The first in a brand-new WWII historical mystery series introduces WPC Billie Harkness - a female police officer who risks her life to protect the home front in the British coastal city of Hull. 1940. Britain is at war. Rector's daughter Wilhelmina Harkness longs to do her duty for her country, but when her strict mother forbids her to enlist, their bitter argument has devasting consequences. Unable to stay in the village she loves, Wilhelmina - reinventing herself as Billie - spends everything she has on a one-way ticket up north. Hull is a distant, dangerous city, but Billie is determined to leave her painful memories behind and start afresh, whatever the cost. The last thing Billie expects on her first evening in Hull, however, is to be caught in the city's first air raid - or to stumble across the body of a young woman, suspiciously untouched by debris. If the air raid didn't kill the glamorous stranger, what did? Billie is determined to get justice, and her persistence earns her an invitation to the newly formed Women's Police Constabulary. But as the case unfolds, putting her at odds with both high-ranking members of the force as well as the victim's powerful family, Billie begins to wonder if she can trust her new friends and colleagues . . . or if someone amongst them is working for the enemy. DEATH IN A BLACKOUT is a perfect pick for fans of Jacqueline Winspear, Rhys Bowen and Susan Elia MacNeal.

A huge bestseller in England, France, and Australia, the third book in the Dark Iceland series from a spectacular new crime writer. "Easily the best yet. Beautifully written and elegantly paced with a plot that only gradually becomes visible, as if the reader had been staring into the freezing fog waiting for shapes to emerge."—The Guardian, UK (Readers' Books of the Year 2016) "A chiller of a thriller whose style and pace are influenced by Jónasson’s admiration for Agatha Christie. It’s good enough to share shelf space with the works of Yrsa Sigurdardottir and Arnaldur Indridason, Iceland’s crime novel royalty."—The Washington Post Hailed for combining the darkness of Nordic Noir with classic mystery writing in the tradition of Agatha Christie, author Ragnar Jónasson’s books are haunting, atmospheric, and complex. Blackout, the latest Ari Thór thriller, delivers another dark mystery that is chillingly stunning with its complexity and fluidity. On the shores of a tranquil fjord in Northern Iceland, a man is brutally beaten to death on a bright summer's night. As the 24-hour light of the arctic summer is transformed into darkness by an ash cloud from a recent volcanic eruption, a young reporter leaves Reykajvik to investigate on her own, unaware that an innocent person's life hangs in the balance. Ari Thor Arason and his colleagues on the tiny police force in Siglufjordur struggle with an increasingly perplexing case, while their own serious personal problems push them to the limit. What secrets does the dead man harbour, and what is the young reporter hiding? As silent, unspoken horrors from the past threaten them all, and the darkness deepens, it's a race against time to find the killer before someone else dies.

When FINAL BLACKOUT was written there was still a Maginot Line, Dunkirk was just another French coastal town and the Battle of Britain, the Bulge, Saipan, Iwo, V2s and Nagasaki were things unknown and far ahead in history. While it concerns these things, its action will not take place for many years yet to come and it is, therefore, still a story of the future though some of the "future" it embraced (about one fifth) has already transpired. When published in magazine form before the war it created a little skirmish of its own and, I am told, as time has gone by and some of it has unreeled, interest in it has if anything increased. So far its career has been most adventurous as a story. The "battle of FINAL BLACKOUT" has included loud wails from the Communists—who said it was pro-fascist (while at least one fascist has held it to be pro-Communist). Its premises have been called wild and unfounded on the one hand while poems (some of them very good) have been written about or dedicated to the Lieutenant. Meetings have been held to nominate it to greatness while others have been called to hang the author in effigy (and it is a matter of record that the last at least was successfully accomplished). The British would not hear of its being published there at the time it appeared in America, though Boston, I am told, remained neutral—for there is nothing but innocent slaughter in it and no sign of rape. There are those who insist that it is all very bad and those who claim for it the status of immortality. And while it probably is not the worst tale ever written, I cannot bring myself to believe that FINAL BLACKOUT, as so many polls and such insist, is one of the ten greatest stories ever published. Back in those mild days when Pearl Harbor was a place you toured while vacationing at Waikiki and when every drawing room had its business man who wondered disinterestedly whether or not it was not possible to do business with Hitler, the anti-FINAL BLACKOUTISTS (many of whom, I fear, were Communists) were particularly irked by some of the premises of the tale. Russia was, obviously, a peace-loving nation with no more thought than America of entering the war. England was a fine going concern without a thought, beyond a contemptuous aside, for the Socialist who, of course, could never come to power. One must understand this to see why FINAL BLACKOUT slashed about and wounded people. True enough, some of its premises were far off the mark. It supposed, for instance, that the politicians of the great countries, particularly the United States, would push rather than hinder the entrance of the whole world into the war. In fact, it supposed, for its author was very young, that politicians were entirely incompetent and would not prevent for one instant the bloodiest conflict the country had ever known. Further, for the author was no critic, it supposed that the general staffs of most great nations were composed of stupid bunglers who would be looking up their friends on the selection board when they should be looking to their posts and that the general world wide strategy of war would go off in a manner utterly unadroit to the sacrifice of efficiency. It surmised that if general staffs went right on bungling along, military organization would cease to exist, and it further—and more to the point—advanced the thought that the junior combat officer, the noncom and, primarily the enlisted men would have to prosecute the war. These, it believed, would finally be boiled down, by staff "stupidity," to a handful of unkillables who would thereafter shift for themselves. FINAL BLACKOUT declared rather summarily—and very harshly, for the author was inexperienced in international affairs—that the anarchy of nations was an unhealthy arrangement maintained by the greed of a few for the privileges of a few and that the "common people" (which is to say those uncommon people who wish only to be let go about their affairs of getting enough to eat and begetting their next generation) would be knocked flat, silly and completely out of existence by these brand new "defensive" weapons which would, of course, be turned only against soldiers. Bombs, atomics, germs and, in short, science, it maintained, were being used unhealthily and that, soon enough, a person here and there who was no party to the front line sortie was liable to get injured or dusty; it also spoke of populations being affected boomerang fashion by weapons devised for own governments to use. Certainly all this was heresy enough in that quiet world of 1939, and since that time, it is only fair to state, the author has served here and there and has gained enough experience to see the error of his judgment. There have been two or three stories modeled on FINAL BLACKOUT. I am flattered. It is just a story. And as the past few years have fortunately proven, it cannot possibly happen.

