DescriptionThe symptoms of schizophrenia are rooted in the heart. By and large, it is a state of mind caused by the negativity of influences and forces greater than the patients will to power. This biographical novel is a journey of the mind through the embittered struggle of my teens and twenties and is a reflection on my loss of innocence.

The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future.

A relentless thrill ride. . . Break out the popcorn, you're in for a real treat. --Harry Shannon, author of Dead and Gone Texas? Toast. Battered by five cataclysmic hurricanes in three weeks, the Texas Gulf Coast and half of the Lone Star State is reeling from the worst devastation in history. Thousands are dead or dying--but the worst is only beginning. Amid the wreckage, something unimaginable is happening: a deadly virus has broken out, returning the dead to life--with an insatiable hunger for human flesh. . . The Nightmare Begins Within hours, the plague has spread all over Texas. San Antonio police officer Eddie Hudson finds his city overrun by a voracious army of the living dead. Along with a small group of survivors, Eddie must fight off the savage horde in a race to save his family. . . Hell On Earth There's no place to run. No place to hide. The zombie horde is growing as the virus runs rampant. Eddie knows he has to find a way to destroy these walking horrors. . .but he doesn't know the price he will have to pay. . . "Hair-raising. Do yourself a favor and snag a copy. . . thank me later." --Gene O'Neill, author of Deathflash "A merciless, fast-paced and genuinely scary read that will leave you absolutely breathless." --Brian Keene

A Mad Sorcerer. A weak King. A defenseless city. When Dargoth is kidnapped from his mother’s arms he is forced to come face to face with the forces that threaten his Kingdom. As he struggles to reunite with his mother, Dargoth decides that he must do something to help the people of his city stand against the Sorcerers. He throws himself into the heart of a rebellion led, not by kings or army commanders, but by the children whose lives were upended just like his. This is their story, the epic tale of the Children of the Dead City.

Originally published: Somerville, Massachusetts: Candlewick Press, 2015.

For the late great Mike Davis, the ravaging of the climate by capital—and his prescient analysis of its consequences for those of us left to deal with the resulting crises—was always a central part of his urban geography. In these wide ranging, incisive, and hauntingly relevant essays, Davis asks us to consider what we would find if we put a microscope to the ruins of Metropolis, and provides a riveting account of the disasters—natural, man-made, and those (as in the case of climate calamity) where the distinction is impossible to make—that he finds on the other end. He begins his examination by sifting through the rubble of the twin towers in the wake of 9/11, presciently identifying the seeds of war already germinating in the scorched soil of ground zero, and closes by considering how little prepared our hollowed out urban infrastructure is to deal with shocks of any kind, be they from car bombs or ice storms. In between we are treated to tours of blasted wastelands where American generals built and destroyed replicas of Berlin, glimpses of Las Vegas’s penchant for annihilating its own best-known landmarks, and other riveting tales of the dialectic between nature and the city. Dead Cities, written over twenty years ago, abounds with prophecies fulfilled, contains echoes of our current moment where conspiracies abound and anxieties drown out official celebrations of prosperity, and offers dreams of alternative paths not taken.