"Please admire my docile and obedient nature. I will not thank you for providing us with a home, nor will I even breathe a word of gratitude for your provision of such funds as will feed us each quarter. I will not even write such platitudes as 'You are very good,' given that you have also provided us with respectability in the form of Mrs. Ingles. There. I am quite done now with not expressing my gratitude - I should not at all wish to prove tiresome." From the author of Tact, Dear Nameless Stranger is a heartwarming tale inspired by Jane Austen's Pride and Prejudice and Jean Webster's Daddy Long Legs. Tragedy has struck the Bennet sisters but they are greatly relieved when the anonymous kindness of a stranger means that they can remain together. In exchange for such charity, a monthly letter is required from each sister. It is a fortunate thing that Miss Elizabeth Bennet rather likes letter-writing, for she relishes the opportunity to relate to this unknown gentleman all her impressions and opinions regarding her changed circumstances. With each passing month Elizabeth confides more in the nameless stranger, and by the time Netherfield Park is once again occupied by the amiable Mr. Bingley and his friend Mr. Darcy, she is quite frank in writing of her dismay.

"I must not speak for my sister, even to you who have been all goodness and kindness throughout this awkward situation. Only know," and here she broke off, suddenly shy, "that even though I must deny myself the privilege of being your wife for love of my sister, I should very dearly like to have you for a brother!" Elizabeth Bennet does not set out to manipulate people; it is merely that the correct choice of words, accompanied by an engaging smile or a beseeching look, yields the most satisfactory results. The morning after the Netherfield ball, Lizzy dispenses with one unwelcome suitor to her hand so amicably and successfully that she sees no reason why she should not make use of her talent for tactful speeches and deal with other unwelcome suitors in the same deft manner.Unfortunately, not all young men are quite so obligingly obtuse as her poor foolish cousin, and Elizabeth finds that one particular gentleman from Derbyshire proves annoyingly impervious to her cunning.

The Strange follows an unnamed, undocumented immigrant who tries to forge a new life in a Western country where he doesn’t speak the language. Jérôme Ruillier’s story is deftly told through myriad viewpoints, as each narrator recounts a situation in which they crossed paths with the newly-arrived foreigner. Many of the people he meets are suspicious of his unfamiliar background, or of the unusual language they do not understand. By employing this third-person narrative structure, Ruillier masterfully portrays the complex plight of immigrants and the vulnerability of being undocumented. The Strange shows one person’s struggle to adapt while dealing with the often brutal and unforgiving attitudes of the employers, neighbors, and strangers who populate this new land. Ruillier employs a bold visual approach of colored pencil drawings complemented by a stark, limited palette of red, orange and green backgrounds. Its beautiful simplicity represents the almost child-like hope and promise that is often associated with new beginnings. But as Ruillier implicitly suggests, it’s a promise that can shatter at a moment’s notice when the threat of being deported is a daily and terrifying reality. The Strange has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.