the Eastern Front, where the Soviet army was intent on matching, or even surpassing, Nazi atrocities. At the mercy of the Fuehrer, who refused to acknowledge reality and forbade German retreats, the Wehrmacht was slowly annihilated in horrific battles that have rarely been adequately covered in histories of the Second World War—especially the brutal Soviet siege of Budapest, which became known as the “Stalingrad of the Waffen-SS.” Capping a career that has produced more than forty books, Dr. Samuel W. Mitcham now tells the extraordinary tale of how Hitler’s once-dreaded war machine came to a cataclysmic end, from the Battle of the Bulge in December 1944 to the German surrender in May 1945. Making use of German wartime papers and memoirs—some rarely seen in English-language sources—Mitcham’s sweeping narrative deserves a place on the shelf of every student of World War II.

A fascinating examination of technological utopianism and its complicated consequences. In The Charisma Machine, Morgan Ames chronicles the life and legacy of the One Laptop per Child project and explains why—despite its failures—the same utopian visions that inspired OLPC still motivate other projects trying to use technology to “disrupt” education and development. Announced in 2005 by MIT Media Lab cofounder Nicholas Negroponte, One Laptop per Child promised to transform the lives of children across the Global South with a small, sturdy, and cheap laptop computer, powered by a hand crank. In reality, the project fell short in many ways—starting with the hand crank, which never materialized. Yet the project remained charismatic to many who were captivated by its claims of access to educational opportunities previously out of reach. Behind its promises, OLPC, like many technology projects that make similarly grand claims, had a fundamentally flawed vision of who the computer was made for and what role technology should play in learning. Drawing on fifty years of history and a seven-month study of a model OLPC project in Paraguay, Ames reveals that the laptops were not only frustrating to use, easy to break, and hard to repair, they were designed for “technically precocious boys”—idealized younger versions of the developers themselves—rather than the children who were actually using them. The Charisma Machine offers a cautionary tale about the allure of technology hype and the problems that result when utopian dreams drive technology development.

“This gonzo-journalistic exploration of the Silicon Valley techno-utopians’ pursuit of escaping mortality is a breezy romp full of colorful characters.” —New York Times Book Review (Editor's Choice) Transhumanism is a movement pushing the limits of our bodies—our capabilities, intelligence, and lifespans—in the hopes that, through technology, we can become something better than ourselves. It has found support among Silicon Valley billionaires and some of the world’s biggest businesses. In To Be a Machine, journalist Mark O'Connell explores the staggering possibilities and moral quandaries that present themselves when you of think of your body as a device. He visits the world's foremost cryonics facility to witness how some have chosen to forestall death. He discovers an underground collective of biohackers, implanting electronics under their skin to enhance their senses. He meets a team of scientists urgently investigating how to protect mankind from artificial superintelligence. Where is our obsession with technology leading us? What does the rise of AI mean not just for our offices and homes, but for our humanity? Could the technologies we create to help us eventually bring us to harm? Addressing these questions, O'Connell presents a profound, provocative, often laugh-out-loud-funny look at an influential movement. In investigating what it means to be a machine, he offers a surprising meditation on what it means to be human.

The Canadian Legion is spread across North America and there are enemies everywhere. The Black Flag and Snowfall head to Detroit to stop a powerful heavy metal inspired murder weapon while the rest of the Legion defend themselves from a secret Soviet weapon. To make matters worse, something is wrong with Snowfall. Winter is over and the heat has already started for our heroes.