Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, like other survivors of "the Sweats," the mysterious plague that has decimated the planet, he is a man on the run. Thrown into unwilling partnership with an escaped convict named Jeb, Magnus flees the eerie desolation of de-populated London to make the long journey north, clinging to hope that the sickness has not reached his family in Scotland. Traveling through a familiar landscape now fraught with danger, Magnus finds himself a stranger in a world ruled by men like Jeb--hard-hearted, practical men quick to make life-or-death decisions. In a world re-written with a harsh code of justice, and a new set of rules where people barter for their existence with food and weapons, survival is the bottom line. But when Magnus and Jeb stumble across a murder during their journey, they will have to decide whether finding the truth about a single death can weigh in the balance against the need to survive.

Longlisted for the Theakstons Old Peculiar Crime Novel of the Year Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, he is a man on the run and there is nothing to laugh about. Thrown into unwilling partnership with an escaped convict, Magnus flees the desolation of London to make the long journey north, clinging to his hope that the sickness has not reached his family on their remote Scottish island. He finds himself in a landscape fraught with danger, fighting for his place in a world ruled by men, like his fellow traveller Jeb - practical men who do not let pain or emotions interfere with getting the job done. This is a world with its own justice, and new rules. Where people, guns and food are currency. Where survival is everything. Death is a Welcome Guest defies you to put it down, and leaves you with questions that linger in the mind long after you read the last page.

The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."

A good death was as central to Methodism as conversion and holiness. Based on an analysis of 1,200 obituaries, this book contributes to an understanding not only of death but of the history of Methodist and evangelical Nonconformist piety, theology, social background and literary expression in mid-nineteenth-century England, and focuses on the tension in Nonconformist allegiance to both worldly and spiritual matters.