From #1 Amazon, New York Times & USA Today bestselling author Gemma Halliday comes an average day in an average high school that suddenly turns deadly... When Hartley Grace Featherstone heard the rumor that her boyfriend, Josh, was playing "hide the pom-poms" with the president of the Herbert Hoover High Chastity Club, she was crushed. When she found proof of his cheating, she was downright angry. But when she found the dead body of Miss Chastity herself, Courtney Cline, shoved into her boyfriend's closet, Hartley was something else altogether... scared for her life. Now Hartley's boyfriend Josh—scratch that, ex-boyfriend—is the #1 suspect in a murder, the police are watching Hartley's every move, and the only thing spreading faster than the gossip about Hartley is the fear that someone else at school may be next. Along with her faithful best friend and an unlikely ally in the bad-boy editor of the school paper, it's up to Hartley to find out who really offed her school's queen of mean. Before Hartley becomes the killer's next victim. Hartley Grace Featherstone Mysteries: Deadly Cool – book #1 Killer Looks – book #2 Wicked Games – book #3 "Irreverently funny voice... wicked pace... explosive conclusion!" ~ Booklist "Halliday balances the comedy and suspense notes well, keeping her characters intriguing and her narrative bright. Suspenseful fun." ~ Kirkus Reviews "This fun and outrageous mystery is a perfect mix of humor and horror that will have readers laughing while they try to figure out 'whodunit.'" ~ School Library Journal "I absolutely adore this series and these characters... it's smart, funny and full of heart." ~ The Book Life Rating: This book does not contain any scenes with graphic gore, violence, or sexual content. Its rating would be similar to a PG13 movie or Hallmark Channel mystery. Themes encountered by real teens are explored (including teen sex vs. abstinence), while keeping the overall rating and content appropriate for younger- and pre-teens. Consequences are shown for behaviors, and negative actions are not glorified.

Winner of the Daphne du Maurier Award for Excellence in Mystery/Suspense and the Golden Quill Award. "Wow, just wow! This book got me so pumped up I just couldn't put it down. This is my first book by this author, I love her style of writing she had me on edge all the time." —Anna Kindle Friends Forever. FBI Crisis Negotiator Dominic Sheridan is adept at dealing with high-stake situations under treacherous conditions. But nothing prepared him for the headstrong rookie agent, Ava Kanas, who seems hell-bent on destroying her fledgling career while in pursuit of justice. When several agents die in quick succession it becomes obvious a killer is targeting the FBI, and Dominic in particular. Together, Dominic and Ava race to find the murderer, all the while fighting a forbidden attraction that will complicate everything, especially when a predator has them in their sights. All the books can be read as standalone titles. Thrilling plots with guaranteed happily ever afters—they do contain strong language. For fans of Melinda Leigh, Janie Crouch, Kendra Elliot, and Anna Hackett.

Twittercide: the killing of one human being by another while the victim is in the act of tweeting. Call me crazy, but I figured writing for the Herbert Hoover High Homepage would be a pretty sweet gig. Pad the resume for college applications, get a first look at the gossip column, spend some time ogling the paper's brooding bad-boy editor, Chase Erikson. But on my first big story, things went . . . a little south. What should have been a normal interview with Sydney Sanders turned into me discovering the homecoming queen–hopeful dead in her pool. Electrocuted while Tweeting. Now, in addition to developing a reputation as HHH's resident body finder, I'm stuck trying to prove that Sydney's death wasn't suicide. I'm starting to long for the days when my biggest worry was whether the cafeteria was serving pizza sticks or Tuesday Tacos. . . .

It’s a contraption that makes the lists of “Greatest Inventions Ever”; at the same time, it’s accused of causing global disaster. It has changed everything from architecture to people’s food habits to their voting patterns, to even the way big business washes its windows. It has saved countless lives . . . while causing countless deaths. Most of us are glad it’s there. But we don’t know how, or when, it got there. It’s air conditioning. For thousands of years, humankind attempted to do something about the slow torture of hot weather. Everything was tried: water power, slave power, electric power, ice made from steam engines and cold air made from deadly chemicals, “zephyrifers,” refrigerated beds, ventilation amateurs and professional air-sniffers. It wasn’t until 1902 when an engineer barely out of college developed the “Apparatus for Treating Air”—a machine that could actually cool the indoors—and everyone assumed it would instantly change the world. That wasn’t the case. There was a time when people “ignored” hot weather while reading each day’s list of heat-related deaths, women wore furs in the summertime, heatstroke victims were treated with bloodletting . . . and the notion of a machine to cool the air was considered preposterous, even sinful. The story of air conditioning is actually two stories: the struggle to perfect a cooling device, and the effort to convince people that they actually needed such a thing. With a cast of characters ranging from Leonardo da Vinci and Richard Nixon to Felix the Cat, Cool showcases the myriad reactions to air conditioning— some of them dramatic, many others comical and wonderfully inconsistent—as it was developed and presented to the world. Here is a unique perspective on air conditioning’s fascinating history: how we rely so completely on it today, and how it might change radically tomorrow.

Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among Jean-Paul Sartre, Simone de Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white Negro" and black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool. This is the first work to trace the history of cool during the Cold War by exploring the intersections of film noir, jazz, existential literature, Method acting, blues, and rock and roll. Dinerstein reveals that they came together to create something completely new—and that something is cool.