Cicero's so-called Academica is a significant text for European cultural and intellectual history: as a substantial and self-contained body of evidence for one of the two varieties of scepticism in antiquity, as evidence for Stoic thought presented on its own terms and in interaction with objections, as a key text in a broader tradition which is devoted to the possibility of knowledge arising from perceptual experience, and as evidence for the fate of Plato's Academy in its final phase as a functioning school. This volume is the first detailed commentary on this set of texts since Reid's, published in 1885. It takes full account of the scholarly debate to date and seeks to elucidate the dialogues and fragmentary remains from a philosophical, historical, literary, and linguistic point of view.

Prologue: Quintilian and John of Salisbury in the Ciceronian tradition -- Rhetoric, emotional manipulation, and morality: the contemporary relevance of Cicero vis-a-vis Aristotle -- Political morality, conventional morality, and decorum in Cicero -- Rhetoric as a balancing of ends: Cicero and Machiavelli -- Justus Lipsius, morally acceptable deceit, and prudence in the Ciceronian tradition -- The classical orator as political representative: Cicero and the modern concept of representation -- Deliberative democracy and rhetoric: Cicero, oratory, and conversation

Hellenistic oratory remains an elusive subject as not one Greek speech has survived from the end of the fourth century BC until the beginning of the first century AD. This collection of fourteen interdisciplinary essays offers a wide-ranging study of the different ways in which Hellenistic oratory can be approached. Written by a team of leading scholars in the field, it examines the different kinds of evidence which shed light on the dynamic character of oratory during the Hellenistic period. All essays stress the pervasive influence of Hellenistic oratory and survey its different manifestations in diverse literary genres and socio-political contexts, especially the dialogue between the Greek oratorical tradition and the developing oratorical practices at Rome. The volume opens with a detailed introduction, which sets the study of Hellenistic oratory within the context of current trends in Hellenistic history and rhetoric, and closes with an afterword which underlines the vibrancy and sophistication of oratory during this period. It will appeal to all students and scholars of Hellenistic history, society, and the history of rhetoric.

From Polypragmon to Curiosus is a study of how Greek and Latin writers describe curious, meddlesome, and exaggerated behaviour. Founded on a detailed investigation of a family of Greek terms, often treated as synonymous with each other, and of the Latin words used to describe them, opening chapters survey how they were used in Greek literature from the 5th and 4th centuries BC, moving onto their Latin usage and relationship to that of Hellenistic and imperial Greek. Other chapters adopt a more thematic approach and consider how words, such as polypramon, periergos, philopragmon, and curiosus, are employed in descriptions of the world of knowledge opened up by empire - in discourses of pious and impious curiosity, in reflections on what constitutes useful and useless learning, and in descriptions of style. The themes which the volume addresses remain alive throughout the literature of the Middle Ages and the Renaissance, most obviously through emblematic figures of human curiosity, such as Dante's Ulisse and Marlowe's Dr Faustus.

This collection of studies on ancient poetry and historiography pays tribute to the distinguished classicist Tony Woodman. It focuses on the impact of rhetoric on both genres, and on the importance of the literature on illuminating the historical Roman context, and the historical context to illuminate the literature.

Well-known as a brilliant general and politician, Caesar also played a fundamental role in the formation of the Latin literary language and history of Latin Literature. This volume provides both a clear introduction to Caesar as a man of letters and a fresh re-assessment of his literary achievements.