Between a fishing tournament and a biker convention, Doc Osborne and Police Chief Ferris are spending less time catching bass and more time catching crooks... For fishing pals (or are they more than just pals?) Doc Osborne and Police Chief Lew Ferris, Loon Lake, Wisconsin, is usually a great place to seek out some mutual solitude in the trout stream. But lately, the town has been teeming with competitive bass fisherman and bikers, too many less-than-savory characters. Meanwhile, there's an old murder case Doc's bent on solving even as he himself is stalked by a mysterious visitor.

Providing an understanding of the relationship with death, both as an individual and as a member of society. This book is intended to contribute to your understanding of your relationship with death, both as an individual and as a member of society. Kastenbaum shows how individual and societal attitudes influence both how and when we die and how we live and deal with the knowledge of death and loss. Robert Kastenbaum is a renowned scholar who developed one of the world's first death education courses and introduced the first text for this market. This landmark text draws on contributions from the social and behavioral sciences as well as the humanities, such as history, religion, philosophy, literature, and the arts, to provide thorough coverage of understanding death and the dying process. Learning Goals Upon completing this book, readers should be able to: -Understand the relationship with death, both as an individual and as a member of society -See how social forces and events affect the length of our lives, how we grieve, and how we die -Learn how dying people are perceived and treated in our society and what can be done to provide the best possible care -Master an understanding of continuing developments and challenges to hospice (palliative care). -Understand what is becoming of faith and doubt about an afterlife

He Used A Claw Hammer. . . Frankie Cochran knew her boyfriend, David Gerard, was possessive, controlling, and prone to violent rages. When she tried to break up with him, Gerard threatened her with a hammer. One week later, he used it to club her in the head. Again. And again. Then he stabbed her in the throat--and left her for dead. . . And A Sharp Knife. . . Miraculously, Frankie survived--but cops began to suspect Gerard of other vicious crimes. One of his previous girlfriends had died in a house fire, along with her children and her mother. A local prostitute's brutalized body was found in a pool of blood. But it was the unsolved murder of another woman--repeatedly run over on a country road--that finally exposed Gerard as a rage-driven monster out of control. . . To Unleash His Rage Justice finally caught up with Gerard. Hounded by the tireless efforts of detectives and incriminated by DNA evidence as well as up-to-date forensics that matched the tire marks at a crime scene to Gerard's car, one of the Pacific Northwest's most dangerous killers was finally locked behind bars. With 16 pages of shocking photos!

Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.

The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.

This sequel to Harvey Goldman's well-received Max Weber and Thomas Mann continues his rich exploration of the political and cultural critiques embodied in the more mature writings of these two authors. Combining social and political thought, intellectual history, and literary interpretation, Goldman examines in particular Weber's "Science as a Vocation" and "Politics as a Vocation" and Mann's The Magic Mountain and Doctor Faustus. Goldman deals with the ways in which Weber and Mann sought an antidote to personal and cultural weakness through "practices" for generating strength, mastery, and power, drawing primarily on ascetic traditions at a time when the vitality of other German traditions was disappearing. Power and mastery concerned both Weber and Mann, especially as they tried to resolve problems of politics and culture in Germany. Although their resolutions of the problems they confronted seem inadequate, they show the significance of linking social and political thought to conceptions of self and active worldly practices. Trenchant and illuminating, Goldman's book is essential reading for anyone interested in political theory, social thought, and the intellectual history of Germany.