"Harrison's poems succeed on the basis of an open heart and a still-ravenous appetite for life."—The Texas Observer The title Dead Man's Float is inspired by a technique used by swimmers to conserve energy when exhausted, to rest up for the long swim to shore. In his fourteenth volume of poetry, Jim Harrison presents keen awareness of physical pains, delights in the natural world, and reflects on humanity's tentative place in a universe filled with ninety billion galaxies. By turns mournful and celebratory, these fearless and exuberant poems accomplish what Harrison's poems always do: wake us up to the possibilities of being fully alive. "Forthright and unaffected, even brash, Harrison always scoops us straight into the world whether writing fiction or nonfiction. This new collection [Dead Man's Float] takes its cue from a technique swimmers use to conserve energy in deep water, and Harrison goes in deep, acknowledging our frailness even as he seamlessly connects with a world that moves from water to air to the sky beyond."—Library Journal “Harrison pours himself into everything he writes… in poems, you do meet Harrison head-on. As he navigates his seventies, he continues to marvel with succinct awe and earthy lyricism over the wonders of birds, dogs, and stars as he pays haunting homage to his dead and contends with age’s assaults. The sagely mischievous poet of the North Woods and the Arizona desert laughs at himself as he tries to relax by imagining that he’s doing the dead man’s float only to sink into troubling memories…Bracingly candid, gracefully elegiac, tough, and passionate, Harrison travels the deep river of the spirit, from the wailing precincts of a hospital to a “green glade of soft marsh grass near a pool in a creek” to the moon-bright sea.”—Donna Seaman, Booklist "Harrison doesn't write like anyone else, relying entirely on the toughness of his vision and intensity of feeling."—Publishers Weekly Warbler This year we have two gorgeous yellow warblers nesting in the honeysuckle bush. The other day I stuck my head in the bush. The nestlings weigh one twentieth of an ounce, about the size of a honeybee. We stared at each other, startled by our existence. In a month or so, when they reach the size of bumblebees they'll fly to Costa Rica without a map. Jim Harrison, one of America's most versatile and celebrated writers, is the author of over thirty books of poetry, fiction, and nonfiction—including Legends of the Fall, the acclaimed trilogy of novellas. With a fondness for open space and anonymous thickets, he divides his time between Montana and southern Arizona.

When Tigger Mills returns home to the conservative, religious seaside community in New Jersey where he was once accused of a lethal act of arson, ghostwriter Anne Hardaway is the only one who does not believe that his drowning was a suicide. Original.

Whatever you do, don’t swim alone. In his next YA horror, Indie bestselling author Shawn Sarles dives into the terrifying myth behind the dead man’s float. Sometimes the truth hurts. Sometimes it even kills. Nine years ago, Sam watched her friend drown. The water, and the fact that she couldn’t save her, has haunted her ever since. But what she didn’t see that day was the hand that had reached out for her friend, wrenching her beneath the water. Now, as Sam gets ready for varsity pre-season on the school swim team, she vows once again not to let the fear of the water bring her down into its depths. But when the upperclassmen take the girls to the abandoned neighborhood pool called the Graveyard for their yearly hazing ritual, a seemingly harmless prank will set off a catastrophic chain of events. It will unleash a spirit, a ghost that has unfinished business both in the pool and outside of it, intent on finding its killer. On this team, they all have a secret. They all have a motive. The truth can set them free, if it doesn't bury them first.

Seventy-year-old Nathan Gelder's recent stroke has done little to appease the obsessive dreams and memories of his parents--both of whom died in the Holocaust--that haunt him relentlessly. While he remains in a paralyzed state, questions of his involvement in the death of rock star Leonard Skye Barvis begin to surface. Riots are staged worldwide and the media descends on him and his family. This effortless juxtapositon of one of history's darkest episodes with late 20th-century popular culture comes to a poignant end--with shattering results--in this haunting novel.

