Darkness calls to humans, as well as vampires...

June 1943. Many Germans—some of them high-ranking officers—believe the tides of war have turned against them. Increased activity suggests there may be truth to whispers heard by Office of Strategic Services spies: that the Nazis are extorting Jews outside Germany to buy their relatives’ freedom from extermination camps, then smuggling the ransom in Operation Phoenix to fund safe havens in Argentina, Brazil, and Paraguay for senior Nazi officials when Germany falls. With so much money and more at stake, lives are, too, and it’s up to USMC Major Cletus Frade—the top OSS spook in “neutral” Argentina—to find out. That is, before the ruthless Nazis order his murder...

Series Foreword p. viii Foreword Jean Bethke Elshtain p. x Preface p. xiii Contributors p. xvi Religion and Capital Punishment: An Introduction Erik C. Owens and Eric P. Elshtain p. 1 I Faith Traditions and the Death Penalty 1. Catholic Teaching on the Death Penalty: Has It Changed? Avery Cardinal Dulles, S.J. p. 23 2. Can Capital Punishment Ever Be Justified in the Jewish Tradition? David Novak p. 31 3. The Death Penalty: A Protestant Perspective Gilbert Meilaender p. 48 4. Punishing Christians: A Pacifist Approach to the Issue of Capital Punishment Stanley Hauerwas p. 57 5. The Death Penalty, Mercy, and Islam: A Call for Retrospection Khaled Abou El Fadl p. 73 II Theological Reflections on the Death Penalty 6. Categorical Pardon: On the Argument for Abolishing Capital Punishment J. Budziszewski p. 109 7. Biblical Perspectives on the Death Penalty Michael L. Westmoreland-White and Glen H. Stassen p. 123 8. Christian Witness, Moral Anthropology, and the Death Penalty Richard W. Garnett p. 139 9. Human Nature, Limited Justice, and the Irony of Capital Punishment John D. Carlson p. 158 10. Responsibility, Vengeance, and the Death Penalty Victor Anderson p. 195 III Personal Commitments and Public Responsibilities 11. The Death Penalty: What's All the Debate About? Frank Keating p. 213 12. Reflections on the Death Penalty and the Moratorium George H. Ryan p. 221 13. God's Justice and Ours: The Morality of Judicial Participation in the Death Penalty Antonin Scalia p. 231 14. Why I Oppose Capital Punishment Mario M. Cuomo p. 240 15. Capital Punishment: Is It Wise? Paul Simon p. 248 16. Facing the Jury: The Moral Trials of a Prosecutor in a Capital Case Beth Wilkinson p. 254 17. The Problem of Forgiveness: Reflections of a Public Defender and a Murder Victim's Family Member Jeanne Bishop p. 264 Afterword: Lifting New Voices against the Death Penalty: Religious Americans and the Debate on Capital Punishment E.J. Dionne Jr. p. 277 Index.

The first of his peerless novels of Cold War espionage and international intrigue, Call for the Dead is also the debut of John le Carré's masterful creation George Smiley. "Go back to Whitehall and look for more spies on your drawing boards." George Smiley is no one's idea of a spy—which is perhaps why he's such a natural. But Smiley apparently made a mistake. After a routine security interview, he concluded that the affable Samuel Fennan had nothing to hide. Why, then, did the man from the Foreign Office shoot himself in the head only hours later? Or did he? The heart-stopping tale of intrigue that launched both novelist and spy, Call for the Dead is an essential introduction to le Carré's chillingly amoral universe.

'Extraordinary. It is about death, but I can think of few books which have such life. It shows us what love is.' Max Porter, author of Grief is the Thing With Feathers and Lanny 'There is no one quite like Naja Marie Aidt' Valeria Luiselli 'Devastating, angry, challenging, fragmented and filled with the beautiful hope that the love we have for people continues into the world even after they're gone.' Culturefly 'Fragmented, poetic, informative and truthful, Aidt faces the greatest loss we can ever know with all the force of great elegy writers like Anne Carson and Denise Riley. Essential.' Polly Clark, author of Larchfield and Tiger _______ "I raise my glass to my eldest son. His pregnant wife and daughter are sleeping above us. Outside, the March evening is cold and clear. 'To life!' I say as the glasses clink with a delicate and pleasing sound. My mother says something to the dog. Then the phone rings. We don't answer it. Who could be calling so late on a Saturday evening?" In March 2015, Naja Marie Aidt's 25-year-old son, Carl, died in a tragic accident. When Death Takes Something From You Give It Back is about losing a child. It is about formulating a vocabulary to express the deepest kind of pain. And it's about finding a way to write about a reality invaded by grief, lessened by loss. Faced with the sudden emptiness of language, Naja finds solace in the anguish of Joan Didion, Nick Cave, C.S. Lewis, Mallarmé, Plato and other writers who have suffered the deadening impact of loss. Their torment suffuses with her own as Naja wrestles with words and contests their capacity to speak for the depths of her sorrow. This palimpsest of mourning enables Naja to turn over the pathetic, precious transience of existence and articulates her greatest fear: to forget. The insistent compulsion to reconstruct the harrowing aftermath of Carl's death keeps him painfully present, while fragmented memories, journal entries and poetry inch her closer to piecing Carl's life together. Intensely moving and quietly devastating, this is what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.

One look from him makes her feel alive again. My name is Alexia Williams, and I'm nothing more than a human soldier trying to live one day at a time. After losing my family to shape-shifters, I joined the Combined Human States Army. Now I find myself on the front lines, defending the wall between my species and theirs. My mission is simple: keep the animals on their side by whatever means necessary, don't talk to them, don't sympathize with them, don't let them in. But then one of them saves my life. Andor isn't like any shifter I've ever met. He's a three-hundred-year-old golden eagle asking for help finding missing shifters who may be on my side of the wall. Now I'm helping the animals and seeing signs that my fellow humans aren't what I thought they were. Nothing is what it seems, but one fact remains... ...in the land of the shifters, they call me Death. Warning! This book contains a cocky gun-toting female, a hint of violence, a sexy scene or two, and hot alpha males who let their animal sides rule.