No. 1 in the Olympia Brown Mysteries: When professor and college chaplain Olympia Brown discovers that one of her freshmen is being recruited by a shadowy religious cult, she and a priest colleague join forces to infiltrate the group and rescue the girl before she becomes another victim of their deadly mission. A menacing tangle of religious hypocrisy and the dark side of human nature reveals itself as Olympia and Jim risk their lives to uncover murder, illicit sex and embezzlement. Assisted by Olympia's house-ghost, the spectral Miss Winslow, they race the clock to expose the cult's bloody underbelly before they kill again.

Some warriors are drawn to the thrill of combat and find it the defining moment of their lives. Others fall victim to fear, exhaustion, impaired reasoning and despair. This book synthesizes the wartime experiences of American soldiers, from the doughboys of World War I to the grunts of Vietnam. Focusing on both soldiers and marines, it draws on histories and memoirs, oral histories, psychological and sociological studies and even fiction to show that their experiences remain fundamentally the same regardless of the enemy, terrain, training or weaponry.

"In graphic novel format, tells several tales of prominent ninja warriors from history and describes the training, weapons, armor, and battle tactics used by them"--

WW II books of 50 or more stories of boys on B-17 Flying Fortress crews, flying deadly missions with the Eighth Air Force in World War II. His writing is based on his teenage combat experiences as a B-17 radio/gunner on twenty combat missions with the 490th Bomb group, diaries and interviews of veterans of various bomb groups. Teenagers who volunteered to fly were trained and went into combat before they could legally vote or buy a drink. They signed up for the Army’s Air Cadet Program and became a part of the greatest air armada in the world. Any of the gunners on a bomber crew were teenagers and twenty-four was the average age of pilots, bombardiers and navigators. Veterans’ diaries give amazing reports of fighter attacks, flak damage and being shot down to become Prisoners of War. They were the youngsters who flew daylight bombing missions in the Mighty Eighth and destroyed Germany’s military and war industry.

First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.

Leading international scholars consider the films and legacy of Howard Hawks. Diverse contributions consider Hawks' work in relation to issues of gender, genre and relationships between the sexes, discuss key films including Rio Bravo, The Big Sleep and Red River, and address Hawks' visual style and the importance of musicality in his film-making.