The lives of women changed immeasurably during the twentieth century, not just because of technological and economic advances, but as a result of a multiplicity of small and large, local, national and international political campaigns by women. The activities of the Edwardian suffrage campaigns are the most well-known example of this, but in less well-known, political struggles women fought with equal tenacity, sacrifice, and inventiveness, to demand, for example, equal pay, analgesics for women and childbirth, an end to virginity testing at airports or wages for housework. This book focuses on 15 such campaigns and the thousands of women who sought to influence decision making, exercise and challenge power in the twentieth century. These political activities were sometimes small-scale and short-lived or seemingly unsuccessful but together they helped to bring about immeasurable changes in women’s lives during the twentieth century. With limited financial resources and hefty domestic responsibilities, women have often chosen to pick their political battles very carefully. Some fought for workers’ rights or the right to education, some prioritised stopping male violence on the streets, in the home or between nations, others like Radcliffe Hall campaigned so women could define their own sexuality. Women organised self-help childcare, rape crisis centres and peace camps. They set up birth control clinics and women’s refuges. Ordinary women took on exploitive landlords, immigration officers, international companies, local councils, the media and successive governments. A few of the hundreds of thousands of these political women, like Maggie Wintringham and Nancy Astor, were MPs; others became local councillors. However, women’s access to traditional areas of political power was limited, even when Britain had its first woman prime minister in 1979, she was one of only 19 women MPs in parliament. Consequently, women sought other spheres of activity through which to fight for change, using all the resources and imagination at their disposal to challenge injustice and abuse. They employed deeds and words, petitions and protests, legal and illegal devices, peaceful and violent strategies to further their political aims. Their motivations and contributions were varied, many made sacrifices to be involved in political battles, but this book seeks to celebrate some of these unsung heroines who tried to make a difference.

In 1986 Clare Short introduced her Private's Member's Bill in the House of Commons to ban Page 3. The size of her postbag the following Monday morning and the vicious attacks on her in the tabloid press (The Sun even ran a Stop Crazy Clare campaign), made it clear that Page 3 pornography was a heartfelt issue for people of all ages, in all parts of the country and of all political persuasions.

Anti-porn feminism is back. Countering the ongoing 'pornification' of Western culture and society, with lads' mags on the middle shelf and lap-dancing clubs in residential areas, anti-porn movements are re-emerging among a new generation of feminist activists worldwide. This essential new guide to the problems with porn starts with a history of modern pro and anti political stances before examining the ways in which the new arguments and campaigns around pornography are articulated, deployed and received. Drawing on original ethnographic research, it provides an in-depth analysis of the groups campaigning against the pornography industry today, as well as some eye-opening facts about the damage porn can do to women and society as a whole. This unique and inspiring book explains the powerful comeback of anti-porn feminism, and it controversially challenges liberal perspectives and the mainstreaming of a porn culture that threatens to change the very nature of our intimate relationships.

The history of Western art is saturated with images of the female body. Lynda Nead's The Female Nude was the first book to critically examine this phenomenon from a feminist perspective and ask: how and why did the female nude acquire this status? In a deft and engaging manner, Lynda Nead explores the ways in which acceptable and unacceptable images of the female body are produced, issues which have been reignited by current controversies around the patriarchy, objectification and pornography. Nead brilliantly illustrates the two opposing poles occupied by the female nude in the history of art; at one extreme the visual culmination of enlightenment aesthetics; at the other, spilling over into the degraded and the obscene. What both have in common, however, is the aim of containing the female body. Drawing on examples of art and artists from the classical period to the 1980s, The Female Nude paints a devastating picture of the depiction of the female body and remains as fresh and invigorating today as it was at the time of its first publication. This Routledge Classics edition includes a new Preface by the author.

The media have played a significant role in the contested and changing social position of women in Britain since the 1900s. They have facilitated feminism by both providing discourses and images from which women can construct their identities, and offering spaces where hegemonic ideas of femininity can be reworked. This volume is intended to provide an overview of work on Broadcasting, Film and Print Media from 1900, while appealing to scholars of History and Media, Film and Cultural Studies. This edited collection features tightly focused and historically contextualised case studies which showcase current research on women and media in Britain since the 1900s. The case studies explore media directed at a particularly female audience such as Woman’s Hour, and magazines such as Vogue, Woman and Marie Claire. Women who work in the media, issues of production, and regulation are discussed alongside the representation of women across a broad range of media from early 20th-century motorcycling magazines, Page 3 and regional television news.

Family Newspapers? provides the first detailed historical study of the modern popular press's coverage of sex and private life, from the start of the mass newspaper reading boom in 1918 to the triumph of the Sun's sexualised journalism in 1978. In this period, newspapers were at the heart of British popular culture, and Fleet Street's preoccupation with sex meant that the press was a hugely significant source of knowledge and imagery about sexual behaviour, personal relationships, and moral codes. Focusing on changing ideas of what sexual content was deemed 'fit to print', Adrian Bingham reveals how editors negotiated the tension between exploiting public curiosity about sex and ensuring that their journalism remained within the bounds of acceptability for a 'family newspaper'. The study challenges established interpretations of social change by drawing attention to the ways in which the press opened up the public discussion of sexuality before the 'permissiveness' of the 1960s. Exploring the spectacular diversity of the press's sexual content - from advice columns to pin-ups, from court reports to celebrity revelations - Bingham offers a rich and thought-provoking investigation of a media form that has done much to shape the character of modern Britain.

This book examines accounts of gender issues and feminism given by three cohorts of women and shows the primacy of age as a source of gender, diversity and difference.