Bursting with flavor and just the right infusion of insight, Dear Tomato: An International Crop of Food and Agriculture Poems presents a collection of poems from thirty-four writers on the most universal topic of all: food. Featuring a wide assortment of styles, from haiku to acrostics to free verse, these poems touch on topics that range from lighthearted to seriously thought-provoking. Whether the focus of the poem is a child's battle over eating peas or a celebration of fair trade, this collection introduces kids to a fresh new view of where their food comes from. They'll love following along as they track what they eat—from a tiny seed all the way to the fork that brings it to their mouth! Throughout the anthology, each entry's words and ideas are brought to life by Norie Wasserman's stunning black-and-white photographs, which themselves are poetry for the eyes. A fun and enlightening read for kids eight to twelve years of age, this collection will add to your family's dinnertime conversation, while also providing an excellent resource for teachers and librarians.

Savor your best tomato harvest ever! Craig LeHoullier provides everything a tomato enthusiast needs to know about growing more than 200 varieties of tomatoes, from planting to cultivating and collecting seeds at the end of the season. He also offers a comprehensive guide to various pests and tomato diseases, explaining how best to avoid them. With beautiful photographs and intriguing tomato profiles throughout, Epic Tomatoes celebrates one of the most versatile and delicious crops in your garden.

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties. In this beguiling collection of twelve imaginative stories set in Lagos, Nigeria, ’Pemi Aguda dramatizes the tension between our yearning to be individuals and the ways we are haunted by what came before. In “Manifest,” a woman sees the ghost of her abusive mother in her daughter’s face. Shortly after, the daughter is overtaken by wicked and destructive impulses. In “Breastmilk,” a wife forgives her husband for his infidelity. Months later, when she is unable to produce milk for her newborn, she blames herself for failing to uphold her mother’s feminist values and doubts her fitness for motherhood. In “Things Boys Do,” a trio of fathers finds something unnatural and unnerving about their infant sons. As their lives rapidly fall to pieces, they begin to fear that their sons are the cause of their troubles. And in “24, Alhaji Williams Street,” a teenage boy lives in the shadow of a mysterious disease that’s killing the boys on his street. These and other stories in Ghostroots map emotional and physical worlds that lay bare the forces of family, myth, tradition, gender, and modernity in Nigerian society. Powered by a deep empathy and glinting with humor, they announce a major new literary talent.