Lita Du Champ struggles to save her family from its own past in 1940s New Orleans.

In a small town in East Germany in the winter of 1988 Stasi officer Dieter Krause captured and murdered Hans Becker, a spy. Ten years later the Berlin wall has come down and Krause has managed to overcome his past, making himself indispensable to the British Military by spying on the Russians. But, when Corporal Tracy Barnes recognises him as the murderer of Becker, her lover, she knows the time has finally come for Krause to pay. But, even in the new Germany, still at war with itself, there is always somebody watching . . . For Tracy, the waiting time is finally over. But if she fails in her quest for justice, a quiet death will be her only reward.

Winner of the prestigious CWA IAN FLEMING STEEL DAGGER AWARD 2022 Longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022 'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker 'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series 'M. W. Craven is one of the best crime writers working today. Dead Ground is a cracking puzzle, beautifully written, with characters you'll be behind every step of the way. It's his best yet.' Stuart Turton 'Fantastic' Martina Cole 'Dark, sharp and compelling' Peter James 'You can taste the authenticity' Daily Mail Detective Sergeant Washington Poe is in court, fighting eviction from his beloved and isolated croft, when he is summoned to a backstreet brothel in Carlisle where a man has been beaten to death with a baseball bat. Poe is confused - he hunts serial killers and this appears to be a straightforward murder-by-pimp - but his attendance was requested personally, by the kind of people who prefer to remain in the shadows. As Poe and the socially awkward programmer Tilly Bradshaw delve deeper into the case, they are faced with seemingly unanswerable questions: despite being heavily vetted for a high-profile job, why does nothing in the victim's background check out? Why was a small ornament left at the murder scene - and why did someone on the investigation team steal it? And what is the connection to a flawlessly executed bank heist three years earlier, a heist where nothing was taken . . . Praise for Dead Ground: 'Unmissable' Sunday Express 'I've been following M.W. Craven's Poe/Tilly series from the very beginning, and it just gets better and better. Dead Ground is a fast-paced crime novel with as many twists and turns as a country lane. I can't wait for the next one.' Peter Robinson 'Dead Ground is both entertaining and engaging with great characters and storyline. I loved this first dip into the world of Tilly and Poe!' BA Paris Praise for M W Craven: 'A brutal and thrilling page turner' Natasha Harding, The Sun 'A thrilling curtain raiser for what looks set to be a great new series' Mick Herron 'One of the most engaging teams in crime fiction' Daily Mail 'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!' David Mark 'A gripping start to a much anticipated new series' Vaseem Khan 'Satisfyingly twisty and clever and the flashes of humour work well to offer the reader respite from the thrill of the read.' Michael J. Malone 'Nothing you've ever read will prepare you for the utterly unique Washington Poe' Keith Nixon 'Beware if you pick up a book by M.W. Craven. Your life will no longer belong to you. He will hold you spellbound.' Linda's Book Bag 'Craven's understanding of the criminal world is obvious in this cracking read' Woman's Weekly 'Breath-taking' Random Things Through My Letterbox '5 Stars... another fantastic literary experience and a welcome addition to the already brilliant Poe and Tilly series' Female First 'An explosive plot, slippery twists and my fave new crime-busting duo...Fantastic!' Peterborough Telegraph

This is the 30th Anniversary reissue (2018) of Susan E. Kesler's definitive book, The Wild Wild West, The Series (1988). Completely re-edited and redesigned, much of the previous book's overall style and content remains. Lots of color has been added, along with cleaner copy and fresh material. There are great photos of the original book's 1988 San Diego Comic-Con launch. This is an absolute MUST for any fan of the series.

After September 11, with New Yorkers reeling from the World Trade Center attack, Chief Medical Examiner Charles Hirsch proclaimed that his staff would do more than confirm the identity of the individuals who were killed. They would attempt to identify and return to families every human body part recovered from the site that was larger than a thumbnail. As Jay D. Aronson shows, delivering on that promise proved to be a monumentally difficult task. Only 293 bodies were found intact. The rest would be painstakingly collected in 21,900 bits and pieces scattered throughout the skyscrapers’ debris. This massive effort—the most costly forensic investigation in U.S. history—was intended to provide families conclusive knowledge about the deaths of loved ones. But it was also undertaken to demonstrate that Americans were dramatically different from the terrorists who so callously disregarded the value of human life. Bringing a new perspective to the worst terrorist attack in U.S. history, Who Owns the Dead? tells the story of the recovery, identification, and memorialization of the 2,753 people killed in Manhattan on 9/11. For a host of cultural and political reasons that Aronson unpacks, this process has generated endless debate, from contestation of the commercial redevelopment of the site to lingering controversies over the storage of unclaimed remains at the National 9/11 Memorial and Museum. The memory of the victims has also been used to justify military activities in the Middle East that have led to the deaths of an untold number of innocent civilians.

Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.