Ethan was abducted when he was just seven. Now, aged sixteen, he's finally back home. It's a miracle - at first. But as the tensions build and his family starts to crack again, can Ethan unearth the buried memory that holds the key to it all?

A powerful psychological thriller with a shocking twist from the New York Times bestselling author of the Wake trilogy. Ethan was abducted from his front yard when he was just seven years old. Now, at sixteen, he has returned to his family. It’s a miracle…at first. Then the tensions start to build. His reintroduction to his old life isn’t going smoothly, and his family is tearing apart all over again. If only Ethan could remember something, anything, about his life before, he'd be able to put the pieces back together. But there’s something that's keeping his memory blocked. Something unspeakable...

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'" In When I Stop Talking, You'll Know I'm Dead, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen. Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever. And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come." As Weintraub says, "When I stop talking, you'll know I'm dead." With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.

'Bright Dead Things buoyed me in this dismal year. I'm thankful for this collection, for its wisdom and generosity, for its insistence on holding tight to beauty even as we face disintegration and destruction.' Celeste Ng, author of Everything I Never Told You A book of bravado and introspection, of feminist swagger and harrowing loss, Bright Dead Things considers how we build our identities out of place and human contact - tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth and falls in love. In these extraordinary poems Ada Limón's heart becomes a 'huge beating genius machine' striving to embrace and understand the fullness of the present moment. 'I am beautiful. I am full of love. I am dying,' the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds and Mark Doty, Limón's work is consistently generous, accessible, and 'effortlessly lyrical' (New York Times) - though every observed moment feels complexly thought, felt and lived.

"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.

From the author of Behind Her Eyes, now a Netflix Original Series hit “‘Big Little Lies’ meets ‘Rebecca’ in Sarah Pinborough’s ‘Dead to Her,’ a saucy novel about insecure second wives dragged down by secrets [and] jealousies…” —Washington Post “Roils with passion, rancor, and greed wrapped in Southern politesse... Pinbrough’s intricately woven mystery will please fans of B.A. Paris and Paula Hawkins.” — Publishers Weekly For fans of Liane Moriarty, Liv Constantine and Lisa Jewell, a twisty psychological thriller about a savvy second wife who will do almost anything to come out on top from the New York Times bestselling author of Behind Her Eyes. Marriage can be murder… SOMETHING OLD Marcie’s affair with Jason Maddox catapulted her into the world of the Savannah, GA elite. Old money, old ties, old secrets. Marcie may have married into this world— but she’ll never be part of it. SOMETHING NEW Then Jason’s boss brings back a new wife from his trip to London. Young, attractive, reckless—nobody can take their eyes off Keisha. Including Marcie’s husband. SOMETHING YOU CAN NEVER, EVER UNDO… Some people would kill for the life Marcie has—what will she do to keep it?

A Safe Place for Dying, the first in Jack Fredrickson's highly acclaimed Dek Elstrom mystery series, was nominated for the Shamus Award for Best First Novel. Now, Chicago P.I. Dek Elstrom is back in an electrifying new mystery. A lawyer calls Dek with a fast, seven-hundred dollar proposition. A dead client named Dek to execute her will. No matter that Dek didn't know the woman. No matter, too, that the woman's estate was only worth a few hundred. Happens all the time, the lawyer said. To Dek Elstrom, broke and huddling in a cold stone turret in the middle of February, the sound of seven hundred falling down his chimney is louder than his voice of reason. He agrees, heads up to a hamlet ten miles north of nowhere. But instead of finding an easy-to-close estate, he finds blood and the markers of a shattered life. And something worse: links to the darkest part of his own past. He races to chase down leads to the killer, and his own ghost...before the dead woman is killed again.