Mystery crime fiction written in the Golden Age of Murder Two mysteries of the kind John Bude does best, with well-drawn and authentic period settings and a satisfying whodunit structure, following the traditional rules and style of the Golden Age of the genre. Death in White Pyjamas: At the country home of Sam Richardson, a group of actors have gathered along with their somewhat sinister producer Basil Barnes, and a playwright whose star is rising in the drama scene. With competitive tension in the air between the three actresses, Clara, Angela and Deirdre, the spell is broken when Deirdre is found murdered in the grounds wearing, for some unknown reason, white pyjamas. Death Knows no Calendar: A shooting in a locked artist's studio. Four suspects; at least two of whom are engaged in an affair. An exuberant and energetic case for Major Boddy.

Here are the ingredients of the plot. SCENE : Sam Richardson's country house. CHARACTERS - Sam himself, a kindly business man, more amiable than artistic. Basil Barnes, his producer, tall, slender, sleek-haired and slightly sinister. Willy Farnham, a grand old character actor, always hard up, Angela Walsh, a brilliant young Ingenue from the Provinces. Deirdre Lehaye, tall, dark, icy, and so dead sure of herself that most men were scared to approach her. Clara Maddison, the company's most tried and trying actress. Rudolph Millar, her nephew, a rising young playwright. That's the set-up. Deirdre Lehaye is murdered. Who did it? And why was she in white pyjamas?

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Two of John Bude's finest Golden Age mysteries return to the limelight.In Death in White Pyjamas a theatre-owner, a 'slightly sinister' producer, a burgeoning playwright and a cast of ego-driven actors have gathered at a country home to read through the promising script for Pigs in Porcelain. But before the production reaches the stage, one of their number is found murdered in the grounds wearing what seems to be somebody else's white pyjamas. Enter Inspector Harting and Sergeant Dane to unravel this curious plot. And in Death Knows No Calendar detective fiction enthusiast Major Tom Boddy is investigating a deadly shooting with no shooter in a locked artist's studio. There are four colourful suspects to scrutinise, and not one but two 'impossible' elements of the crime to solve.

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