"It is hard to say which makes for the more compelling narrative: the life of jazz great Jelly Roll Morton or the detective work that Phil Pastras undertook in putting together this engaging book. Dead Man Blues tells both these tales admirably, drawing on a treasure-trove of previously unknown material. It is both an important contribution to jazz scholarship and a fascinating piece of storytelling."—Ted Gioia, author of The History of Jazz and West Coast Jazz "Meticulously researched, including primary source material recently uncovered by the author, Dead Man Blues is not only a masterfully written, definitive account of Jelly Roll Morton's west coast years, but also a penetrating psychological and social study of the man and the forces that drove and shaped him."—Steve Isoardi, co-author of Central Avenue Sounds "A must-read for all jazz aficionados."—Gerald Wilson "One of the best books ever written about Jelly Roll Morton."—Gerald Wiggins, jazz pianist

Chicago, 1928. In the stifling summer heat, three disturbing events take place: A clique of city leaders is poisoned in a fancy hotel; a white gangster is found mutilated in an alleyway in the Blackbelt; and a famous heiress vanishes without a trace. Pinkerton detectives Michael Talbot and Ida Davis are hired to find the missing heiress by the girl’s troubled mother. But it soon proves harder than expected to find a face that is known across the city, and Ida must elicit the help of her friend, Louis Armstrong. While the police take little interest in the Blackbelt murder, Jacob Russo—crime scene photographer—can’t get the dead man’s image out of his head, leading him to embark on his own investigation. And Dante Sanfelippo—rum-runner and fixer—is back in Chicago on the orders of Al Capone, who suspects there’s a traitor in the ranks and wants Dante to investigate. But Dante is struggling with his own problems, as he is forced to return to the city he thought he’d never see again . . .

Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.

*Shortlisted for the CWA Gold Dagger for Best Crime Novel of 2017* Chicago, 1928. In the stifling summer heat three disturbing events take place. A clique of city leaders is poisoned in a fancy hotel. A white gangster is found mutilated in an alleyway in the Black Belt. And a famous heiress vanishes without a trace. Pinkerton detectives Michael Talbot and Ida Davis are hired to find the missing heiress by the girl's troubled mother. But it proves harder than expected to find a face that is known across the city, and Ida must elicit the help of her friend Louis Armstrong. While the police take little interest in the Black Belt murder, crime scene photographer Jacob Russo can't get the dead man's image out of his head, and so he embarks on his own investigation. And Dante Sanfelippo - rum-runner and fixer - is back in Chicago on the orders of Al Capone, who suspects there's a traitor in the ranks and wants Dante to investigate. But Dante is struggling with problems of his own as he is forced to return to the city he thought he'd never see again . . . As the three parties edge closer to the truth, their paths cross and their lives are threatened. But will any of them find the answers they need in the capital of blues, booze and corruption? Dead Man's Blues is the gripping second installment in Ray Celestin's prize-winning City Blues quartet. It is followed by the third book in the series, The Mobster's Lament.

The third novel starring Montana's fly fisherman-cum-detective Sean Stranahan, for fans of C. J. Box and Craig Johnson Wolves howl as a riderless horse returns at sunset to the Culpepper Dude Ranch in the Madison Valley. The missing woman, Nanika Martinelli, is better known as the Fly Fishing Venus, a red-haired river guide who lures clients the way dry flies draw trout. As Sheriff Martha Ettinger follows hoof tracks in the snow, she finds one of the men who has fallen under the temptress’s spell impaled on the antler tine of a giant bull elk, a kill that’s been claimed by a wolf pack. An accident? If not, is the killer human or animal? With painter, fly fisherman, and sometimes private detective Sean Stranahan’s help, Ettinger will follow clues that point to an animal rights group called the Clan of the Three-Clawed Wolf and to their svengali master, whose eyes blaze with pagan fire. In their most dangerous adventure yet, Stranahan and Ettinger find themselves in the crossfire of wolf lovers, wolf haters, and a sister bent on revenge, and on the trail of an alpha male gone terribly wrong.

Tbe keenest loss was his separation from Anita Gonzales, by his own account "the only woman I ever loved," and to whom he left almost all of his royalties in his will.".