Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

Dru and Gina are young, in love, and can’t wait to get out of Marshall, Nebraska, a town where bloodline means everything and whoever has the money makes the rules. But all their dreams are shattered when Gina has a monstrous run-in with the son of the richest man in Marshall—an incident that leaves her broken, battered, and violated. Driven by rage, Dru and Gina take matters into their own hands, and quickly find themselves in over their heads. Without any other options, Dru and Gina are on the run. But there’s more chasing them than they think, and love might not be enough to save them.

Determined to escape menacing families, two desperate teens fake their own deaths in this queer contemporary thriller perfect for fans of Natasha Preston and Karen McManus. In one week Maude will be dead. At least, that’s what she wants everyone to think. After years of research, Maude has decided to fake her own death. She’s figured out the how, the when, the where, and who will help her unsuspectingly. The why is complex: revenge, partly. Her terrible parents deserve this. But there’s also 'l’appel du vide,' the call of the void, that beckons her toward a new life where she will be tied to no one, free and adrift. Then Frankie, a step-cousin she barely knows, figures out what she’s plotting, and the plan seems like it’s ruined. Except Frankie doesn’t want to rat her out—Frankie wants in. The girls vault into the unknown, risking everything for a new and limitless life. But there are some things you can never run away from. What if the poison is not in the soil, but in the roots? This pulse-pounding thriller offers a nuanced exploration of identity, freedom, and falling in love while your world falls apart. "A clever page-turner that I couldn’t put down." —Natasha Preston, #1 New York Times Bestselling Author​ A Rainbow Book List Selection A YALSA Amazing Audiobook for Young Adults A YALSA Quick Pick for Reluctant Young Adult Readers

Japan’s internationally celebrated master storyteller returns with five stories of women on their way to healing that vividly portrays the blissful moments and everyday sorrows that surround us in everyday life A New York Times Notable Book "This is a supremely hopeful book, one that feels important because it shows that happiness, while not always easy, is still a subject worthy of art." —Brandon Taylor, The New York Times Book Review First published in Japan in 2003 and never before published in the United States, Dead-End Memories collects the stories of five women who, following sudden and painful events, quietly discover their ways back to recovery. Among the women we meet in Dead-End Memories is one betrayed by her fiancé who finds a perfect refuge in an apartment above her uncle’s bar while seeking the real meaning of happiness. In “House of Ghosts,” the daughter of a yoshoku restaurant owner encounters the ghosts of a sweet elderly couple who haven’t yet realized that they’ve been dead for years. In “Tomo-chan’s Happiness,” an office worker who is a victim of sexual assault finally catches sight of the hope of romance. Yoshimoto’s gentle, effortless prose reminds us that one true miracle can be as simple as having someone to share a meal with, and that happiness is always within us if only we take a moment to pause and reflect. Discover this collection of what Yoshimoto herself calls the “most precious work of my writing career.”

Frances works the night shift at a local convenience store, dividing her time between restocking shelves and working on her art. Her routine is broken one night when Devin comes into the store. He claims to be the son of a famous local artist and offers her advice on her drawings. Although he seems to know way too much about her, Frances decides, against the advice of her boyfriend, that he is odd but harmless. By the time she realizes the danger she is in, Devin is completely obsessed with her and convinced that if he can't have her, no one will. Frances will be forced to use all her strength to escape from Devin. Also available in Spanish.

"An internal account of the political activities taking place inside the Kremlin from the fall of the USSR under the administration of Gorbachev to the future of Russia under Putin"--Provided by publisher.

When a body is discovered in a field in Iowa, the police uncover fourteen additional corpses ranging from 20 years old to recent. The remains point to a serial killer with an MO the authorities have seen before--Ed Oliphant, a man who has been in prison for over 20 years . . . and is Special Agent Kaely Quinn's father. After several failed interview attempts to discover if Ed has been training someone to be a copycat killer, the police turn to Kaely in St. Louis. Kaely promised herself she would never step foot in her hometown or set eyes on her father again. She's always refused to confront her past, but if she wants to prevent any more deaths, she must come face-to-face with the man she's hated for years. As more bodies are discovered, Kaely races against time and her own personal turmoil to uncover the killer. Will this most personal case yet cost Kaely her identity and perhaps even her life?