Death had an important and pervasive presence in the middle ages. It was a theme in medieval public life, finding expression both in literature and art. The beliefs and procedures accompanying death were both complex and fascinating. Christopher Daniell's appproach to this subject is unusual 1n bringing together knowledge accumulated from historical, archaeological and literary sources. The book includes the very latest research, both of the author and of others working in this area. The result is a comprehensive and vivid picture of the entire phenomenon of medieval death and burial.

Drawing on a cross-section of evidence--excavated cemeteries, sculpture and funerary monuments, documentary sources, and iconography--and using a series of regional case studies, this book explores the changing attitudes to death and the commemoration of the dead during the medieval period. The book addresses a number of themes, including the changing location of burial, the evidence for burial rite and funerals, the great wealth of funerary monuments and other forms of ecclesiastical patronage, the nature of the funerary industry, and the relationship of the dead to the living community.

This work provides a social history of death from the earliest times to Diana, Princess of Wales. As we discard the 20th century taboo about death, this book charts the story of the way in which our forebears coped with aspects of their daily lives.

Death was a constant, visible presence in medieval and renaissance Europe. Yet, the acknowledgement of death did not necessarily amount to an acceptance of its finality. Whether they were commoners, clergy, aristocrats, or kings, the dead continued to function literally as integrated members of their communities long after they were laid to rest in their graves. From stories of revenants bringing pleas from Purgatory to the living, to the practical uses and regulation of burial space; from the tradition of the ars moriendi, to the depiction of death on the stage; and from the making of martyrs, to funerals for the rich and poor, this volume examines how communities dealt with their dead as continual, albeit non-living members. Contributors are Jill Clements, Libby Escobedo, Hilary Fox, Sonsoles Garcia, Stephen Gordon, Melissa Herman, Mary Leech, Nikki Malain, Kathryn Maud, Justin Noetzel, Anthony Perron, Martina Saltamacchia, Thea Tomaini, Wendy Turner, and Christina Welch

This companion volume seeks to trace the development of ideas relating to death, burial, and the remembrance of the dead in Europe from ca.1300-1700.

Death in Medieval Europe: Death Scripted and Death Choreographed explores new cultural research into death and funeral practices in medieval Europe and demonstrates the important relationship between death and the world of the living in the middle ages. This volume explores overarching topics such as burials, commemorations, revenants, mourning practices and funerals, capital punishment, suspiscious death and death registrations using case studies from across Europe including England, Iceland and Spain. Drawing together and building upon the latest scholarship, this book is essential reading for all students and academics of death in the medieval period.

The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.