Bestselling author Shawn Sarles' most terrifying YA horror yet . . . It starts innocently enough. Four kids - three girls, one boy - are at one of their houses, playing games. One of them has read about "Bloody Mary" and the idea that if you look into a mirror and say her name thirteen times, she will show you the future. Some legends say she'll show you your one true love or a skull to mark your death within five years. Others say that conjuring Bloody Mary will bring her into your world. Both sets of legends are true. The kids go through with the act, saying her name thirteen times. One girl looks in the mirror and sees her longtime crush. One girl looks in the mirror and sees the boy in the group. But she pretends to see something else. One girl looks in the mirror and sees a girl she's never seen before but can't get out of her mind. And the boy . . . he sees a skull. But he pretends to see something else. They try to laugh it off. And mostly they forget about it. Or at least they don't talk about it. Yes, over the next few years, whenever they look into a mirror, it's like there's always another figure standing in the background, getting closer. Just short of five years later, the four of them are no longer friends, having gone on separate paths. The girl whose house it was has always tried to avoid the mirror they used - because she always sensed someone in the background. One morning as she's passing by, she sees much more than her own reflection - it's a scary figure taunting her. She startles and breaks the mirror. When the pieces are put back together (barely), the figure is gone. That day in school, a new girl arrives. Her name is Mary . . . .

Who will be the last to fall? In this terrifying spin on the old rhyme, a family moves to a seemingly perfect town only to discover that it is anything but normal. Parker doesn’t want to leave her home -- the house she’s lived in her whole life -- but her dad finally, finally got a job and that means they can move somewhere safe, without the fear of break-ins. The town of Coronation is gated community, something that will finally put her mom at ease. As soon as Parker gets there, it puts her at ease too.... at least at first. Everyone is nice. The tennis team immediately accepts her. The teachers are all really cool. Even the boys are easy to talk to...and boys have never been easy to talk to for her. Everything about the community is welcoming, inclusive. But one day during lunch, the loudspeaker crackles and a voice beckons them all to the courtyard. It’s time for the school’s monthly tradition: a mass game of Ring Around the Rosie. But that’s ridiculous. It’s a children’s rhyme. And Parker knows the truth behind the fatalism of the old game is a brutal one—a symbolic ritual around of the Black Plague. Still, the crowd joins hands, chanting and singing the rhyme in unison. The girl left standing is crowned and celebrated as the Rose Duchess. But the next day, she’s gone. Why is no one else concerned that the girl has disappeared? Why is the image of a strangled rose being tagged on the school walls? What is the intoxicated scent that continues to engulf her and cloud her thoughts? As the dark roots of the town begin to rise to the surface, Parker is left to wonder: Where have these sacrifices gone and who are they for? There is only so much time. Because when Parker is the last to fall, the only thing she can do is run...

Starred Review from Booklist: "This robust volume is a testament to the fortitude of a great American poet's work... [a] landmark collection." From the Introduction by Terry Tempest Williams: "Jim Harrison...was among the great ones—an elevated soul in all his unruliness who favored his senses and courted the wild on the page and in the world. His was a storied life that loomed large, and we are the beneficiaries. 'Such a powerful wounded poet—wrote as if he had to sing with a cut throat . . . and he did have to sing,' said Jorie Graham." Jim Harrison: Complete Poems is the definitive collection from one of America’s iconic writers. Introduced by activist and naturalist writer Terry Tempest Williams, this tour de force contains every poem Harrison published over his fifty-year career, as well as a section of previously unpublished "Last Poems." Here are the nature-based lyrics of his early work, the high-velocity ghazals, a harrowing prose-poem “correspondence” with a Russian suicide, the riverine suites, fearless meditations inspired by the Zen monk Crazy Cloud, and a joyous conversation in haiku-like gems with friend and fellow poet Ted Kooser. Weaving throughout these 1000 pages are Harrison’s legendary passions and appetites, his love songs and lamentations, and a clarion call to pay attention to the life you are actually living. Jim Harrison: Complete Poems confirms that Jim Harrison is a talented storyteller with a penetrating eye for details, or as Publishers Weeklycalled him, “an untrammeled renegade genius... a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.” NOTE:Jim Harrison: Complete Poems also appears as a three-volume box set. Print run limited to 750 copies. Each volume is introduced by a different writer: Colum McCann, Joy Williams, and John Freeman. The box set retails for $85 and ISBN is 9781556596414.