THE SECOND INSTALMENT IN THE INTERNATIONAL BESTSELLING DARK ICELAND SERIES OVER A MILLION COPIES SOLD As the light of the arctic summer is transformed into darkness by a recent volcanic eruption, Icelandic police officer Ari Thór Arason take on an increasingly perplexing case, when a young man is discovered brutally beaten to death on the shores of a tranquil fjord... 'A classic crime story seen through a uniquely Icelandic lens ... first rate and highly recommended' Lee Child 'A modern take on an Agatha Christie-style mystery, as twisty as any slalom...' Ian Rankin ________________ On the shores of a tranquil fjord in Northern Iceland, a man is brutally beaten to death on a bright summer's night. As the 24-hour light of the arctic summer is transformed into darkness by an ash cloud from a recent volcanic eruption, a young reporter leaves Reykajvik to investigate on her own, unaware that an innocent person's life hangs in the balance. Ari Thór Arason and his colleagues on the tiny police force in Siglufjörður struggle with an increasingly perplexing case, while their own serious personal problems push them to the limit. What secrets does the dead man harbour, and what is the young reporter hiding? As silent, unspoken horrors from the past threaten them all, and the darkness deepens, it's a race against time to find the killer before someone else dies... Dark, terrifying and complex, Blackout is an exceptional, atmospheric thriller from one of Iceland's finest crime writers. ________________ 'Jónasson's books have breathed new life into Nordic Noir' Jake Kerridge, Sunday Express 'The darkness and cold are palpable' Marcel Berlins, The Times 'A distinctive blend of Nordic Noir and Golden Age detective fiction ... economical and evocative prose, as well as some masterful prestidigitation' Laura Wilson, Guardian 'Ragnar Jonasson does claustrophobia beautifully' Ann Cleeves 'A brilliantly crafted crime story that gradually unravels old secrets in a small Icelandic town ... an excellent debut from a talented Icelandic author. I can't wait to read more' Sarah Ward 'Is King Arnaldur Indriðason looking to his laurels? There is a young pretender beavering away, his eye on the crown: Ragnar Jónasson...' Barry Forshaw 'A truly chilling debut, perfect for fans of Karin Fossum and Henning Mankell' Eva Dolan 'Puts a lively, sophisticated spin on the Agatha Christie model, taking it down intriguing dark alleys' Kirkus Reviews 'The best sort of gloomy storytelling' Chicago Tribune

In February, 1942, a woman was found strangled in a London air raid shelter. Chief Superintendent Frederick Cherrill, head of Scotland Yard’s revolutionary fingerprint division, knew just how well the wartime blackout concealed crime. But this was a brutal, senseless killing with few clues, no apparent motive—and no sign of the terror to come. The nightly air raids had darkened London’s neon dazzle but not its urge to live it up. With death a daily possibility, drinks and sex were everywhere. But one man had other urges. Over a five-day period, he murdered with a lightning-fast ferocity that stunned and baffled investigators. Dubbed “The Blackout Ripper,” he left few clues in his bloody wake—until a slip-up revealed his true identity, and shocked a city that thought it had seen it all.

THE STUNNING SECOND WORLD WAR THRILLER FROM THE CELEBRATED SUNDAY TIMES BESTSELLING AUTHOR SIMON SCARROW The Richard and Judy Bookclub Pick The Times Top Ten bestseller 'A wonderfully compelling thriller, reeking of authenticity, and a terrific depiction of the human world within the chilling world of the Third Reich' Peter James Berlin, December 1939 As Germany goes to war, the Nazis tighten their terrifying grip. Paranoia in the capital is intensified by a rigidly enforced blackout that plunges the city into oppressive darkness every night, as the bleak winter sun sets. When a young woman is murdered, Criminal Inspector Horst Schenke is under pressure to solve the case, swiftly. Distrusted by his superiors for his failure to join the Nazi Party, Schenke walks a perilous line - for disloyalty is a death sentence. The discovery of a second victim confirms Schenke's worst fears. He must uncover the truth before evil strikes again. As the investigation takes him closer to the sinister heart of the regime, Schenke realises there is danger everywhere - and the warring factions of the Reich can be as deadly as a killer stalking the streets . . . Readers love BLACKOUT: 'Superb thriller, with a heroic anti-Nazi Kripo detective ... I look forward to more books about him' ***** 'Highly recommended ... A top-class murder case set in war-time Berlin' ***** 'Fantastic ... Keeps you guessing and in suspense until the end' ***** 'Great story about the excessive Nazi regime ... Really loved this book' *****