The only thing worse than waking up with the hangover from hell is waking up with a hangover in hell When literary reprobate Foster James wakes up in a strange country house, he assumes he's been consigned to rehab (yet again). But when he gets punched in the face by Ernest Hemingway, he realises there's something different about this place... Is Foster dead? Has his less-than-saintly existence finally caught up with him? After a hostile group therapy session with Hunter S. Thompson, William Burroughs and Samuel Taylor Coleridge, it seems likely. But he still feels alive, especially after he gets laid by Dorothy Parker. When he discovers that the two enigmatic doctors who run the institution are being torn apart by a thwarted love affair, he and the other writers must work together to save something bigger than their own gigantic egos. Set in a place that's part Priory, part Purgatory, Dead Writers in Rehab is a darkly funny tale about the strange and terrible entanglement of creativity and addiction, told by a charming, selfish bastard.

'It is dark, dirty, grim and confusing – in a very good way. It’s also warm, humane, funny and mischievous, and all the pages are in the right order' Jeremy Hardy

From the New York Times bestselling author of The Empathy Exams comes this transformative work showing that sometimes the recovery is more gripping than the addiction. With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction -- both her own and others' -- and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement, and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill. At the heart of the book is Jamison's ongoing conversation with literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence, including John Berryman, Jean Rhys, Billie Holiday, Raymond Carver, Denis Johnson, and David Foster Wallace, as well as brilliant lesser-known figures such as George Cain, lost to obscurity but newly illuminated here. Through its unvarnished relation of Jamison's own ordeals, The Recovering also becomes a book about a different kind of dependency: the way our desires can make us all, as she puts it, "broken spigots of need." It's about the particular loneliness of the human experience-the craving for love that both devours us and shapes who we are. For her striking language and piercing observations, Jamison has been compared to such iconic writers as Joan Didion and Susan Sontag, yet her utterly singular voice also offers something new. With enormous empathy and wisdom, Jamison has given us nothing less than the story of addiction and recovery in America writ large, a definitive and revelatory account that will resonate for years to come.

“It’s wild writing: sexy, unguarded, raw, and ardent … highly recommended.”—The Millions After a decade of heavy partying and hard drinking in London, Amy Liptrot returns home to Orkney, a remote island off the north of Scotland. The Outrun maps Amy’s inspiring recovery as she walks along windy coasts, swims in icy Atlantic waters, tracks Orkney’s wildlife, and reconnects with her parents, revisiting and rediscovering the place that shaped her. A Guardian Best Nonfiction Book of 2016 Sunday Times Top Ten Bestseller New Statesman Book of the Year

A darkly comic dystopian crime novel Detective Kilroy is assigned to investigate a horrible murder. He's a fine cop, from the brim of his hat to the soles of his brogues, but his inquiries, far from solving the mystery, lead him into a deeper one – and to Cynthia, an enigmatic woman with a secret that could overturn Kilroy's entire world. But where is this world? It seems both familiar and uncanny, with electric cars, but no digital devices, and the audience for a public execution arriving by tram. Meanwhile, the seas are retreating, and the Church exerts an iron grip on society – and history. Power belongs to those who control the narrative. Kilroy is forced to take sides between the Kafkaesque state that pays his wages, and the truth-seekers striving to destroy it, all the while becoming increasingly besotted with a woman who may only love him for his mind – in an alarmingly literal way. Please Do Not Ask for Mercy as a Refusal Often Offends is a dystopian satire that manages to be funny and frightening in equal measure.

Addiction is easy to fall into and hard to escape. It destroys the lives of individuals, and has a devastating cost to society. Steinberg and Bader harness the power of literature, poetry, and creativity to illuminate what alcoholism and addiction are all about. Each chapter begins with advice and commentary followed by a wealth of quotes to inspire and heal. The result is a mosaic of observations and encouragement that draws on writers and artists spanning thousands of years.

"In Death Will Get You Sober, Bruce discovers that the church basements of AA are a small world in the big city of New York. As he grapples with staying sober, he finds that not drinking is only the beginning of coming back to life - a life he finds he wants to keep when it's threatened by a killer."--BOOK JACKET.