Provides comprehensive introduction to the history, sociology and musicology of 20th century Italian popular music Essays written by authors from a variety of backgrounds offer broad portrait of modern popular musical culture for readers new to Italian music

This book on French soldiers during WWI is “a first-class narrative with an abundance of personal testimony from the officers and men of the regiment” (The Great War Magazine, Editor’s Choice). Although the French fielded the largest number of Allied troops on the Western Front in the First World War, the story of their soldiers is little known to English readers. The immense size of the French armies, the number of battles they fought, and the enormous losses they incurred, make it difficult for us to comprehend their experience. But we can gain a genuine insight by focusing on one of the defining battles of that war, at Verdun in 1916, and by looking at it through the eyes of a small group of soldiers who served there. That is what Johnathan Bracken does in this meticulously researched, detailed and vivid account. The French 151st Infantry Regiment spent fifty days under fire at Verdun in 1916 and another thirty-five in 1917 and lost 3,200 soldiers killed or wounded. Yet their ordeal was no different from that of hundreds of other infantry units that fought and endured in this meat-grinder of a battle. Their diaries and memoirs tell their story in the most compelling way, and through their words the larger human story of the French soldier during the war comes to life. “The book recounts the horror of intense artillery bombardments and men mown down in great waves. None of this is particularly pretty and the accounts do much to scatter notions of war as a glorious, thrilling experience. It was vicious and brutal utterly cruel.”—War History Online

The similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Léo Ferré, Fabrizio De André and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore.