A shooting in a locked artist's studio. Four suspects; at least two of whom are engaged in an affair. An exuberant and energetic case for Major Boddy.

Mystery crime fiction written in the Golden Age of Murder Two mysteries of the kind John Bude does best, with well-drawn and authentic period settings and a satisfying whodunit structure, following the traditional rules and style of the Golden Age of the genre. Death in White Pyjamas: At the country home of Sam Richardson, a group of actors have gathered along with their somewhat sinister producer Basil Barnes, and a playwright whose star is rising in the drama scene. With competitive tension in the air between the three actresses, Clara, Angela and Deirdre, the spell is broken when Deirdre is found murdered in the grounds wearing, for some unknown reason, white pyjamas. Death Knows no Calendar: A shooting in a locked artist's studio. Four suspects; at least two of whom are engaged in an affair. An exuberant and energetic case for Major Boddy.

Here are the ingredients of the plot. SCENE : Sam Richardson's country house. CHARACTERS - Sam himself, a kindly business man, more amiable than artistic. Basil Barnes, his producer, tall, slender, sleek-haired and slightly sinister. Willy Farnham, a grand old character actor, always hard up, Angela Walsh, a brilliant young Ingenue from the Provinces. Deirdre Lehaye, tall, dark, icy, and so dead sure of herself that most men were scared to approach her. Clara Maddison, the company's most tried and trying actress. Rudolph Millar, her nephew, a rising young playwright. That's the set-up. Deirdre Lehaye is murdered. Who did it? And why was she in white pyjamas?

Mystery crime fiction written in the Golden Age of Murder "The combination of bracing Cornish cliffs and seascapes with cozy interiors and a cerebral mystery makes this one of the most deservedly resurrected titles in the British Library Crime Classics series." —Booklist STARRED review 'Never, even in his most optimistic moments, had he visualised a scene of this nature—himself in one armchair, a police officer in another, and between them a mystery.' The Reverend Dodd, vicar of the quiet Cornish village of Boscawen, spends his evenings reading detective stories by the fireside—but heaven forbid that the shadow of any real crime should ever fall across his seaside parish. The vicar's peace is shattered one stormy night when Julius Tregarthan, a secretive and ill-tempered magistrate, is found at his house in Boscawen with a bullet through his head. The local police inspector is baffled by the complete absence of clues. Luckily for Inspector Bigswell, the Reverend Dodd is on hand, and ready to put his keen understanding of the criminal mind to the test. This classic mystery novel of the golden age of British crime fiction is set against the vividly described backdrop of a fishing village on Cornwall's Atlantic coast. It is now republished for the first time since the 1930s with an introduction by award-winning crime writer Martin Edwards.