In Time and Death Carol White articulates a vision of Martin Heidegger's work which grows out of a new understanding of what he was trying to address in his discussion of death. Acknowledging that the discussion of this issue in Heidegger's major work Being and Time is often far from clear, White presents a new interpretation of Heidegger which short-circuits many of the traditional criticisms. White claims that we are all in a better position to understand Heidegger's insights after fifty years because they have now become a part of the conventional wisdom of common opinion. His view shows up in accounts of knowledge in the physical sciences, in the assumptions of the social sciences, in art and film, even in popular culture in general, but does so in ways ignorant of their origins. Now that these insights have filtered down into the culture at large, we can make Heidegger intelligible in a way that perhaps he himself could not. White presents the best possible case for Heidegger, making him more intelligible to those people with a long acquaintance with his work, those with a long aversion to it and in particular to those just starting to pursue an interest in it. White places the problems with which Heidegger is dealing in the context of issues in contemporary Anglo-American philosophy, in order to better locate him for the more mainstream audience. The language and approach of the book is able to accommodate the novice but also offers much food for thought for the Heidegger scholar.

Philosophers are accustomed to thinking about human existence as finite and deathbound. Anne O'Byrne focuses instead on birth as a way to make sense of being alive. Building on the work of Heidegger, Dilthey, Arendt, and Nancy, O'Byrne discusses how the world becomes ours and how meaning emerges from our relations to generations past and to come. Themes such as creation, time, inheritance, birth and action, embodiment, biological determinism, and cloning anchor this sensitive and powerful analysis. O'Byrne's thinking advances and deepens important discussions at the intersections of feminism, continental philosophy, philosophy of religion, and social and political thought.

Heidegger&’s thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. &“The theme of mortality&—finite human existence&—pervades Heidegger&’s thought,&” in the author&’s words, &“before, during, and after his magnum opus, Being and Times, published in 1927.&” This theme is manifested in Heidegger&’s work not &“as funereal melodramatics or as despair and destructive nihilism&” but rather &“as a thinking within anxiety.&” & Four major subthemes in Heidegger&’s thinking are explored in the book&’s four parts: the fundamental ontology developed in Being and Time; the &“lighting and clearing&” of Being, understood as &“unconcealment&”; the history of philosophy&—with emphasis on Heraclitus, Hegel, and Nietzsche&—interpreted as the &“destiny&” of Being; and the poetics of Being, explicated as the &“fundamental experience&” of mortality. & Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger&’s books, lectures, and articles&—including extensive material not yet translated into English&—informed by the author&’s conversations with Heidegger in 1974&–76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger&’s thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems.

People in the Middle Ages had chantry chapels, mortuary rolls, the daily observance of the Office of the Dead, and even purgatory—but they were still unable to talk about death. Their inability wasn’t due to religion, but philosophy: saying someone is dead is nonsense, as the person no longer is. The one thing that can talk about something that is not, as D. Vance Smith shows in this innovative, provocative book, is literature. Covering the emergence of English literature from the Old English to the late medieval periods, Arts of Dying argues that the problem of how to designate death produced a long tradition of literature about dying, which continues in the work of Heidegger, Blanchot, and Gillian Rose. Philosophy’s attempt to designate death’s impossibility is part of a literature that imagines a relationship with death, a literature that intensively and self-reflexively supposes that its very terms might solve the problem of the termination of life. A lyrical and elegiac exploration that combines medieval work on the philosophy of language with contemporary theorizing on death and dying, Arts of Dying is an important contribution to medieval studies, literary criticism, phenomenology, and continental philosophy.

Examining the legacies of Heidegger, along with Derrida, Levinas and Nietzsche, Rafael Winkler argues that it is not the search for truth or even contradictions that stimulates philosophical thought. Instead, it is our exposure to the unthinkable or the impossible – to thought's own limits. An experience of the unthinkable is possible in our encounter with the uniqueness of death, the singularity of being, and of the self and the other. This 'thinking of finitude' also has political implications, as it provides us with a way to talk about, and evaluate, absolute strangeness and, by implication, the absolute stranger or foreigner. Illuminating Heidegger's writings on the question of ontology, ethics and history, Winkler proves that this encounter with thought's limits is one of the mainstays of the philosophies of difference of Heidegger, Levinas, and Nietzsche.

Plato's Phaedo, Hegel's Phenomenology of Spirit and Heidegger's Being and Time are three of the most profound meditations on variations of the idea that to practise philosophy is to practise how to die. Francoise Dastur's study traces how these variations are connected with each other and with the reflections of this idea to be found in the works of other ancient and modern philosophers - including Nietzsche, Husserl, Sartre, Merleau-Ponty and Levinas. Professor Dastur also shows how this philosophical thanatology motivates or is motivated by experiences documented in psychoanalysis and in the anthropology of Western and Oriental religions and myths.

"What is the meaning of being?" This is the central question of Martin Heidegger's profoundly important work, in which the great philosopher seeks to explain the basic problems of existence. A central influence on later philosophy, literature, art, and criticism—as well as existentialism and much of postmodern thought—Being and Time forever changed the intellectual map of the modern world. As Richard Rorty wrote in the New York Times Book Review, "You cannot read most of the important thinkers of recent times without taking Heidegger's thought into account." This first paperback edition of John Macquarrie and Edward Robinson's definitive translation also features a new foreword by Heidegger scholar Taylor Carman.