This new edition of RICK REMENDER and WESCRAIG's DEADLY CLASS, VOL. 1 features a media tie-in photo cover with keyimagery from the highly anticipated SYFY series-coming in 2019 from ExecutiveProducers the RUSSO BROTHERS (Directors of Avengers: InfinityWar)!! "The characters are so vividand the storytelling so perfectly paced, it's impossible to not becomeabsolutely engrossed... If you're sick of corporate, licensed characters thatnever grow or change, give Deadly Class a read."-Nerdist Welcome to themost brutal high school on earth, where the world's top crime families send thenext generation of assassins to be trained. Murder is an art. Killing is acraft. At Kings Dominion School for the Deadly Arts, the dagger in your backisn't always metaphorical. CollectsDEADLY CLASS #1-6

This new edition of RICK REMENDER and WES CRAIG’s DEADLY CLASS, VOL. 1 features a media tie-in photo cover with key imagery from the highly anticipated SYFY series—coming in 2019 from Executive Producers the RUSSO BROTHERS(Directors of Avengers: Infinity War)!! “DEADLY CLASS is a solid read for those who want a combination of MARK MILLAR’sWANTEDand Harry Potterwith GARTH ENNIS’s (Preacher) style.” —Library Journal(Starred Review) Welcome to the most brutal high school on earth, where the world’s top crime families send the next generation of assassins to be trained. Murder is an art. Killing is a craft. At Kings Dominion School for the Deadly Arts, the dagger in your back isn’t always metaphorical. Collects DEADLY CLASS #1-6

1987, San Francisco. Marcus Lopez, fils d'immigrés nicaraguayens et SDF depuis plusieurs années, peine à trouver un sens à sa vie. Alors qu'il pense sérieusement à mettre fin de ses jours, il fait la rencontre de Saya, une mystérieuse jeune fille qui va lui ouvrir les portes de l'Académie Kings Dominion des Arts Létaux. Il découvre alors l'existence d'une école où l'on enseigne aux héritiers de l'élite financière à ériger le meurtre au rang d'art. Marcus a désormais un but dans la vie, il va tuer celui qu'il considère responsable de la mort de ses parents : Ronald Reagan. Contient : Deadly Class #1-6

It's 1987, and homeless teenager Marcus Lopez Arguello has no reason to keep living. Until one fateful evening, when he is approached by a mysterious girl who invites him to join Kings Dominion Atelier of the Deadly Arts -- a brutal, clandestine high school, where the world's top crime families send the next generation of assassins to be trained. Murder is an art, killing is a craft, and the dagger in your back is no metaphor.

A brilliant analysis of the foundations of racist policing in America: the day-to-day brutalities, largely hidden from public view, endured by Black youth growing up under constant police surveillance and the persistent threat of physical and psychological abuse "Storytelling that can make people understand the racial inequities of the legal system, and...restore the humanity this system has cruelly stripped from its victims.” —New York Times Book Review Drawing upon twenty-five years of experience rep­resenting Black youth in Washington, D.C.’s juve­nile courts, Kristin Henning confronts America’s irrational, manufactured fears of these young peo­ple and makes a powerfully compelling case that the crisis in racist American policing begins with its relationship to Black children. Henning explains how discriminatory and aggressive policing has socialized a generation of Black teenagers to fear, resent, and resist the police, and she details the long-term consequences of rac­ism that they experience at the hands of the police and their vigilante surrogates. She makes clear that unlike White youth, who are afforded the freedom to test boundaries, experiment with sex and drugs, and figure out who they are and who they want to be, Black youth are seen as a threat to White Amer­ica and are denied healthy adolescent development. She examines the criminalization of Black adoles­cent play and sexuality, and of Black fashion, hair, and music. She limns the effects of police presence in schools and the depth of police-induced trauma in Black adolescents. Especially in the wake of the recent unprece­dented, worldwide outrage at racial injustice and inequality, The Rage of Innocence is an essential book for our moment.

With the warmth and humor we've come to know, the creator and host of A Prairie Home Companion shares his own remarkable story. In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation. He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”

“A FOND FAREWELL,” Part Six Power doesn’t corrupt—the corrupt seek power, and the path to power is paved with the bodies of anyone who gets in their way.